Jbreezyondeck

5y

One of the hardest songs OAT

zenereura

5y

whats in ur top 5 hardest, I need some more for my gym playlist

Jbreezyondeck

5y

Damn bro alright off the top my go to songs when I’m trynna PR or need an extra motivation

No Flockin x Kodak
Put On x Jeezy x Ye
2pac x Future
5AM In Toronto x Drake
Intro (The Dynasty album) x Jay

zenereura

5y

All Slaps

HFM

5y

Dustpac

HFM

5y

Dustpac

viscera

5y

them drums man.

"You mentioned creative sounds- DeVante & Da Bassment as a collective developed an incredibly unique and special sound- not just melodically or beats-wise or even in terms of the style of singing- it was a combined result of all three and one that's unique to each and all of you and has helped launch a number of careers which are still going strong to this day. Do you think that 'sound' which we have seen with Timbaland, Missy etc. was born from the days with Da Bassment & DeVante?

Definitely. Let me tell you- that musical sound that you heard back then that creatively moved mountains in the music industry- that musical sound was mostly DeVante. It developed in Da Bassment and was managed between him & Timbaland but it was mainly DeVante in terms of the development, because he really was the only one who had the skills to do that. Timbaland at that point was a very talented young man but he was learning and being schooled by DeVante. The actual bass drums, and the way Timbaland would pattern his drumbeats, that was actually a combination of my mouth and a producer called SMK that DeVante liked and brought in from Rochester. What would happen is, like I'd already described- a typical day in the life of Da Bassment consisted of what we called vibin'. So we'd be vibin' in a cypher and we'd all be just impromptu singin', rhymin' freestylin' and somebody would have to bust a beat out. So the way I used to beatbox with my mouth- I don't know if you're going to hear this clearly over the phone properly, but I'd do this (Accion beatboxes for 15 seconds and it sounds uncannily like what we classed as a Timbaland drum beat between 1997-1999). So I'd beatbox like that, but I wasn't producing music, so what would happen is DeVante & Tim would go into the studio and duplicate my pattern with the drum machine and develop it. SMK's music was very bass heavy so he brought in the bass pattern to match with my beatboxing & DeVante's drum pattern, and it sounded like this (Accion beatboxes for another 15 seconds). So basically DeVante & Tim took those two ideals and then developed it further and made that sound you're referring to."

http://www.thethomascrownchronicles.com/2010/02/da-basment-days-day-4.html

viscera

5y

them drums man.

"You mentioned creative sounds- DeVante & Da Bassment as a collective developed an incredibly unique and special sound- not just melodically or beats-wise or even in terms of the style of singing- it was a combined result of all three and one that's unique to each and all of you and has helped launch a number of careers which are still going strong to this day. Do you think that 'sound' which we have seen with Timbaland, Missy etc. was born from the days with Da Bassment & DeVante?

Definitely. Let me tell you- that musical sound that you heard back then that creatively moved mountains in the music industry- that musical sound was mostly DeVante. It developed in Da Bassment and was managed between him & Timbaland but it was mainly DeVante in terms of the development, because he really was the only one who had the skills to do that. Timbaland at that point was a very talented young man but he was learning and being schooled by DeVante. The actual bass drums, and the way Timbaland would pattern his drumbeats, that was actually a combination of my mouth and a producer called SMK that DeVante liked and brought in from Rochester. What would happen is, like I'd already described- a typical day in the life of Da Bassment consisted of what we called vibin'. So we'd be vibin' in a cypher and we'd all be just impromptu singin', rhymin' freestylin' and somebody would have to bust a beat out. So the way I used to beatbox with my mouth- I don't know if you're going to hear this clearly over the phone properly, but I'd do this (Accion beatboxes for 15 seconds and it sounds uncannily like what we classed as a Timbaland drum beat between 1997-1999). So I'd beatbox like that, but I wasn't producing music, so what would happen is DeVante & Tim would go into the studio and duplicate my pattern with the drum machine and develop it. SMK's music was very bass heavy so he brought in the bass pattern to match with my beatboxing & DeVante's drum pattern, and it sounded like this (Accion beatboxes for another 15 seconds). So basically DeVante & Tim took those two ideals and then developed it further and made that sound you're referring to."

http://www.thethomascrownchronicles.com/2010/02/da-basment-days-day-4.html

CKL TML

5y

New and improved Pac Polo G OUT NOW

viscera

5y

them drums man.

"You mentioned creative sounds- DeVante & Da Bassment as a collective developed an incredibly unique and special sound- not just melodically or beats-wise or even in terms of the style of singing- it was a combined result of all three and one that's unique to each and all of you and has helped launch a number of careers which are still going strong to this day. Do you think that 'sound' which we have seen with Timbaland, Missy etc. was born from the days with Da Bassment & DeVante?

Definitely. Let me tell you- that musical sound that you heard back then that creatively moved mountains in the music industry- that musical sound was mostly DeVante. It developed in Da Bassment and was managed between him & Timbaland but it was mainly DeVante in terms of the development, because he really was the only one who had the skills to do that. Timbaland at that point was a very talented young man but he was learning and being schooled by DeVante. The actual bass drums, and the way Timbaland would pattern his drumbeats, that was actually a combination of my mouth and a producer called SMK that DeVante liked and brought in from Rochester. What would happen is, like I'd already described- a typical day in the life of Da Bassment consisted of what we called vibin'. So we'd be vibin' in a cypher and we'd all be just impromptu singin', rhymin' freestylin' and somebody would have to bust a beat out. So the way I used to beatbox with my mouth- I don't know if you're going to hear this clearly over the phone properly, but I'd do this (Accion beatboxes for 15 seconds and it sounds uncannily like what we classed as a Timbaland drum beat between 1997-1999). So I'd beatbox like that, but I wasn't producing music, so what would happen is DeVante & Tim would go into the studio and duplicate my pattern with the drum machine and develop it. SMK's music was very bass heavy so he brought in the bass pattern to match with my beatboxing & DeVante's drum pattern, and it sounded like this (Accion beatboxes for another 15 seconds). So basically DeVante & Tim took those two ideals and then developed it further and made that sound you're referring to."

http://www.thethomascrownchronicles.com/2010/02/da-basment-days-day-4.html

zenereura

5y

@cheer listen to this one, even the mix is clean and sharp. The beat is timeless, the synths are incredible and Tupac is hauntingly aggressive

cheer

5y

I like this bro i didnt hear it before

cheer

5y

I like this bro i didnt hear it before

doctor

5y

Shorty Wanna Be a Thugs production

zenereura

5y

Yo bro u got any Devante / Ginuwine leaks from the 90s Bassment era?

You a big fan of that time period?

ASAKI

5y

and ktt really thought that pac was "overrated"

he might not be objectively the GOAT, but he's clearly in the convo