Reply
  • Aug 19, 2023

    @Bruises is great

  • Aug 19, 2023
    ·
    1 reply
    Sir Swagalot

    I know this topic has been beaten to death for quite some time now and I know many of you will probably not read this thread because of that in mind, but I honestly don’t care. I need this outlet to express how I feel because I’m tired of holding back my reservations and concerns that I’ve had regarding not just music, but us as consumers.

    For the past 100 years, music labels and execs have essentially curated the soundtracks to our lives. Whether it was through the radio, TV, or CDs, we were all tuned in to what’s going on because they were the sole providers of what we listen to and we were forced to consume it (aka MONOCULTURE). While that sounds kinda dystopian like (and in some ways it was im ngl), personally I see it as a way of relatability and community. When we are restricted, we are forced to deal with what we got and make something out of it. It’s through discussion and exchanging of ideas within those confines that ignites that creative spark within us.

    However, that spark has been put out thanks to streaming and social media. I’ll be the first to admit that if it weren’t for streaming, I wouldn’t be 1/10th of the music nerd that I am today. I started using Spotify when I was 11 back in 2011, back when you needed a Facebook account to use it. I was playing musical instruments and buying CDs at that point in my life so some sort of musical foundation had already been established in me. Through my young and curious mind, I was able to discover whole new worlds of genres and sounds because I grew tired of hearing the same s*** for the 2000th time. Why limit myself to CDs and a 2GB iPod Shuffle when I have the whole world at my fingertips?

    That lack of a limit is what has destroyed the creative mind. When you look back on the music of yesteryear decade by decade, you start to notice a trend of drastically different sounds because PEOPLE got f***ing tired of hearing the same ol s***. Nowadays, society has become more self-absorbed and general discourse regarding anything with substance is trite; the system has taught us that differing opinions in an individualistic world will make people defensive and hostile. Many artists are scared to experiment or go out of their comfort zone because the people can make or break their career with just reactionary tweets. We’re too busy focusing on getting a dopamine rush rather than truly appreciating and digesting the art that has been provided to us.

    We live in a world where a peasant can become a prince in a matter of minutes, yet the crown is always being moved from head to head without any sense of direction because we ourselves don’t know what we want. I'm just honestly scared for the future...for the people who didn't know (or just completely forgot) what it was like to listen to music before the streaming age.

    Putting on my English TA hat to grade this essay

    For the past 100 years, music labels and execs have essentially curated the soundtracks to our lives. Whether it was through the radio, TV, or CDs, we were all tuned in to what’s going on because they were the sole providers of what we listen to and we were forced to consume it (aka MONOCULTURE). While that sounds kinda dystopian like (and in some ways it was im ngl), personally I see it as a way of relatability and community. When we are restricted, we are forced to deal with what we got and make something out of it. It’s through discussion and exchanging of ideas within those confines that ignites that creative spark within us.

    Not exactly, what the music industry had a chokehold on was the means of production, you needed industrial equipment to make vinyls, cassettes, and CD's en masse. Since the same people that owned the equipment decided who got to be pressed on it, this created the gatekept structure of the industry. Mind you, independent labels existed, people made mixtapes of their favorite music, and radio was not the oligarchy that it is today

    However, that spark has been put out thanks to streaming and social media. I’ll be the first to admit that if it weren’t for streaming, I wouldn’t be 1/10th of the music nerd that I am today. I started using Spotify when I was 11 back in 2011, back when you needed a Facebook account to use it. I was playing musical instruments and buying CDs at that point in my life so some sort of musical foundation had already been established in me. Through my young and curious mind, I was able to discover whole new worlds of genres and sounds because I grew tired of hearing the same s*** for the 2000th time. Why limit myself to CDs and a 2GB iPod Shuffle when I have the whole world at my fingertips?

    Not quite, the advent of affordable and reliable home recording equipment and digital distribution services meant that people could record and distribute their own music without a record label. Social media and streaming catalyzed this by making it possible to build a following and virality without relying of physical media.

    That lack of a limit is what has destroyed the creative mind. When you look back on the music of yesteryear decade by decade, you start to notice a trend of drastically different sounds because PEOPLE got f***ing tired of hearing the same ol s***. Nowadays, society has become more self-absorbed and general discourse regarding anything with substance is trite; the system has taught us that differing opinions in an individualistic world will make people defensive and hostile. Many artists are scared to experiment or go out of their comfort zone because the people can make or break their career with just reactionary tweets.

    This is a bit of an absurd paragraph on multiple levels
    looking at the progression of music in the last 10 years, we still see and hear progression. The last five years have been the growth of rage, hyperpop, plugg and a bazillion other microgenres, with mainstream artists cribbing from them. Not to mention, we're seeing teenagersmaking songs on bandlab, literally just with their phone, so i don 't buy the "no limitations" statement.

    As for your statement on experimentation its an armchair generalization, I can point you to Lil Yachty making alt rock, drake making house, and Denzel Curry making a live album as recent examples of experimentation, and that's just within Hip Hop

    We’re too busy focusing on getting a dopamine rush rather than truly appreciating and digesting the art that has been provided to us.

    Dopamine mythos, please read

    health.harvard.edu/blog/dopamine-fasting-misunderstanding-science-spawns-a-maladaptive-fad-2020022618917

    theguardian.com/science/2013/feb/03/dopamine-the-unsexy-truth

    C-, please see notes

  • Aug 19, 2023
    KOL Meezy Mestizo

    Putting on my English TA hat to grade this essay

    For the past 100 years, music labels and execs have essentially curated the soundtracks to our lives. Whether it was through the radio, TV, or CDs, we were all tuned in to what’s going on because they were the sole providers of what we listen to and we were forced to consume it (aka MONOCULTURE). While that sounds kinda dystopian like (and in some ways it was im ngl), personally I see it as a way of relatability and community. When we are restricted, we are forced to deal with what we got and make something out of it. It’s through discussion and exchanging of ideas within those confines that ignites that creative spark within us.

    Not exactly, what the music industry had a chokehold on was the means of production, you needed industrial equipment to make vinyls, cassettes, and CD's en masse. Since the same people that owned the equipment decided who got to be pressed on it, this created the gatekept structure of the industry. Mind you, independent labels existed, people made mixtapes of their favorite music, and radio was not the oligarchy that it is today

    However, that spark has been put out thanks to streaming and social media. I’ll be the first to admit that if it weren’t for streaming, I wouldn’t be 1/10th of the music nerd that I am today. I started using Spotify when I was 11 back in 2011, back when you needed a Facebook account to use it. I was playing musical instruments and buying CDs at that point in my life so some sort of musical foundation had already been established in me. Through my young and curious mind, I was able to discover whole new worlds of genres and sounds because I grew tired of hearing the same s*** for the 2000th time. Why limit myself to CDs and a 2GB iPod Shuffle when I have the whole world at my fingertips?

    Not quite, the advent of affordable and reliable home recording equipment and digital distribution services meant that people could record and distribute their own music without a record label. Social media and streaming catalyzed this by making it possible to build a following and virality without relying of physical media.

    That lack of a limit is what has destroyed the creative mind. When you look back on the music of yesteryear decade by decade, you start to notice a trend of drastically different sounds because PEOPLE got f***ing tired of hearing the same ol s***. Nowadays, society has become more self-absorbed and general discourse regarding anything with substance is trite; the system has taught us that differing opinions in an individualistic world will make people defensive and hostile. Many artists are scared to experiment or go out of their comfort zone because the people can make or break their career with just reactionary tweets.

    This is a bit of an absurd paragraph on multiple levels
    looking at the progression of music in the last 10 years, we still see and hear progression. The last five years have been the growth of rage, hyperpop, plugg and a bazillion other microgenres, with mainstream artists cribbing from them. Not to mention, we're seeing teenagersmaking songs on bandlab, literally just with their phone, so i don 't buy the "no limitations" statement.

    As for your statement on experimentation its an armchair generalization, I can point you to Lil Yachty making alt rock, drake making house, and Denzel Curry making a live album as recent examples of experimentation, and that's just within Hip Hop

    We’re too busy focusing on getting a dopamine rush rather than truly appreciating and digesting the art that has been provided to us.

    Dopamine mythos, please read

    https://www.health.harvard.edu/blog/dopamine-fasting-misunderstanding-science-spawns-a-maladaptive-fad-2020022618917

    https://www.theguardian.com/science/2013/feb/03/dopamine-the-unsexy-truth

    C-, please see notes

    still passed

  • BLACK
    Aug 19, 2023

    music is fine

  • Im Bruises 🐈‍⬛
    Aug 19, 2023
    BRAVE

    A lot of us are actual musicians so you have to keep that in mind when you see these discussions. It’s not just fans caring too much about something trivial, it’s musicians that care about the art who wanna have discussions about the general state of things

    This makes sense to worry about if your goal is to be like a mainstream successful artist I guess

    Otherwise idk I think you should just focus on not popular stuff probably

  • Aug 19, 2023

    great thread @op

    described my exact same feelings tbh

  • Aug 19, 2023

    Also idk if its me but that text in op is not that long its actually very short, concise and straight to the point

  • Aug 19, 2023

    monoculture

  • Aug 19, 2023
    ·
    2 replies

    it’s ironic that streaming was supposed to (and it did for a little bit) save the music industry, and now more and more it seems like it’s killing the music industry.

    to artists not being paid enough on streaming platforms, killing tastemakers, having 24/7 access to whatever we want to listen to (which is both good and bad), idk man it seems like streaming, while it inherently did some good, is honestly a double edged sword that is slowly killing culture in general not just music 🤷🏾‍♂️

  • Aug 19, 2023

    Life is Roblox

  • Aug 19, 2023
    rustcohlestan

    it’s ironic that streaming was supposed to (and it did for a little bit) save the music industry, and now more and more it seems like it’s killing the music industry.

    to artists not being paid enough on streaming platforms, killing tastemakers, having 24/7 access to whatever we want to listen to (which is both good and bad), idk man it seems like streaming, while it inherently did some good, is honestly a double edged sword that is slowly killing culture in general not just music 🤷🏾‍♂️

    too overexposed imo. having access to so much music is GREAT but it also has its disadvantages

  • Aug 19, 2023
    rustcohlestan

    it’s ironic that streaming was supposed to (and it did for a little bit) save the music industry, and now more and more it seems like it’s killing the music industry.

    to artists not being paid enough on streaming platforms, killing tastemakers, having 24/7 access to whatever we want to listen to (which is both good and bad), idk man it seems like streaming, while it inherently did some good, is honestly a double edged sword that is slowly killing culture in general not just music 🤷🏾‍♂️

    100%

  • Aug 19, 2023

    great thread honestly. i made my point with the post i quoted above but yea, we’re such an overexposed community at this point. i can only wonder what the next shift is gonna look like and how it’ll impact us as consumers/fans/musicians

  • rvi
    Aug 19, 2023
    ·
    1 reply

    I don't agree with the idea that the average music consumers today are all just tuned into something totally different. finding music through social media and algorithms is different than radio/tv/etc. but it's not just shooting people into millions of directions, lot of people are still getting directed towards the same s***. and the social aspect of music is still huge and people largely are still listening to what people in their social circle are.

    and yeah music nerds like us can listen to tons of different s*** and seek out whatever, but music nerds of the past also werent limited to just what was being pushed the hardest on radio/by labels etc. are less inclined to listen to albums they bought

    there are negatives of streaming (payment is the big one) but I don't think that's one of them. I think there are a ton of positives too, it's just a different age

  • Aug 19, 2023

    "We live in a world where a peasant can become a prince in a matter of minutes, yet the crown is always being moved from head to head" great quote

  • Aug 19, 2023
    rvi

    I don't agree with the idea that the average music consumers today are all just tuned into something totally different. finding music through social media and algorithms is different than radio/tv/etc. but it's not just shooting people into millions of directions, lot of people are still getting directed towards the same s***. and the social aspect of music is still huge and people largely are still listening to what people in their social circle are.

    and yeah music nerds like us can listen to tons of different s*** and seek out whatever, but music nerds of the past also werent limited to just what was being pushed the hardest on radio/by labels etc. are less inclined to listen to albums they bought

    there are negatives of streaming (payment is the big one) but I don't think that's one of them. I think there are a ton of positives too, it's just a different age

    what initially got me hooked on streaming was that spotify was free and i got to choose whatever i wanted, as opposed to pandora where i just prayed the next song on that station was good

  • Aug 19, 2023
    ·
    1 reply

    I think you are dead on with the lack of limitations and barriers-to-entry stifling creativity. The lack of scarcity in music, and the removal of centralized mediums which provided us with a shared cultural consciousness, all hurt the inertia to create larger-than-life stars and collective excitement in the culture as well.

    On one hand, it's everything we've ever wanted: no moneyed gatekeepers forcing you to listen to this or contort yourself for marketability, infinite access to music, infinite access to the lives of our favorite artists. Even though it is cool that we've achieved this kind of decentralization in some ways, it's very deflating at the end of it all -- there's no scarcity or shared experience anymore; there's no rushing to the record store to buy the latest Hov record after a two month long release build-up, there's no MTV Rock N Jock with f***in Method Man and Redman playing basketball against Leonardo DiCaprio randomly anymore, and there's nothing tying us all together in a satisfying way. Even this forum is one of the last refuges of the 'old internet' and, in fact, the old way of discussion and communication in general.

    On the other hand, we're all just kind of in our own little vaults now, listening to our self-reinforcing playlists and individually curated streams with very little in common between us. Who's the hottest rapper out now? Who's getting burn on the billboard? I don't know; I don't ever have to hear them now unless I specifically seek them out

  • Aug 19, 2023
    DARE IZ A DARKSIDE

    I think you are dead on with the lack of limitations and barriers-to-entry stifling creativity. The lack of scarcity in music, and the removal of centralized mediums which provided us with a shared cultural consciousness, all hurt the inertia to create larger-than-life stars and collective excitement in the culture as well.

    On one hand, it's everything we've ever wanted: no moneyed gatekeepers forcing you to listen to this or contort yourself for marketability, infinite access to music, infinite access to the lives of our favorite artists. Even though it is cool that we've achieved this kind of decentralization in some ways, it's very deflating at the end of it all -- there's no scarcity or shared experience anymore; there's no rushing to the record store to buy the latest Hov record after a two month long release build-up, there's no MTV Rock N Jock with f***in Method Man and Redman playing basketball against Leonardo DiCaprio randomly anymore, and there's nothing tying us all together in a satisfying way. Even this forum is one of the last refuges of the 'old internet' and, in fact, the old way of discussion and communication in general.

    On the other hand, we're all just kind of in our own little vaults now, listening to our self-reinforcing playlists and individually curated streams with very little in common between us. Who's the hottest rapper out now? Who's getting burn on the billboard? I don't know; I don't ever have to hear them now unless I specifically seek them out

    damn you are right on the money about KTT being one of the last refuges of the old internet lol

  • insertcoolnamehere

    popular. music. dictates. the. landscape. you. f***ing. dumbass.

    that's been the norm since like the 1940s. You're just posting to post at this point lol.

    your first sentence is pretty much what these “lol but there’s still good music coming out who cares” morons refuse to acknowledge

    when we speak of genres, we speak of established legends and GOATs within them, even if their underground scene is putting out nice stuff, the mainstream is pretty reflective of the overall health of the music itself to an extent

    these dudes are losing sight of the forest for the trees pretty much

  • Aug 20, 2023
    ·
    1 reply
    BRAVE

    A lot of us are actual musicians so you have to keep that in mind when you see these discussions. It’s not just fans caring too much about something trivial, it’s musicians that care about the art who wanna have discussions about the general state of things

    ”A lot of us are actual musicians”

  • Aug 20, 2023
    ·
    1 reply

    dude up there mentioned drake making house, denzel incorporating live instrumentation and yachty making “””alt rock””” as “””experimentation””” in hip-hop

    someone tell god to come get me please man lmao

  • Aug 20, 2023
    saint dot edumist

    ”A lot of us are actual musicians”

    Lol that wasn’t meant to be crazy tho it does look a lil sassy. But yeah with folks like us and Visiongod and op it partially comes from wanting to be in this s***. Then some others like Free it’s from a genuine love as fans

    But a lot of ppl making these threads are just hopping on to get they own s*** off

  • Aug 20, 2023
    saint dot edumist

    dude up there mentioned drake making house, denzel incorporating live instrumentation and yachty making “””alt rock””” as “””experimentation””” in hip-hop

    someone tell god to come get me please man lmao

    we are cooked

  • Aug 20, 2023
    ·
    1 reply

    great post, i agree on all fronts. also born in 2000 :)

    what gives me hope in the future of music is honestly the power of performance. recorded music is truly a fad on a historical scale. yes it has directly enabled an almost light year’s worth of advancements in the composition and production of music, but live performances have always been the bread and butter of the music industry— beethoven never made a vinyl record, kanye hasn’t composed a symphony, elvis never wrote any songs. but all three gave captivating live performances.

    its also not the most reliable— 2020 was a bad year to be in the business. but folks are showing out recently like they haven’t in a long time. concerts, raves, live performances will always be the lifeblood of musical development. you either have the chops or you don’t. being charming or engaging with the crowd is just brownie points.

    i’m kind of spitballing here lol i’m high as f***. but really appreciated your post and love discussing this kind of stuff anywhere anytime. mainstream cultural criticism is so superficial and click driven—media is everywhere and media literacy is staggeringly low these days—
    so it’s always refreshing to hear more nuanced and contextual takes on things.

    have a good saturday night 🙏

  • Aug 20, 2023
    ·
    1 reply

    done with this site.