Jun 16, 2023YG and the entire Odd Future are from Cali, she said Cali artists don’t have swag
Who has more swag than them?
Somebody from NY only knows NY,
so she is biased when speaking against California. The WESTIn the west, in Black cities, gang banging culture is heavily glorified
You not allowed to be different over here- Jun 16, 2023
goretexazelia is like 95% from the field on these rants and yall just write it off as shes crazy
Yes she do speak da truth
Jun 16, 2023
A Mad Ass NiggaSomeone itt said DS2
This is a hilarious answer, but also not a wrong one.
- Jun 16, 2023·1 replyA Mad Ass Nigga
I’m glad someone brought this up. It’s funny how folks only come for Kenny like rappers for that type of stuff but ignore Drill, most of trap etc.
It really just show the ignorance and slight anti blackness from this site. Kenny talk real s***, “he make music for the whites!!” But whenever drill or ignorant niggas make music for the spicy whites that cosplay online, nobody say anything. Essentially to make music for black people on here, you gotta be ignorant. Wait until this site actually meet black people in real life and find out Kenny and J Cole are loved by black folk.
Kendrick last album was a trick, it was directed at his white fanbase.
Yes sometimes whitefolks don’t understand the music and eat up hype
Dat applies to Kendrick or trap music it don’t matter - Jun 16, 2023
Ghetto LennyYour name is SPACEGHOSTPURRP. Of course you would defend her.
Listen, people are scared to be judged and outcasted,
Azalea stands up 4 what’s right sometimes n speaks da truthA few things she said is da truth
a few things she said is a very biased opinion - Jun 16, 2023·3 repliesSPACEGHOSTPURRP
Kendrick last album was a trick, it was directed at his white fanbase.
Yes sometimes whitefolks don’t understand the music and eat up hype
Dat applies to Kendrick or trap music it don’t matterBut why do people always do the most when rappers rap with meaning? We never see folks say Sosa make music for cacs when that has been majority of his fanbase post 2013 lol.
Jun 16, 2023
DinoYou got a DAMN avi but hating on the album, damn
It’s a Baby KEEM avi
Jun 16, 2023·1 replySPACEGHOSTPURRPShe speaks da truth, she says what people are scared 2 say
I hear these takes every 5 minutes on KTT and they get torn to shreds lol she would fit in great here
- Jun 16, 2023goretex
azelia is like 95% from the field on these rants and yall just write it off as shes crazy
Jun 16, 2023·1 replyA Mad Ass NiggaBut why do people always do the most when rappers rap with meaning? We never see folks say Sosa make music for cacs when that has been majority of his fanbase post 2013 lol.
White publications had like a 5 year stretch calling every Future album a revolutionary exploration of trauma or whatever
- Jun 16, 2023Noir
I hear these takes every 5 minutes on KTT and they get torn to shreds lol she would fit in great here
shes like 40% as profound or insightful as people say she is but shes willing to coat some pretty regular observations with deeply mean insults so people think shes really pushing some kind of envelope
- Jun 16, 2023Your Love Is King
how is this even true when white people are some of the biggest fans of the artists that come without a concept album
Thug?
Keef?White people love drill music?
I feel like when people say pandering to whites people they almost exclusively mean educated white liberals. theneedledrop viewers and NPR Podcast listeners. Not frat bros.
Jun 16, 2023thegreatdivineI don't think so. She's still crazy talented. She's just one of those people who can't help but get in their own way.
She’s 100% the female Kanye like to a T but smarter and funnier Lmfao but also somehow even more unhinged and stupid
- Jun 16, 2023·edited·1 replyglockglockglock
White publications had like a 5 year stretch calling every Future album a revolutionary exploration of trauma or whatever
"'I got no manners for no s***, imma stick my thumb in her butt' casts light on the plight of black men in a patriarchal society where misogyny and racial oppression is not only allowed to thrive but ultimately encouraged by the capitalistic system that we all, this humble writer included, contribute to."
- Jun 16, 2023·1 replygoretex
she was speaking the truth tbh west coast niggas will never be flyer than east coast thats 1000000000000% true
Dusty NY dudes got nerve, yall been swag jacking the south the past 20 years
- Jun 16, 2023·2 repliesNoir· edited
"'I got no manners for no s***, imma stick my thumb in her butt' casts light on the plight of black men in a patriarchal society where misogyny and racial oppression is not only allowed to thrive but ultimately encouraged by the capitalistic system that we all, this humble writer included, contribute to."
The old megan gharvey future reviews were hilarious idk if theyre still on p4k
- Jun 16, 2023·1 replyglockglockglock
The old megan gharvey future reviews were hilarious idk if theyre still on p4k
Thus is the strange and singular beauty of DS2, as ugly as its themes may be: it is at once detail-oriented and hazy, painfully coherent while advocating against coherence, creating an atmosphere like club spotlights piercing through fog machine and blunt smoke, or the beam of a lighthouse searching in the dark for a shipwreck
This dissonance creates the album’s essential tension between what Future literally describes and what he truly feels. "I pour two zips/ I’m feeling way better," he crows on swirling, melodramatic "Slave Master". "Way better," here, is fraught with subtext—the transcendent but fleeting relief of giving in to temptation. This isn’t an album that giddily champions substance abuse as a rock star trait, as his Future Hendrix persona once may have. Reckless d*** talk and boilerplate trap themes are undercut by incessant bitterness, loathing, and nausea. "God blessing all the trap niggas" is more than just a shout-out to people who grew up like he did, it’s a sincere plea. "I know the devil is real," he promises on "Blood on the Money", one of the album’s most stunning productions, somehow austere and baroque at the same damn time. Future thumbs through blood-stained bills, reminded of the life from which he ascended but can’t ever really escape, as much as he may have tried.
- Jun 16, 2023·2 repliesNoir
Thus is the strange and singular beauty of DS2, as ugly as its themes may be: it is at once detail-oriented and hazy, painfully coherent while advocating against coherence, creating an atmosphere like club spotlights piercing through fog machine and blunt smoke, or the beam of a lighthouse searching in the dark for a shipwreck
This dissonance creates the album’s essential tension between what Future literally describes and what he truly feels. "I pour two zips/ I’m feeling way better," he crows on swirling, melodramatic "Slave Master". "Way better," here, is fraught with subtext—the transcendent but fleeting relief of giving in to temptation. This isn’t an album that giddily champions substance abuse as a rock star trait, as his Future Hendrix persona once may have. Reckless d*** talk and boilerplate trap themes are undercut by incessant bitterness, loathing, and nausea. "God blessing all the trap niggas" is more than just a shout-out to people who grew up like he did, it’s a sincere plea. "I know the devil is real," he promises on "Blood on the Money", one of the album’s most stunning productions, somehow austere and baroque at the same damn time. Future thumbs through blood-stained bills, reminded of the life from which he ascended but can’t ever really escape, as much as he may have tried.
We know now that this was the fulcrum. The breaking point between Pop Star and Monster, the gruesome final rip of provisional sutures. The moment Future became something else—an oracle, or Faustian agent of temptation, or something else that sounds f***ing absurd until you hear "Codeine Crazy" wasted at 3 a.m. But who was really ready for Monster, the first of Future’s trilogy of career-resuscitating mixtapes, when it dropped a year ago today? I think a lot of us weren’t. It was a strange time to be a Future fan: there was the fresh corpse of "Body Party", the deeply pathetic "Pussy Overrated". Honest was fine but made you wonder what had happened to its original incarnation Future Hendrix, or to Super Future/Fire Marshal Future for that matter.
- Jun 16, 2023A Mad Ass Nigga
But why do people always do the most when rappers rap with meaning? We never see folks say Sosa make music for cacs when that has been majority of his fanbase post 2013 lol.
Nah Chief Keef got good at 2016 mixtape, he black da way he speaks n thinks connects with his people
Kendrick steppers album was some Bull, but the hype is high the white population that’s not around black folks have no way of understanding,
Lil Uzi too, straight garbage nonsense music over hood beats, they eat the hype up
Jun 16, 2023·editedA Mad Ass NiggaBut why do people always do the most when rappers rap with meaning? We never see folks say Sosa make music for cacs when that has been majority of his fanbase post 2013 lol.
Cause they always treat black intellect as a sub existence of white intellect
Basically white people/coons way of saying "black people making 'meaningful rap' can only be talking to white people cause niggas are dumb!" lol
- Jun 16, 2023·1 replyglockglockglock
We know now that this was the fulcrum. The breaking point between Pop Star and Monster, the gruesome final rip of provisional sutures. The moment Future became something else—an oracle, or Faustian agent of temptation, or something else that sounds f***ing absurd until you hear "Codeine Crazy" wasted at 3 a.m. But who was really ready for Monster, the first of Future’s trilogy of career-resuscitating mixtapes, when it dropped a year ago today? I think a lot of us weren’t. It was a strange time to be a Future fan: there was the fresh corpse of "Body Party", the deeply pathetic "Pussy Overrated". Honest was fine but made you wonder what had happened to its original incarnation Future Hendrix, or to Super Future/Fire Marshal Future for that matter.
Goddamn she really enjoys Future huh
Jun 16, 2023glockglockglockWe know now that this was the fulcrum. The breaking point between Pop Star and Monster, the gruesome final rip of provisional sutures. The moment Future became something else—an oracle, or Faustian agent of temptation, or something else that sounds f***ing absurd until you hear "Codeine Crazy" wasted at 3 a.m. But who was really ready for Monster, the first of Future’s trilogy of career-resuscitating mixtapes, when it dropped a year ago today? I think a lot of us weren’t. It was a strange time to be a Future fan: there was the fresh corpse of "Body Party", the deeply pathetic "Pussy Overrated". Honest was fine but made you wonder what had happened to its original incarnation Future Hendrix, or to Super Future/Fire Marshal Future for that matter.
i did think it was funny she was a future stan but drew a line at drake being a duplicitous "nice guy"
Jun 16, 2023bruh what a f***ing bird Lmao
- Jun 16, 2023Noir
Goddamn she really enjoys Future huh
Such a corny ass b****