This will come and go in record speed. Can’t believe the same people hyping this up will hate on big Sean and Cole. Mindless sheep.
big sean defender in big 2026
Yes big Sean. The much better version of baby keem. Everything you can criticise Sean for you can apply to keem, with none of the upside
insane ass take
I'm gonna say 2 seemingly contradictory things:
1. Artists in whatever field are encouraged to be vulnerable if it brings out the best of them. That said, eliminating all distance between the artist and the audience isn't always the goal when expressing your art. Sometimes, the distance is the point.
2. Front-loading trauma onto the audience can actually create the wrong kind of distance between the artist and the audience. Execution still matters and that includes tact. If you gotta serve a wound on a platter, serve it to a therapist.
This is just generally speaking of all art, and just an opinion. But it's something I've been stewing on for a bit.
im not a lyricist is incredible
no blame is incredible
birds and the bees is great
circus circus freestyle is great
highway 95 pt 2 is amazing
no security is great
ca$ino is great
good flirts is good
s***appeal is really good
house money is so so
dramatic girl idk how i feel about it
Highway 95 by far my least favorite. They should've cut that
Highway 95 by far my least favorite. They should've cut that
It’s my least played song on the album. The first highway 95 fits this album much better sonically. That Lauryn hill sample is perfect for introspective raps
I think good flirts is my least fav track on here but it’s not a bad song at all like I wouldn’t skip it
Keem wrote GNX too?!
https://twitter.com/yomrants/status/2024977448673095846I hope your not one of those that thinks keem wrote trademark usa
Production is fire, solid keem album, wish he did a bit more of his own thing than that regurgitated Kenny flow, but solid bars and good growth with songs like dramatic girl (he needs to pursue that sound more), just wish we got a tad more like circus free$tyle
No security
Circus free$tyle
I am not a lyricist
Dramatic girl
Bird & the bees
I'm gonna say 2 seemingly contradictory things:
1. Artists in whatever field are encouraged to be vulnerable if it brings out the best of them. That said, eliminating all distance between the artist and the audience isn't always the goal when expressing your art. Sometimes, the distance is the point.
2. Front-loading trauma onto the audience can actually create the wrong kind of distance between the artist and the audience. Execution still matters and that includes tact. If you gotta serve a wound on a platter, serve it to a therapist.
This is just generally speaking of all art, and just an opinion. But it's something I've been stewing on for a bit.
The irony that ppl that prefer this over lets say a the fall off is the fact there is vulnerability/trauma though.
Selling trauma to your fanbase is like the biggest currency of black artists, which is wild in a way.
The irony that ppl that prefer this over lets say a the fall off is the fact there is vulnerability/trauma though.
Selling trauma to your fanbase is like the biggest currency of black artists, which is wild in a way.
The Fall-Off has plenty of vulnerability & trauma, it’s just not as interesting of an album musically
Already broke 2 PRs while listening to this album. Ty keem
The Fall-Off has plenty of vulnerability & trauma, it’s just not as interesting of an album musically
The fall off on Casino beats would be a undeniable classic and keem with j Cole's lyrical ability would be unstoppable
It's a shame Ca$ino had to fall victim to the government mandated beat switch