WB such a poverty movie studio lol
In August of 2022, Holt, along with the rest of the industry, was blindsided when the new regime at Warners decided to scrap the $90 million Batgirl for a tax break in the neighborhood of $15 million. At the time of Warner Bros. Discovery’s decision, Adil El Arbi and Bilall Fallah’s film was already in post-production, and Holt had spent a year working on her score that included Danny Elfman’s Batman theme from Tim Burton’s Batman (1989).
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In semi-comparable situations, composers have repurposed their unused scores for other projects, but at this moment in time, Holt can’t even bring herself to listen to her Batgirl score, let alone consider applying it elsewhere.
—
“I just haven’t listened back to it. So many things happened last year, and I needed a bit of time. I had some time this summer to reflect on where I want to go and also process the experiences I’ve been through creatively,” Holt says. “I’ve just put it away and it feels sad. I was really fond of that project. So it’s just sad, and I also really wanted to do a film. I haven’t really had a big film to work on yet, so hopefully that day will come soon.”
hollywoodreporter.com/tv/tv-features/loki-composer-natalie-holt-batgirl-2-1235633506
In August of 2022, Holt, along with the rest of the industry, was blindsided when the new regime at Warners decided to scrap the $90 million Batgirl for a tax break in the neighborhood of $15 million. At the time of Warner Bros. Discovery’s decision, Adil El Arbi and Bilall Fallah’s film was already in post-production, and Holt had spent a year working on her score that included Danny Elfman’s Batman theme from Tim Burton’s Batman (1989).
—
In semi-comparable situations, composers have repurposed their unused scores for other projects, but at this moment in time, Holt can’t even bring herself to listen to her Batgirl score, let alone consider applying it elsewhere.
—
“I just haven’t listened back to it. So many things happened last year, and I needed a bit of time. I had some time this summer to reflect on where I want to go and also process the experiences I’ve been through creatively,” Holt says. “I’ve just put it away and it feels sad. I was really fond of that project. So it’s just sad, and I also really wanted to do a film. I haven’t really had a big film to work on yet, so hopefully that day will come soon.”
https://www.hollywoodreporter.com/tv/tv-features/loki-composer-natalie-holt-batgirl-2-1235633506/
I just wanna know if it was really THAT bad.
In August of 2022, Holt, along with the rest of the industry, was blindsided when the new regime at Warners decided to scrap the $90 million Batgirl for a tax break in the neighborhood of $15 million. At the time of Warner Bros. Discovery’s decision, Adil El Arbi and Bilall Fallah’s film was already in post-production, and Holt had spent a year working on her score that included Danny Elfman’s Batman theme from Tim Burton’s Batman (1989).
—
In semi-comparable situations, composers have repurposed their unused scores for other projects, but at this moment in time, Holt can’t even bring herself to listen to her Batgirl score, let alone consider applying it elsewhere.
—
“I just haven’t listened back to it. So many things happened last year, and I needed a bit of time. I had some time this summer to reflect on where I want to go and also process the experiences I’ve been through creatively,” Holt says. “I’ve just put it away and it feels sad. I was really fond of that project. So it’s just sad, and I also really wanted to do a film. I haven’t really had a big film to work on yet, so hopefully that day will come soon.”
https://www.hollywoodreporter.com/tv/tv-features/loki-composer-natalie-holt-batgirl-2-1235633506/
the f***ing sucks man