I’ve been noticing a lot of people just straight out referring to her as gay or lesbian now as if she doesn’t have a history of dating men. She came out the closet awhile ago as bi if I’m remember correctly so seeing people only refer to her as gay is what I’m getting at

10 tracks but over 40 minutes. See, that's why it's better to wait for all the details lol

I think this is gonna be great

These sound like smash hit titles ngl

Perfect track length so excited for this

Is Chihiro about spirited away or am I reaching?

magnum opus Happier Than Ever already getting s***ted on?

Hit Me Hard and Soft dunks us headfirst back into that universe, from the deepest wallows of depression to the exhaustion that comes with the world speculating about her every move. There are no arachnids where they shouldn’t be, but getting in touch with her darker side has Eilish finally feeling like herself again. “I feel like this album is me,” she says. “It’s not a character. It feels like the When We All Fall Asleep, Where Do We Go? version of me. It feels like my youth and who I was as a kid.”

She recorded her second album, Happier Than Ever, in those confused months of lockdown. Its introspective, jazz-leaning songs got rave reviews, as did her glamorous dresses and new hairdo. But it lacked the incandescent brilliance of When We All Fall Asleep, and Finneas, her brother and closest collaborator, remembers the era as difficult and confusing. “In a weird way, that was a little like being in a tornado cellar, reading a cute little story,” he says. “It was a coping mechanism of an album.”

Eilish doesn’t regret that era; she knows she had to try something outside of her comfort zone in order to come back to her younger self. “In some ways, growing on Hit Me Hard and Soft meant revisiting a lot of things,” Finneas says. “I feel like this album has some real ghosts in it, and I say that with love. There’s ideas on this album that are five years old, and there’s a past to it, which I really like. When Billie talks about the era of When We All Fall Asleep, it was this theatricality and this darkness. What’s the thing that no one is as good at as Billie is? This album was an exploration of what we do best.”

she submerged herself in water for SIX hours for THAT album cover? i wonder how different the other shots were...

Billie hates whales!!

“Oh, my God,” she says. “How can anybody just accept that a whale exists, y’all? Those things are enormous. The noises they make. That s*** is terrifying to me. Ew! Terrifying.”

damn I was right. slowed & reverb channels gonna go crazy

of course

magnum what?

man this sounds like it stinks

surprised she doesn't get compared to cole with how sleepy it all is

shawty chose the absolute worst singles for happier than ever (i love lost cause tho) and now never wants to do them again 😭😂✌🏾🐶💔

some of her best songs on that album i'll say that !

Fortnite brought me here

As soon as they hit play, I realize Eilish is right. The opening track, the title of which I’ve agreed not to reveal, plays like a sister song to “What Was I Made For?” Eilish has talked about how she and Finneas experienced serious writer’s block before coming up with the Barbie track, but what she hadn’t revealed was that this album opener was born first — the catalyst to writing the hit. It carries the same sparse fragility as “What Was I Made For?,” featuring Eilish’s whispered vocals over a gorgeous melody. But the lyrics are even more devastating, as Eilish tackles the misconception that losing weight signifies happiness.

Directly after that is “Lunch,” a complete 180 in both sound and subject content. It’s a sexy, bass-heavy banger where Eilish is crushing on a girl so hard she likens s***with her to devouring a meal. Finneas remembers playing this moment for Interscope and witnessing the team shift in their seats. “What’s funny about starting the album with the opener is that it is a total false promise,” he says. “If you’re remembering ‘What Was I Made For?’ and then you hear it, you go, ‘Oh, OK. I understand this world.’ Then the drums come in on “Lunch”, and it really is the kill-the-main-character-type beat. It’s like Drew Barrymore being in the first five minutes of Scream and then they kill her. You’re like, ‘They can’t kill Drew. Oh, my God, they killed Drew!’”

@Himothee
Wrong thread n00b

slow ass internet boy that s*** been deleted

The idea of Drake saying "Killuminati Blah Blah" in the booth is f***ing hilarious