People always say that PND, Majid Jordan, DVSN, and the other sweatshop workers could've made it big if they hadn't signed to OVO but the reality is their catchiest material comes out when they are working with Drake and he's probably the only reason we hear about them in the sea of other generic contemporary R&B artists. Did you hear PND's version of wild thoughts? Yikes!

I'm sorry, but did PARTYNEXTDOOR already lose? Oh, that's right. His debut album isn't even out yet. In fact, Bryson Tiller's Trap Soul (cringe title) came out already. Does not having the best album out last year count as a loss? Is that what all of you Bryson Tiller stans are saying? Because if you're saying that I can assure you that you're wrong. PND's album is still gaining hype right now and he has been the best R&B singer in The Game for how many years now? He's up against an industry plant named Bryson Tiller who just happens to have a lead in hype because he's feeding off the energy of his one song, Don't. But you know what? He still f***ing sucks. PND created this entire sound, signed to Drake's OVO Sound record label, and had some of the best songs of last year. He made Travi$ Scott listenable. Oh look at that, Pitchfork gave the new PARTYNEXTDOOR an 8.4 Best New Music, while they don't even have time for Bryson Tiller. All of you Tiller stans need to stop posting how great the album is and get your own section. O wait. I almost have a feeling all of the Bryson Tiller stan threads are 14 year old white kids in suburbia who only listen to Don't on Vevo or YouTube and don't even have more than 300 songs in their iTunes library. F*** you, be good at something in YOUR life and then maybe try to stan Bryson Tiller, like I give a f***. It's so easy to spot out these threads now. Always doing stupid s*** like saying Tiller's the GOAT, or Don't is a top R&B song of all time. Why don't you guys try to be good posters? Just for once? For once in your life try to make a topic like this. That's just you Tiller stans, you're always right at getting it wrong. You are nothing.

Russ type beat

no

Didn’t read

Bryson > PND

F*** no. Especially after that forgettable ass second album lmao

Stroke my cactus (its lit)

Is this forreal or copasta

dvsn are cool by themselves but theyd be bigger if they got some actual promotion

Yet again, it was another late, sleepless night in Atlanta. The studio was packed, yet intimate all at the same time. Warm amber lights washed over exotic leather furniture, creating a dimly lit sonic oasis. A sweet aroma of weed smoke clouded the air, while vanilla scented candles were strategically placed around the room. The mood developed into a haze of relaxation. As engineers and producers methodically worked the mixing boards, Future and the rest of his entourage nodded along to a rough take of a track that would later be called "Diamonds Dancing." Many individuals in the studio danced along while producers ran the track back, but there stood Drake in a dark corner, dissecting every piece of "Diamonds Dancing" with surgical precision. The track stopped playing, and Drake stepped from the shadows. He didn't speak much, but when he did, people listened.

"I'm going back in the booth, play that outro back."

Puzzled, the engineer began playing the outro instrumental back, not questioning Drake's demands. The room fell quiet as people began to observe. As the outro began to play, Drake put on a pair of monitor headphones, rubbed his beard and began to take a drink of a dark, murky substance. Closing his eyes, Drake began to flow freely.

"You doin' me dirty, you know. How we let it get like this I don't know. But that nigga can't save your soul, nah." Producers and entourage members in the studio began to look around the room to see if others were witnessing what was happening. Drake continued crooning into the microphone, while the mood became even darker in the studio.

"Doing me dirty, you doing me dirty. Haven't even heard from you. How can you live with yourself? Haven't even heard from you. How can you live with yourself? Ungrateful, ungrateful." The Engineer looked over to Future with concern. The engineer whispered, "should we stop him?" Future then put up one finger, as to silence the engineer while shaking his head, not taking his eyes off of Drake.

"Your momma be ashamed of you. I haven't even heard from you, not a single word from you, Ungrateful. I'm too good for you, too good for you. You should go back to him, perfect match for you, unstable." Candles in the studio began to flicker and die out, one by one, as if a spirit swept throughout the room.

"Doing me dirty. You're making me nervous. I haven't even heard from you. You look drained, you look exhausted, girl them late nights ain't good for you. Really starting to show on you. Don't hit me up when it's good for you. Ungrateful." By now, everyone had stopped what they were doing, all attention was focused on the darkened silhouette in the recording booth. Finishing up his final thoughts, Drake hung up the headphones, took another sip of muddy water, and crept out of the recording booth.

As he came back into the studio, all eyes followed his every movement. Drake retreated back to his shadowed corner, where he leaned against the wall with his fingers interlocked and pressed against his lips, as if in deep thought. The silence of the room created an uneasy tension. The uneasiness built more and more, as studio members waited for him to speak. Finally, he broke the silence.

"Play it back."

Drake is selfish

Party has shown so much progression since he started. First with PND1, he was running with the smooth ratchet trap&b crooner and gave us classics like Wus Good/Curious, Make A Mil or Break From Toronto
then he randomly hit us with two of his best songs: West District and Persian Rugs. Keep in mind those were random soundcloud loosies.
With PND2, he moves on a darker, moody style of singing mixing it well with his more minimalistic production.
But this is where things get interesting, Party starts experimenting way more in his music after this release. With the EP Colours, he tries pitching up and down his voice, rapping, trying different atmospheres.
The OVO Sound radio tracks are so unique that they deserve their own era imo. Party takes experimentation a bit further and even starts whistling (!!!) on tracks, like on All I Wanna Do (classic song). The production gets way more creative too, with obscure quick looped samples, reminescent of Devante Swing's style of production.
P3 has commonly been referred to as the “Yeezus of contemporary r&b”. A harrowing account of the pains of love and heartbreak, PARTY continues to push the envelope of modern pop music. Incorporating numerous styles world music, PARTY has developed a genre-defying potpourri that was highly misunderstood at the time of its release, as many great works of art are. The influence of this seminal record can be heard in the songs of 6LACK, 24Hrs, pink sweats, Khalid, Snoh Aalegra, Jessie Reyes, and even The Weeknd.
Hot off the heels of writing for Jay Electronica, Travis Scott, Drake and Rihanna, among others, Durag Jesus once again aims to set the standard of r&b music with PARTYMOBILE.

Real

October’s Very Unknown

No they wouldn’t

Why I read all this

Yo this might sound crazy coming out of my mouth, just bear with me. I'm sorry, but did PARTYNEXTDOOR already lose? Oh, that's right. His debut album isn't even out yet. In fact, Bryson Tiller's Trap Soul (cringe title) came out already. Does not having the best album out last year count as a loss? Is that what all of you Bryson Tiller stans are saying? Because if you're saying that I can assure you that you're wrong. PND's album is still gaining hype right now and he has been the best R&B singer in The Game for how many years now? He's up against an industry plant named Bryson Tiller who just happens to have a lead in hype because he's feeding off the energy of his one song, Don't. But you know what? He still f***ing sucks. PND created this entire sound, signed to Drake's OVO Sound record label, and had some of the best songs of last year. He made Travi$ Scott listenable. Oh look at that, Pitchfork gave the new PARTYNEXTDOOR an 8.4 Best New Music, while they don't even have time for Bryson Tiller. All of you Tiller stans need to stop posting how great the album is and get your own section. O wait. I almost have a feeling all of the Bryson Tiller stan threads are 14 year old white kids in suburbia who only listen to Don't on Vevo or YouTube and don't even have more than 300 songs in their iTunes library. F*** you, be good at something in YOUR life and then maybe try to stan Bryson Tiller, like I give a f***. It's so easy to spot out these threads now. Always doing stupid s*** like saying Tiller's the GOAT, or Don't is a top R&B song of all time. Why don't you guys try to be good posters? Just for once? For once in your life try to make a topic like this. That's just you Tiller stans, you're always right at getting it wrong. You are nothing.

Seriously though, Party has shown so much progression since he started. First with PND1, he was running with the smooth ratchet trap&b crooner and gave us classics like Wus Good/Curious, Make A Mil or Break From Toronto
then he randomly hit us with two of his best songs: West District and Persian Rugs. Keep in mind those were random soundcloud loosies.
With PND2, he moves on a darker, moody style of singing mixing it well with his more minimalistic production.
But this is where things get interesting, Party starts experimenting way more in his music after this release. With the EP Colours, he tries pitching up and down his voice, rapping, trying different atmospheres.
The OVO Sound radio tracks are so unique that they deserve their own era imo. Party takes experimentation a bit further and even starts whistling (!!!) on tracks, like on All I Wanna Do (classic song). The production gets way more creative too, with obscure quick looped samples, reminescent of Devante Swing's style of production.
P3 has commonly been referred to as the “Yeezus of contemporary r&b”. A harrowing account of the pains of love and heartbreak, PARTY continues to push the envelope of modern pop music. Incorporating numerous styles world music, PARTY has developed a genre-defying potpourri that was highly misunderstood at the time of its release, as many great works of art are. The influence of this seminal record can be heard in the songs of 6LACK, 24Hrs, pink sweats, Khalid, Snoh Aalegra, Jessie Reyes, and even The Weeknd.
Hot off the heels of writing for Jay Electronica, Travis Scott, Drake and Rihanna, among others, Durag Jesus once again aims to set the standard of r&b music with PARTYMOBILE.Party has shown so much progression since he started. First with PND1, he was running with the smooth ratchet trap&b crooner and gave us classics like Wus Good/Curious, Make A Mil or Break From Toronto
then he randomly hit us with two of his best songs: West District and Persian Rugs. Keep in mind those were random soundcloud loosies.
With PND2, he moves on a darker, moody style of singing mixing it well with his more minimalistic production.
But this is where things get interesting, Party starts experimenting way more in his music after this release. With the EP Colours, he tries pitching up and down his voice, rapping, trying different atmospheres.
The OVO Sound radio tracks are so unique that they deserve their own era imo. Party takes experimentation a bit further and even starts whistling (!!!) on tracks, like on All I Wanna Do (classic song). The production gets way more creative too, with obscure quick looped samples, reminescent of Devante Swing's style of production.
P3 has commonly been referred to as the “Yeezus of contemporary r&b”. A harrowing account of the pains of love and heartbreak, PARTY continues to push the envelope of modern pop music. Incorporating numerous styles world music, PARTY has developed a genre-defying potpourri that was highly misunderstood at the time of its release, as many great works of art are. The influence of this seminal record can be heard in the songs of 6LACK, 24Hrs, pink sweats, Khalid, Snoh Aalegra, Jessie Reyes, and even The Weeknd.
Hot off the heels of writing for Jay Electronica, Travis Scott, Drake and Rihanna, among others, Durag Jesus once again aims to set the standard of r&b music with PARTYMOBILE.

Honestly guys this might sound crazy coming out of my mouth, just bear with me. I'm sorry, but did PARTYNEXTDOOR already lose? Oh, that's right. His debut album isn't even out yet. In fact, Bryson Tiller's Trap Soul (cringe title) came out already. Does not having the best album out last year count as a loss? Is that what all of you Bryson Tiller stans are saying? Because if you're saying that I can assure you that you're wrong. PND's album is still gaining hype right now and he has been the best R&B singer in The Game for how many years now? He's up against an industry plant named Bryson Tiller who just happens to have a lead in hype because he's feeding off the energy of his one song, Don't. But you know what? He still f***ing sucks. PND created this entire sound, signed to Drake's OVO Sound record label, and had some of the best songs of last year. He made Travi$ Scott listenable. Oh look at that, Pitchfork gave the new PARTYNEXTDOOR an 8.4 Best New Music, while they don't even have time for Bryson Tiller. All of you Tiller stans need to stop posting how great the album is and get your own section. O wait. I almost have a feeling all of the Bryson Tiller stan threads are 14 year old white kids in suburbia who only listen to Don't on Vevo or YouTube and don't even have more than 300 songs in their iTunes library. F*** you, be good at something in YOUR life and then maybe try to stan Bryson Tiller, like I give a f***. It's so easy to spot out these threads now. Always doing stupid s*** like saying Tiller's the GOAT, or Don't is a top R&B song of all time. Why don't you guys try to be good posters? Just for once? For once in your life try to make a topic like this. That's just you Tiller stans, you're always right at getting it wrong. You are nothing.

Rigor Mortis
41s
Reply
Seriously though, Party has shown so much progression since he started. First with PND1, he was running with the smooth ratchet trap&b crooner and gave us classics like Wus Good/Curious, Make A Mil or Break From Toronto
then he randomly hit us with two of his best songs: West District and Persian Rugs. Keep in mind those were random soundcloud loosies.
With PND2, he moves on a darker, moody style of singing mixing it well with his more minimalistic production.
But this is where things get interesting, Party starts experimenting way more in his music after this release. With the EP Colours, he tries pitching up and down his voice, rapping, trying different atmospheres.
The OVO Sound radio tracks are so unique that they deserve their own era imo. Party takes experimentation a bit further and even starts whistling (!!!) on tracks, like on All I Wanna Do (classic song). The production gets way more creative too, with obscure quick looped samples, reminescent of Devante Swing's style of production.
P3 has commonly been referred to as the “Yeezus of contemporary r&b”. A harrowing account of the pains of love and heartbreak, PARTY continues to push the envelope of modern pop music. Incorporating numerous styles world music, PARTY has developed a genre-defying potpourri that was highly misunderstood at the time of its release, as many great works of art are. The influence of this seminal record can be heard in the songs of 6LACK, 24Hrs, pink sweats, Khalid, Snoh Aalegra, Jessie Reyes, and even The Weeknd.
Hot off the heels of writing for Jay Electronica, Travis Scott, Drake and Rihanna, among others, Durag Jesus once again aims to set the standard of r&b music with PARTYMOBILE.Party has shown so much progression since he started. First with PND1, he was running with the smooth ratchet trap&b crooner and gave us classics like Wus Good/Curious, Make A Mil or Break From Toronto
then he randomly hit us with two of his best songs: West District and Persian Rugs. Keep in mind those were random soundcloud loosies.