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    He just passed the Russos for the 3rd spot. The Russos are definitely going to retake that spot soon, but super impressive regardless

  • BlueDream

    He just passed the Russos for the 3rd spot. The Russos are definitely going to retake that spot soon, but super impressive regardless

    https://twitter.com/culturecrave/status/2085095885344755745

    Russos holding that spot is some bullshit though, lol.

  • My ranking:

    Tenet
    Mid
    Mid
    Mid
    Mid
    Mid
    Mid
    Mid
    Mid
    Mid

  • Botney

    Guys I have tickets for next week (in IMAX woooo!) but I can't stand gore and blood. Does this movie have lots of that?

    Not really tbh. You should be fine

  • BlueDream

    Nahh I saw this in IMAX GT laser and the audio was damn near ear piercing at certain moments.
    Not sure if your theater had its audio turned down intentionally, but the audio was for sure shaking the entire theater in every scene

    Oh so it wasn't just me who felt the music was too loud. I didn't even see it in IMAX and it was still painful. Was plugging my ears with my fingers frequently. I think buddy has hearing damage if he didnt think that s*** was loud.

  • looking for a show i believe season 3 just started its with 5 women as killers anyone know the name of the show i never watched it someone told me about it at work

  • CARMEN 💜
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    Despite Kubrick being an influence, the guy is much closer to Mann, Scott, and Malick. Took everything that made those guys tick and got weird with it by incorporating recurring motifs of time that almost feel borrowed from Resnais and other European arthouse directors, while re contextualizing them into genre epics.

    It only makes sense Nolan goes into horror after this. He’s already gone sci-fi epic, space epic, war epic, spy/espionage sci-fi epic, historic drama epic, fantasy epic. Can’t wait to see him pull off some Wailing tier f***ery

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    CARMEN
    https://twitter.com/70mmgirl/status/2084956074352812393

    Despite Kubrick being an influence, the guy is much closer to Mann, Scott, and Malick. Took everything that made those guys tick and got weird with it by incorporating recurring motifs of time that almost feel borrowed from Resnais and other European arthouse directors, while re contextualizing them into genre epics.

    It only makes sense Nolan goes into horror after this. He’s already gone sci-fi epic, space epic, war epic, spy/espionage sci-fi epic, historic drama epic, fantasy epic. Can’t wait to see him pull off some Wailing tier f***ery

    Comparing Nolan to Malick

  • CARMEN 💜
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    Benny Boy

    Comparing Nolan to Malick

    I guess I’d say only in a superficial sense. His rhythm of editing, and cutting feels very similar to Malick. Also some of his more floaty camera movement feels loaned from

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    CARMEN

    I guess I’d say only in a superficial sense. His rhythm of editing, and cutting feels very similar to Malick. Also some of his more floaty camera movement feels loaned from

    The opening of Oppenheimer is the only time I've ever watched Nolan and thought of Malick.

    Idk why people won't just say Ridley Scott

  • CARMEN 💜
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    Benny Boy

    The opening of Oppenheimer is the only time I've ever watched Nolan and thought of Malick.

    Idk why people won't just say Ridley Scott

    Ridley has really inconsistent directorial flourishes outside of frenetic/dark camerawork (mostly in his 21st century stuff), and understanding scale which I guess Nolan takes from. That first part feels reductive cause Nolan’s grading is only cause he’s red/green color blind

  • CARMEN

    Ridley has really inconsistent directorial flourishes outside of frenetic/dark camerawork (mostly in his 21st century stuff), and understanding scale which I guess Nolan takes from. That first part feels reductive cause Nolan’s grading is only cause he’s red/green color blind

    As far as being an eclectic British director goes. Nolan will have to direct for another 25 years however.

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    3rd and final watch with my dad last night was somehow the best one, it's really just a masterpiece. still in total awe of this

  • sfsorrow

    3rd and final watch with my dad last night was somehow the best one, it's really just a masterpiece. still in total awe of this

    Love seeing ktt do stuff with their folks

  • CARMEN

    Ridley has really inconsistent directorial flourishes outside of frenetic/dark camerawork (mostly in his 21st century stuff), and understanding scale which I guess Nolan takes from. That first part feels reductive cause Nolan’s grading is only cause he’s red/green color blind

    I did not know that Nolan was color blind

  • CARMEN

    I guess I’d say only in a superficial sense. His rhythm of editing, and cutting feels very similar to Malick. Also some of his more floaty camera movement feels loaned from

    I thought Malick tends to linger on some shots, not at PTA level though. Nolan is a bit more frenetic

  • CRACKASTEPPAVEGAN

    Love seeing ktt do stuff with their folks

    thanks he loved it too, really a peak dad movie