i hope you know this d*** is still an option...
You know bro was smiling like this when he sent those texts
look straight into my eye which you cannot see, and tell me all these tracks ain't better than the 3 of the HUT tracks we got man
You know bro was smiling like this when he sent those texts
For real
When it's time...
Pulled this s*** up on the big TV
amazing visuals
on my big tv as well 24 inches
i love the AM description
The Weeknd's 2016 album, Starboy, was the musical equivalent of a Hollywood blockbuster: action-packed, star-studded, with a little something for everyone. Here, he returns to his unfiltered, art-house roots with a release so intimate and tortured, you’ll feel like a fly on his bedroom wall. Stuttering snares, gauzy production and R-rated lyrics about s***and d**** (“I got two red pills to take the blues away”, he coos through a vocoder on “Privilege”) paint a vivid picture of a brooding Lothario—one that strongly resembles the dark artist we initially met on House of Balloons. This time around, he’s tapped gothic electro king Gesaffelstein, who has also produced for Kanye West, to bring a sheen to the shadows with neon synths and fuzzy echoes that lift his signature anguish into new emotional heights.
the falsetto backing vocal