He ain’t wrong

f*** scaruffi the nonce

I thought this website was from 1996 holy s***

IDK about any of this s*** but I do know COWYS pt 1 is like the manifestation of ear worm. The first 5 tracks just ride

Who

lil peep part 1 is one of the best tapes of the 10s. based scaruffi

Double hover hand

Lil Peep a confirmed GOAT

Scaruffi a harsh mf contrarian. This s*** crazy

Take Care (Cash Money, 2011), another slab of obnoxious juvenile autobiography, features the eerie soul narrative Marvin's Room and spawned a record number of hits, notably The Motto. The rapper fails miserably to engage, but the production by Noah "40" Shebib, Jamie Xx and Just Blaze is admirable.

Nothing Was the Same (2013), mostly produced by Shebib, includes the pop crossover Hold On We're Going Home and Started from the Bottom. It was followed by the mixtape If You’re Reading This It’s Too Late (2015).

Drake's mildly innovative and stylish pop-soul creations, littered with pale imitations of grime and Afro-beat, on Views (2016), with the Rihanna collaboration Too Good and the more interesting Feel No Ways, More Life (2017), whose highlight Get it Together is sung by someone else and whose Free Smoke is typical of how pointless his lyrics are, make for an incredibly boring experience.

Drake finally lost any artistic ambition on the 25-song double album Scorpion (2018).

that was Gaddafi chief

at 64 years old I respect it

imagine pulling up next to scaruffi in italy at a stop light and dudes bumping lil peep

it just hit me that this is rated higher than all albums by the beatles

correct

all facts

lmaoooo i forgot about this dude

his comments about marrying a fridge are sus af but his ratings are funny

Her first album Oil of Every Pearl's Un-Sides (Transgressive, 2018) is a compromise between the creative madness of the early singles and a more regular, fashionable style. Hence the streamlined (and tedious) soft ballads It's Okay to Cry and Is It Cold in the Water?, the bombastic and useless Infatuation, and the simple Madonna-like Immaterial, which is at least infectiously childish. Even the manically cubistic singalong Ponyboy and the industrial collage Faceshopping lack the savage power of the early singles. The six-minute Pretending is an embarrassing attempt at ambient music. The album ends with the nine-minute Whole New World/ Pretend World, a mildly entertaining merge of musique concrete, rap and soul-pop melody.

wtf i like scaruffi now

holy s***

pretty interesting that his #1 album oat isn't even a 10

Me rn