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  • Dec 12, 2019

    Second half gets me in my feelings tbh

  • Dec 12, 2019
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    1 reply
    HOV INNOCENT

    That’s your interpretation but it’s not really doing frank’s work justice to try and make statements like this as though it’s a fact. Comes off like you listen to the dissect podcast which was awful in approaching Frank

    lol what frank said it himself

  • Dec 12, 2019
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    3 replies
    deadacc

    lol what frank said it himself

    Link. Doubt it was those exact words you’re using, sounds like a pitchfork review

  • Dec 12, 2019
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    1 reply
    HOV INNOCENT

    Link. Doubt it was those exact words you’re using, sounds like a pitchfork review

    "In places, like on “Ivy,” he manipulated his voice to sound younger, to better capture the time he was evoking. Many of the new songs have two or three competing narratives — different points of view participating in the same story. “That was my version of collage or bricolage,” he said. “How we experience memory sometimes, it’s not linear. We’re not telling the stories to ourselves, we know the story, we’re just seeing it in flashes overlaid.”

    On “Blonde,” especially, you used a lot of different voices.

    Sometimes I felt like you weren’t hearing enough versions of me within a song, ’cause there was a lot of hyperactive thinking. Even though the pace of the album’s not frenetic, the pace of ideas being thrown out is."

    nytimes.com/2016/11/20/arts/music/frank-ocean-blonde-interview.html?

  • Dec 12, 2019

    Like 4 songs out of 17

  • Dec 12, 2019
    HOV INNOCENT

    Link. Doubt it was those exact words you’re using, sounds like a pitchfork review

    id read the whole interview its the only time frank really talks about what went into blonde

  • Dec 13, 2019
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    1 reply
    deadacc

    "In places, like on “Ivy,” he manipulated his voice to sound younger, to better capture the time he was evoking. Many of the new songs have two or three competing narratives — different points of view participating in the same story. “That was my version of collage or bricolage,” he said. “How we experience memory sometimes, it’s not linear. We’re not telling the stories to ourselves, we know the story, we’re just seeing it in flashes overlaid.”

    On “Blonde,” especially, you used a lot of different voices.

    Sometimes I felt like you weren’t hearing enough versions of me within a song, ’cause there was a lot of hyperactive thinking. Even though the pace of the album’s not frenetic, the pace of ideas being thrown out is."

    https://www.nytimes.com/2016/11/20/arts/music/frank-ocean-blonde-interview.html?

    Not seeing what you said at all

  • Dec 13, 2019
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    edited
    HOV INNOCENT

    Not seeing what you said at all

    each voice is designed to represent a different aspect of Frank either displaced in time or persona. the different voice pitching isn't the sole most important aspect of the album but it is one of the most unique and consistent musical elements used throughout the album. what do u not get

    edit: i see i confused nikes for nights but the same concept applies.

    The first half before the beatswitch in the pitched up voice represents frank being high and letting his mind drift while the second half in his natural voice represents the reality of the situation that he was escaping through substances

  • Dec 13, 2019
    aaaaaaaaaa

    i like the whole s***

  • Dec 13, 2019
    Greedy Fat Ape

    First minus Nikes

    best song on first half

  • Dec 13, 2019
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    1 reply
    HOV INNOCENT

    Link. Doubt it was those exact words you’re using, sounds like a pitchfork review

    no, frank did say this, it’s why his voice is pitched up in ivy for example, because he’s writing from the perspective of his younger self

  • Dec 13, 2019

    second half ruins me, Ferrari, Siegfried and Godspeed back to back is fatal

  • Dec 13, 2019
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    1 reply
    hey man relax

    no, frank did say this, it’s why his voice is pitched up in ivy for example, because he’s writing from the perspective of his younger self

    The poster showed me the quote and he essentially didn’t say that. His voice isn’t even pitched on ivy im pretty sure, he’s just singing in a boyish voice

  • Dec 13, 2019
    HOV INNOCENT

    The poster showed me the quote and he essentially didn’t say that. His voice isn’t even pitched on ivy im pretty sure, he’s just singing in a boyish voice

    he literally did say that though, and idk what to tell you. his voice is clearly pitched up on ivy (as frank himself said)

  • Dec 13, 2019
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    1 reply

    that run from Nights to Siegfried is the best of this decade so

  • Dec 13, 2019

    second

  • Dec 13, 2019
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    edited

    second half of nights to end of album >

  • Dec 13, 2019

    Second

  • Dec 13, 2019

    2nd

  • Dec 13, 2019

    Second half

  • Dec 13, 2019
    aaaaaaaaaa

    i like the whole s***

  • Dec 15, 2019

    1st when I’m feeling happy, 2nd half when I’m depressed as s***

  • Dec 16, 2019
    aaaaaaaaaa

    i like the whole s***

  • Dec 16, 2019
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    1 reply
    deadacc

    how can u like the album then ? the pitched voice is one of the most important aspects of it

    second half literally has the most iconic part of the whole record

  • Dec 16, 2019
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    1 reply
    Wahi

    If I only got so much time with the album I'm skipping ahead to the second half with a quickness

    u not wrong