????????????
Seeing a trend of Drake fans and casual homophobia
Very curious
I like P1 (great), Recognize from P2, Come and See Me from P3, but yeah, not crazy for the guy
You dont like Grown Woman??????
If I could just get next to you I’d prolly be alright
but we’re so busy in this life
we always say Some other time
Why won’t my tears work its been a decade since I cried
I got no dog left in the fight
the bark dont match the bite
me and my old man we just get f***ed up every night
he said Son these hoes just don’t love you
I said I’ll keep that in mind
Those ain’t words to live by
wouldn’t call that sound advice
Our future doesn’t sound too bright
But I’ll just nod and say you’re right
You dont like Grown Woman??????
Will relisten and review. Don't think I remember it that well tbh. Oh and I like Rude, I don't remember what project that's from
drake fans are the worst thing about drake man
mf's could say 'oh i didn't like that song' and they'll hear 'ohhhh i get it you don't get bit**s'
so cringe
I super wish I liked this like everyone else on here
To me there’s just so much looping boring beats and run on sentence, directionless vocalisations that hardly even make clear if they’re verses or hooks. Very few things on here are well defined or ear catching to me. Sounds like they got a beat and both spent 10 minutes writing something recorded it one take and then didn’t touch the song again. The beats feel so nondescript and pillowy, hardly changing as the songs progress. The vocal melodies feel so drawn out and impossible to grab onto. Just sounds lazy. Where are the super well written hooks or amazing vocal melodies? Why is there so much beat switches instead of actually developing a song
Small town fame, the PND solo Spider-Man superman, gimmie a hugs, somebody loves me are all fire though
Seeing a trend of Drake fans and casual homophobia
Very curious
I bet you are curious
I super wish I liked this like everyone else on here
To me there’s just so much looping boring beats and run on sentence, directionless vocalisations that hardly even make clear if they’re verses or hooks. Very few things on here are well defined or ear catching to me. Sounds like they got a beat and both spent 10 minutes writing something recorded it one take and then didn’t touch the song again. The beats feel so nondescript and pillowy, hardly changing as the songs progress. The vocal melodies feel so drawn out and impossible to grab onto. Just sounds lazy. Where are the super well written hooks or amazing vocal melodies? Why is there so much beat switches instead of actually developing a song
Small town fame, the PND solo Spider-Man superman, gimmie a hugs, somebody loves me are all fire though
Gimme a huge
I’m ngl im still torn up that 40 has no credits on this project
Does this not seem egregious to anyone else
The album picks up a lot with Gimme A Hug. A lot of these songs on the first half were just kinda going in and out for me. Second half has a lot of different vibes and new directions for Drake I really f*** with
I super wish I liked this like everyone else on here
To me there’s just so much looping boring beats and run on sentence, directionless vocalisations that hardly even make clear if they’re verses or hooks. Very few things on here are well defined or ear catching to me. Sounds like they got a beat and both spent 10 minutes writing something recorded it one take and then didn’t touch the song again. The beats feel so nondescript and pillowy, hardly changing as the songs progress. The vocal melodies feel so drawn out and impossible to grab onto. Just sounds lazy. Where are the super well written hooks or amazing vocal melodies? Why is there so much beat switches instead of actually developing a song
Small town fame, the PND solo Spider-Man superman, gimmie a hugs, somebody loves me are all fire though
You’re right unfortunately
There are some great records but this is the objective truth
I super wish I liked this like everyone else on here
To me there’s just so much looping boring beats and run on sentence, directionless vocalisations that hardly even make clear if they’re verses or hooks. Very few things on here are well defined or ear catching to me. Sounds like they got a beat and both spent 10 minutes writing something recorded it one take and then didn’t touch the song again. The beats feel so nondescript and pillowy, hardly changing as the songs progress. The vocal melodies feel so drawn out and impossible to grab onto. Just sounds lazy. Where are the super well written hooks or amazing vocal melodies? Why is there so much beat switches instead of actually developing a song
Small town fame, the PND solo Spider-Man superman, gimmie a hugs, somebody loves me are all fire though
Very much a 'playlist' album.
The songs that hit are good, but the rest is very eh
We need to have a discussion
What the f*** happened to Drake’s hook-writing ability post-2018?
We need to have a discussion
What the f*** happened to Drake’s hook-writing ability post-2018?
Complacency
We need to have a discussion
What the f*** happened to Drake’s hook-writing ability post-2018?
I super wish I liked this like everyone else on here
To me there’s just so much looping boring beats and run on sentence, directionless vocalisations that hardly even make clear if they’re verses or hooks. Very few things on here are well defined or ear catching to me. Sounds like they got a beat and both spent 10 minutes writing something recorded it one take and then didn’t touch the song again. The beats feel so nondescript and pillowy, hardly changing as the songs progress. The vocal melodies feel so drawn out and impossible to grab onto. Just sounds lazy. Where are the super well written hooks or amazing vocal melodies? Why is there so much beat switches instead of actually developing a song
Small town fame, the PND solo Spider-Man superman, gimmie a hugs, somebody loves me are all fire though
It's crazy cus you never had this problem with drake back in the day, but the structuring and arrangements of these songs is not on par with his previous joints. Connect is amazing in this regard.