Reply
  • Jul 14, 2024
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    1 reply

    Antichrist lowkey sounds old too

    Idk if it’s just that tempo makes him flow better. Anything with a more trap tempo gets more of the weird flows. He’s in his comfort zone closer to the 90 bpms

  • Jul 14, 2024

    Where’s Bruce Jenner at? I wanna f*** that ho

  • Jul 14, 2024
    VizeGuy

    The fact I’ve heard people say Revival was better than this makes me feel like Em hate has gone way too far and I’m not even a stan

    it’s a lot of insecure mostly white rap listeners who feel like they gotta hate on Em to make themselves look more valid in rap cause he’s the og “culture vulture”

    Revival is unlistenable this is leagues above that

  • Jul 14, 2024
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    2 replies

    The realest line on here is “you’re Dre and Jimmy’s puppet”

    If you wanted to get cancelled then why not say something actually biting about Jimmy instead of repeating the same points about pronouns and midgets and deaf people which isn’t really cancel worthy

    Say something about how Jimmy made you censor Pac saying “the Jews” in a totally non derogatory way on the album you produced

    Say something about how jimmy coerced you to write afeni shakur a letter to secure more ownership of pacs music and profits for interscope

    You’re white they wouldn’t even cancel you for it but it would be a more admirable attempt

    The shock material really didn’t go far enough sorry

    And to not address Game is pathetic

  • Jul 14, 2024
    ·
    1 reply
    2words

    The realest line on here is “you’re Dre and Jimmy’s puppet”

    If you wanted to get cancelled then why not say something actually biting about Jimmy instead of repeating the same points about pronouns and midgets and deaf people which isn’t really cancel worthy

    Say something about how Jimmy made you censor Pac saying “the Jews” in a totally non derogatory way on the album you produced

    Say something about how jimmy coerced you to write afeni shakur a letter to secure more ownership of pacs music and profits for interscope

    You’re white they wouldn’t even cancel you for it but it would be a more admirable attempt

    The shock material really didn’t go far enough sorry

    And to not address Game is pathetic

    Game doesn’t deserve the recognition

  • Jul 14, 2024
    XODoors

    Game doesn’t deserve the recognition

    But MGK does?

  • Jul 14, 2024
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    2 replies

    No apologies was about his assignation right ?

    And consequnce and Ye dropped bloodstain and that … this s*** wwe wrestling

  • Jul 14, 2024
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    1 reply

    So the concept of this album is that he’s using an alter ego that’s trying to get cancelled? Can somebody confirm or correct this please?

  • Jul 14, 2024
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    4 replies
    Starks

    So the concept of this album is that he’s using an alter ego that’s trying to get cancelled? Can somebody confirm or correct this please?

    Yes and no.

    The way I see it it's a concept about Eminem as a rapper and his two characters that have formed him throughout the years coming at odds within Eminem's brain.

    For the longest, Marshall (the good conscious) was able to surpress Shady (evil one) until Marshall became too comfortable and let Shady somewhat get ressurected on Renaissance. There he realizes where the game has gone and wants to take control of Eminem, the rapper, as a whole, because he was gone so long and doesn't like what everything has turned into (society, hiphop, Eminem's public perception and perception within the game) the last time he basically had the upper hand or was involved in the decision making, so to say.

    So Habits is basically Eminem making a song but all of a sudden Shady comes back into light. The lines are starting to get blurred. I think here Shady is trying to insert himself back into Eminem's conscious and slowly starts taking the upper hand over the good conscious, Marshall. Both personas are prevelant on that track and at the end it's Shady taking over which then leads to Slim kidnapping Marshall. Mind you, this is all happening in Eminem's brain, so basicslly a story within a story, or a dream within a dream on some inception type of s***.

    On Trouble, once Marshall is trapped by Shady, Shady basically tells Marshall why he is doing what he is doing. Trying to get Eminem cancelled by making a new album as retaliation for locking him far away within the brain and not letting him do his thing. He feels betrayed because he was the reason why Eminem became this popular in the first place.

    The way I see it, Evil is actually a regular Eminem track where we jump out of the dream like state and Eminem starts to realize, or better think, that he might actually be an Evil person because Shady has inserted himself back into the fold.

    Lucifer is then a full fleshed Shady track that leads into Antichrist where Shady is trying to shift the blame to Marshall so that Eminem, the complete person in that case, embraces Shady again instead of Marshall and locks him away.

    Fuel and Road Rage is basically the lead up to the album, in real life, in which Shady is trying to get Eminem cancelled, that leads to Houdini dropping in this story as the lead single. It then leads into the skit where Shady is showing a tied up Marshall, the good conscious, that Shady won and Eminem really dropped the album. Remember, Marshall has been d***ged at the beginning by Shady which also indicates that, Marshall was in a dream like state. This is basically confirmed through the alarm sound several times during this album. Shady explains himself in detail on GC2 but gets too Cocky and thinks he is untouchable without realizing that while he was gone, Marshall became stronger than he was, contrary to the beginning of Eminem's career. The good side then kills Shady but there is another alarm where Eminem 'wakes up' and explains himself to Paul and he just hangs up which leaves several interpetations there, but mine is, that the album actually dropped in real life and Eminem as a whole was in a d*** like dreamy state because Shady took the upper hand over Eminems brain. It could also indicate that Eminem did infact relapse in real life and was trapped in a nightmare within a nightmare. You could also hear Shady laughing after GC2 indicating that his story might not be finished.

    I think this is where the actual story ends and the last few tracks are filler to add some diversity to the album.

    I think he put Temporary and the Outro there because revival was panned and thought that Castle and Arose didnt get enough love because they were on Revival and he was confident that this album would not get panned like the former. So he wanted people to hear these songs, even if they were rehashed concepts.

    I might be looking too much into this too, but this is the way I understand it lmao

  • Jul 14, 2024
    ·
    2 replies

    Popping in to say the last line on Head Honcho is crazy as a double entendre

    "You'll be a stan til I die tho (Dido)"

  • BIG CHIEF THUG

    Popping in to say the last line on Head Honcho is crazy as a double entendre

    "You'll be a stan til I die tho (Dido)"

    Just caught this earlier today too

  • Jul 14, 2024
    The Infinite M

    Yes and no.

    The way I see it it's a concept about Eminem as a rapper and his two characters that have formed him throughout the years coming at odds within Eminem's brain.

    For the longest, Marshall (the good conscious) was able to surpress Shady (evil one) until Marshall became too comfortable and let Shady somewhat get ressurected on Renaissance. There he realizes where the game has gone and wants to take control of Eminem, the rapper, as a whole, because he was gone so long and doesn't like what everything has turned into (society, hiphop, Eminem's public perception and perception within the game) the last time he basically had the upper hand or was involved in the decision making, so to say.

    So Habits is basically Eminem making a song but all of a sudden Shady comes back into light. The lines are starting to get blurred. I think here Shady is trying to insert himself back into Eminem's conscious and slowly starts taking the upper hand over the good conscious, Marshall. Both personas are prevelant on that track and at the end it's Shady taking over which then leads to Slim kidnapping Marshall. Mind you, this is all happening in Eminem's brain, so basicslly a story within a story, or a dream within a dream on some inception type of s***.

    On Trouble, once Marshall is trapped by Shady, Shady basically tells Marshall why he is doing what he is doing. Trying to get Eminem cancelled by making a new album as retaliation for locking him far away within the brain and not letting him do his thing. He feels betrayed because he was the reason why Eminem became this popular in the first place.

    The way I see it, Evil is actually a regular Eminem track where we jump out of the dream like state and Eminem starts to realize, or better think, that he might actually be an Evil person because Shady has inserted himself back into the fold.

    Lucifer is then a full fleshed Shady track that leads into Antichrist where Shady is trying to shift the blame to Marshall so that Eminem, the complete person in that case, embraces Shady again instead of Marshall and locks him away.

    Fuel and Road Rage is basically the lead up to the album, in real life, in which Shady is trying to get Eminem cancelled, that leads to Houdini dropping in this story as the lead single. It then leads into the skit where Shady is showing a tied up Marshall, the good conscious, that Shady won and Eminem really dropped the album. Remember, Marshall has been d***ged at the beginning by Shady which also indicates that, Marshall was in a dream like state. This is basically confirmed through the alarm sound several times during this album. Shady explains himself in detail on GC2 but gets too Cocky and thinks he is untouchable without realizing that while he was gone, Marshall became stronger than he was, contrary to the beginning of Eminem's career. The good side then kills Shady but there is another alarm where Eminem 'wakes up' and explains himself to Paul and he just hangs up which leaves several interpetations there, but mine is, that the album actually dropped in real life and Eminem as a whole was in a d*** like dreamy state because Shady took the upper hand over Eminems brain. It could also indicate that Eminem did infact relapse in real life and was trapped in a nightmare within a nightmare. You could also hear Shady laughing after GC2 indicating that his story might not be finished.

    I think this is where the actual story ends and the last few tracks are filler to add some diversity to the album.

    I think he put Temporary and the Outro there because revival was panned and thought that Castle and Arose didnt get enough love because they were on Revival and he was confident that this album would not get panned like the former. So he wanted people to hear these songs, even if they were rehashed concepts.

    I might be looking too much into this too, but this is the way I understand it lmao

    Thank you for this write up!!! So technically Eminem bothered with all that just to justify him writing all these intolerable lines about fat people, about transgender persons and cancel culture? What im tryna understand is is he using the concept as a pretext to spew all that hate

  • Jul 14, 2024

    Why does Em continue to have these stock sounding choruses sung by Skylar Grey and Jelly Roll? It's sounds so manufactured and sentimental in the worst ways.

  • Jul 14, 2024
    ·
    1 reply
    2words

    The realest line on here is “you’re Dre and Jimmy’s puppet”

    If you wanted to get cancelled then why not say something actually biting about Jimmy instead of repeating the same points about pronouns and midgets and deaf people which isn’t really cancel worthy

    Say something about how Jimmy made you censor Pac saying “the Jews” in a totally non derogatory way on the album you produced

    Say something about how jimmy coerced you to write afeni shakur a letter to secure more ownership of pacs music and profits for interscope

    You’re white they wouldn’t even cancel you for it but it would be a more admirable attempt

    The shock material really didn’t go far enough sorry

    And to not address Game is pathetic

    He already addressed game lmao

    "All the envious rappers I'd torch if I'm on a joint with 'em/And that is the only retort is I'm not played in the clubs muthaf**ka put a cork in it/Only reason they still play your s**t in the clubs/(Why?) is 'cause you still perform in 'em,"

    Read More: Eminem Goes at The Game and Melle Mel on Scathing Diss Track - XXL | xxlmag.com/eminem-the-game-melle-mel-diss-track/?utm_source=tsmclip&utm_medium=referral

  • Jul 14, 2024
  • Jul 14, 2024
    The Infinite M

    Yes and no.

    The way I see it it's a concept about Eminem as a rapper and his two characters that have formed him throughout the years coming at odds within Eminem's brain.

    For the longest, Marshall (the good conscious) was able to surpress Shady (evil one) until Marshall became too comfortable and let Shady somewhat get ressurected on Renaissance. There he realizes where the game has gone and wants to take control of Eminem, the rapper, as a whole, because he was gone so long and doesn't like what everything has turned into (society, hiphop, Eminem's public perception and perception within the game) the last time he basically had the upper hand or was involved in the decision making, so to say.

    So Habits is basically Eminem making a song but all of a sudden Shady comes back into light. The lines are starting to get blurred. I think here Shady is trying to insert himself back into Eminem's conscious and slowly starts taking the upper hand over the good conscious, Marshall. Both personas are prevelant on that track and at the end it's Shady taking over which then leads to Slim kidnapping Marshall. Mind you, this is all happening in Eminem's brain, so basicslly a story within a story, or a dream within a dream on some inception type of s***.

    On Trouble, once Marshall is trapped by Shady, Shady basically tells Marshall why he is doing what he is doing. Trying to get Eminem cancelled by making a new album as retaliation for locking him far away within the brain and not letting him do his thing. He feels betrayed because he was the reason why Eminem became this popular in the first place.

    The way I see it, Evil is actually a regular Eminem track where we jump out of the dream like state and Eminem starts to realize, or better think, that he might actually be an Evil person because Shady has inserted himself back into the fold.

    Lucifer is then a full fleshed Shady track that leads into Antichrist where Shady is trying to shift the blame to Marshall so that Eminem, the complete person in that case, embraces Shady again instead of Marshall and locks him away.

    Fuel and Road Rage is basically the lead up to the album, in real life, in which Shady is trying to get Eminem cancelled, that leads to Houdini dropping in this story as the lead single. It then leads into the skit where Shady is showing a tied up Marshall, the good conscious, that Shady won and Eminem really dropped the album. Remember, Marshall has been d***ged at the beginning by Shady which also indicates that, Marshall was in a dream like state. This is basically confirmed through the alarm sound several times during this album. Shady explains himself in detail on GC2 but gets too Cocky and thinks he is untouchable without realizing that while he was gone, Marshall became stronger than he was, contrary to the beginning of Eminem's career. The good side then kills Shady but there is another alarm where Eminem 'wakes up' and explains himself to Paul and he just hangs up which leaves several interpetations there, but mine is, that the album actually dropped in real life and Eminem as a whole was in a d*** like dreamy state because Shady took the upper hand over Eminems brain. It could also indicate that Eminem did infact relapse in real life and was trapped in a nightmare within a nightmare. You could also hear Shady laughing after GC2 indicating that his story might not be finished.

    I think this is where the actual story ends and the last few tracks are filler to add some diversity to the album.

    I think he put Temporary and the Outro there because revival was panned and thought that Castle and Arose didnt get enough love because they were on Revival and he was confident that this album would not get panned like the former. So he wanted people to hear these songs, even if they were rehashed concepts.

    I might be looking too much into this too, but this is the way I understand it lmao

    nice write-up and pretty much my same exact interpretation of it .
    I've seen a lot different takes on the story tho which is a dope thing

    also I think you're dead on about the castle arose point

  • Jul 14, 2024
    SignedTwice

    Oompa Loompa ass beat

    Literally, but it will not leave my mind

  • Jul 14, 2024

    P**** music ass beat

  • Jul 14, 2024

    why wasn't this on the album

  • Jul 14, 2024
    ·
    1 reply

    I keep seeing people hating on this album on ig.
    Lowkey annoying. Because it’s never enough to say “I didn’t like it,” they gotta s*** on Em as a person and anyone who likes the album.

  • Jul 14, 2024
    ·
    1 reply
    Shady Ant

    I keep seeing people hating on this album on ig.
    Lowkey annoying. Because it’s never enough to say “I didn’t like it,” they gotta s*** on Em as a person and anyone who likes the album.

    most of the time people are fishing for attention with it. genuinely confuses me the folk who don't like his music and never did go into his new albums expecting to enjoy it

  • Jul 14, 2024
    Ivan Cray

    No apologies was about his assignation right ?

    And consequnce and Ye dropped bloodstain and that … this s*** wwe wrestling

    What?

  • Jul 14, 2024
    Ivan Cray

    No apologies was about his assignation right ?

    And consequnce and Ye dropped bloodstain and that … this s*** wwe wrestling

    What?

  • Jul 14, 2024
    Baby Goat

    most of the time people are fishing for attention with it. genuinely confuses me the folk who don't like his music and never did go into his new albums expecting to enjoy it

    That makes sense.
    The worst is when they like his older stuff, but then act like this album is bad because of its subject matter.
    Like, yes, it’s a bit one note, but if that alone is enough to turn someone off of the album, especially if it’s because they find it offensive, then I feel like they would have hated the MMLP if they were old enough to hear it back in the day.
    None of the songs on this record are more over the top than Criminal, and that song is beloved. The only difference is the issues being poked fun at are more current now.
    Sometimes it seems like they’re being purposely obtuse for the sake of an image or whatever.

  • Jul 14, 2024
    BIG CHIEF THUG

    Popping in to say the last line on Head Honcho is crazy as a double entendre

    "You'll be a stan til I die tho (Dido)"

    Mans wordplay/punchlines sometimes is crazy lmao