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  • Sep 16, 2020
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    edited

    Frank for example always does the V-I followed by III-II-I set of intervals in his verse melodies, Channel Orange and Blonde are full of em

    It’s a Frank staple but it helps create that Frank vibe we love so much. Doing this actually makes for a stronger artistic identity. Don’t get me started on YoungBoy’s great use of signature intervals that people try to slander him for

  • Sep 16, 2020
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    1 reply
    kiddash3r

    Not remotely true lmfao

    !https://youtu.be/z4lsfRiBvwM!https://youtu.be/xnDHnm4jcMc

    not saying that he doesnt go outside his range, but these def are not really examples of crazy range; most of the clips are literally right in his range

  • Sep 16, 2020

    OP doesnt know what a chord is btw

  • Sep 16, 2020

    KOTF - DaHeala
    TYF - Illangelo, Kanye, Mike Dean
    Reminder - Doc, Cirkut, Mano
    Heartless - Illangelo, Metro
    Often - Ben Billions, DaHeala
    Starboy - Daft Punk

    All are his trap songs except Starboy

  • Sep 16, 2020
    Grenouille

    Even the one man who was safe (Frank Ocean) gets s*** on for mysterious music post the critical success of Blonde

    To be fair frank hate comes from a handful of goobers

  • Sep 16, 2020
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    edited
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    1 reply

    funny thing is his argument kinda stands with Earned It & Call Out My Name, the tracks have the same tempo, chord progression, waltz like beat signature, the only thing that differentiates them is the vocal melody and production

    but that doesn't mean they're the same track lmao, there are still some qualitites that make the tracks distinct from each other

  • Sep 16, 2020
    Mango

    Jesus christ, this racialism immediately. Dude really dove off the deep end to talk about melodies lol.

    He should have spent more time clarifying where it comes from, but there is some truth to it since traditionally black music is based a lot on blues, which uses the pentatonic scale and more minor keys than traditionally white music

  • Sep 16, 2020
    chili
    · edited

    funny thing is his argument kinda stands with Earned It & Call Out My Name, the tracks have the same tempo, chord progression, waltz like beat signature, the only thing that differentiates them is the vocal melody and production

    but that doesn't mean they're the same track lmao, there are still some qualitites that make the tracks distinct from each other

    !https://www.youtube.com/watch?v=xe_iCkFsQKE!https://www.youtube.com/watch?v=rsEne1ZiQrk

    It's about using what you have correctly, which Abel and team do perfectly almost all the time

    If you play any given weeknd song stripped down on piano, you're gonna get bored fast. That's why everything around the chords is so important

  • Sep 16, 2020
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    edited

    Well yeah, he's a popartist

  • Sep 16, 2020
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    1 reply

    Chords are nothing more than a set of directions telling the music where to go. It's up to the artist/team to make these chords special

  • Sep 16, 2020
    Undisclosed

    Chords are nothing more than a set of directions telling the music where to go. It's up to the artist/team to make these chords special

  • Sep 16, 2020

    i unstan

    i now stan andrew youtube man

  • Sep 16, 2020
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    1 reply

    crying how some of yall are defending this 😭😭😭😭

  • Sep 16, 2020
    Jay Z of the South

    Weeknd albums are one giant song

  • Sep 16, 2020

  • Sep 16, 2020
    Mechanical

    crying how some of yall are defending this 😭😭😭😭

    You will find examples of this throughout any pop singers discography, they all have their little niches

  • Sep 16, 2020

    Taylor's is literally one note

    She loves one note melodies

  • Sep 16, 2020
    Mango

    I fed an AI 2,000 hours of royalty free pop music.
    These are the results.

    LMFAOOOOOOOOOOO

  • Sep 16, 2020
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    3 replies

    Why does it seem like people with the best knowledge of music theory make mid music while the ones with the most basic understanding of it are the ones who make great music

  • Sep 16, 2020
    SHAQUILLE

    Video is kinda cool. Song is trash

    Look at his music bro literally youtube garbage tier lmfaooo

    I agree on the video

  • Sep 16, 2020
    Triplesss

    not saying that he doesnt go outside his range, but these def are not really examples of crazy range; most of the clips are literally right in his range

    Those were the first i thought of where he let his vocals go but yeah you're right

  • Sep 16, 2020

    pretty common sense to be able to notice he makes the same s*** over and over again

  • Sep 16, 2020
    the reds

    Why does it seem like people with the best knowledge of music theory make mid music while the ones with the most basic understanding of it are the ones who make great music

    Because when you learn music theory on a pretty regular basis (like myself who had to take 4 semesters), you’re filling your head up with a bunch of music “rules” that you’re taught from the get go.

    “This chord has to go to this chord, these notes can’t go in this order, you can’t use that chord there!”

    Having all of these rules stuffed into your head will inevitably create blockages if you ever try and make your own music. You’ll have an idea but then that idea will be shut down when you remember your theory teacher 3rd semester told you that you’re not allowed to use parallel fifths.

    People who don’t have the constraints of formal music theory just play what they think sounds good, and that’s why a lot of it works because it just comes from natural musical intuition that your brain made up and decided you liked. It may be formally wrong but who gives a s***? It sounds great!

  • Sep 16, 2020
    Coleman

    this is why all his songs sound the same

    still goat

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