Crazy how big of a drop off there was in the 70s. I blame prog.
prog isnt even one of the biggest stories of the 70s if we are being honest
I definitely thought you were a bigger fan of the '70s and beyond
Feel like I've s*** on the 70s a lot so you might be thinking of somebody else.
Was mostly a joke. Every decade has amazing offerings. But it is my least favorite of the 20th century and maybe even lower than 2000s
prog isnt even one of the biggest stories of the 70s if we are being honest
I was just meme hating prog.
Claiming any decade is more creative than another is pretty stupid
Agreed but also there have been a couple times where pretty much everybody was trying to sound as wild as possible with all of their singles and s***. Other times the general style shifts to something more traditional and/or refined which could be construed as less outwardly creative.
Claiming any decade is more creative than another is pretty stupid
Agreed but also there have been a couple times where pretty much everybody was trying to sound as wild as possible with all of their singles and s***. Other times the general style shifts to something more traditional and/or refined which could be construed as less outwardly creative.
You're right just listen to the 90s
70s has Eno so it's still amazing in my eyes
You should listen to the Yuta Matsumura album from last year, some big 70s Eno vibes especially in its second half
Shoutout @basedspirit

@Aruji Youre a Nathrakh fan?
Nah, they are honestly a tad too hard for me to listen to it casually but each time I listen to it's quite a blast.
Agreed but also there have been a couple times where pretty much everybody was trying to sound as wild as possible with all of their singles and s***. Other times the general style shifts to something more traditional and/or refined which could be construed as less outwardly creative.
a couple times like when?
Nah, they are honestly a tad too hard for me to listen to it casually but each time I listen to it's quite a blast.
Yeah they tend to blow out speakers but they're pretty awesome. You'd probably dig their lyrical/topical s*** though, it's very Godfleshy. They're from Birmingham after all.
They straight up sample 1984 in this one

a couple times like when?
60s obviously but also 80s synthpop/post punk bands which transitioned into early 90s madchester and all that. Basically the pot/acid/ecstasy inspired music lol
The cocaine/heroin/booze eras are cool too but less creative in the kaleidoscopic sense.
Claiming any decade is more creative than another is pretty stupid
The earlier artists are always gonna appear more creative/innovation, because there’s only so many sounds you can make. By the time you get to the 2000s everything had been done already.
The earlier artists are always gonna appear more creative/innovation, because there’s only so many sounds you can make. By the time you get to the 2000s everything had been done already.
It’s really hard to compare one decade to another, especially with music. Each generation wants their own sound.
60s obviously but also 80s synthpop/post punk bands which transitioned into early 90s madchester and all that. Basically the pot/acid/ecstasy inspired music lol
The cocaine/heroin/booze eras are cool too but less creative in the kaleidoscopic sense.
The ‘60s followed trends like any other decade did, but they felt like the most symbiotic then and got further and further away from each other as time went on. Especially going forward from the ‘90s.
The earlier artists are always gonna appear more creative/innovation, because there’s only so many sounds you can make. By the time you get to the 2000s everything had been done already.
I can see the evolution but I think every generation has its own unique merits you know
The ‘60s followed trends like any other decade did, but they felt like the most symbiotic then and got further and further away from each other as time went on. Especially going forward from the ‘90s.
There was a technology and economic curve as well. There's no way they were going to be able to pull off the type of studio wizardry nor be alotted the the of studio time required to experiment until a few key artists showed how big the returns could be.
There was a technology and economic curve as well. There's no way they were going to be able to pull off the type of studio wizardry nor be alotted the the of studio time required to experiment until a few key artists showed how big the returns could be.
once again i will advocate for the 1966-1975 decade
we have simply been in the era of postmodern popular music