@provider easily my fav piece of journalism this year
@provider easily my fav piece of journalism this year
Need more like it, I went straight to the writer's page after it
Realized he wrote the Tame Impala piece I read earlier too lol
Need more like it, I went straight to the writer's page after it
Realized he wrote the Tame Impala piece I read earlier too lol
and the great mj lenderman piece. tame piece was so good
yeah i'm listening to husbands and kenny beats should win producer of the year. the drums sound so f***ing unreal
Husbands
Album of the f***ing year man
I can’t fathom that these mfs graduated high school in 2020
The way the guitar comes in after the hook on Husbands
track 1-6 gotta be one of the best runs ever no funny s***
I know it’s only been a few days but this honestly may be an all time album
I was beginning to lose hope in the youth when it comes to music, but this band has brought me back to the table. All in on these guys.
The last album I found myself getting very obsessed with the intricacies and small moments through the entire album was Scaring The Hoes
EDIT: and prob first time ever for artist(s) younger than me
Just got to the GQ piece, great read.
Winter puts it less lightly. “The whole point of the album was to indulge ourselves, and it was indulgent as hell,” he says, pointing to a minute-long drone at the end of that opening track, “2122,” that the label wanted trimmed to five seconds or less. “We considered saying f*** you, but we were told by everyone in our camp ‘You are not in a position to come to the table right now with your own opinions.’ They were right. We had no fans. I was so depressed.”
Wtf, this would've been cool
“He worked his ass off recording Heavy Metal,” his dad, Stewart, tells me via text. “I once descended the stairs past midnight, expecting to find a home intruder and instead found Cameron with a soldering iron, hunched over a piece of gear, discussing vocal chains on speakerphone with a thickly Hungarian-accented interlocutor. He didn’t even look at me.”
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Upbin wanted a weepy number called “Try As I May” excised and another, “Love Takes Miles,” re-recorded to get to its possible pop essence. (To be fair, “Love Takes Miles” has been streamed seven million times on Spotify and has become something of a TikTok hit, soundtracking videos of kittens and teddy bears and prompting lots of acoustic covers. Blume says Winter once told him, “I f***ing hate that song.”)
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“Kenny’s one of the smartest people I know, so he’s good at arguing even when he’s wrong—a cutting wit, too,” says Winter, laughing. He worries that Blume will remind him, again, how little he’s getting paid to shepherd Geese’s records, that making Getting Killed over two months rather than two weeks cost him money. “I personally don’t give a s***. I love the guy, but I can’t think about it like that. I don’t care if you’re doing this for $5, Kenny. I still want my groove.”
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pointing to a minute-long drone at the end of that opening track, “2122,” that the label wanted trimmed to five seconds or less.
makes me wonder how much they trimmed from Getting Killed. theres not a second wasted on here but i also kind of wish there was a 4 minute outro on a song like bow down with the rest of the band going nuts
I was beginning to lose hope in the youth when it comes to music, but this band has brought me back to the table. All in on these guys.
real s***, i wish we could give them billions to do whatever they want
best drumming i've heard in YEARS
Even on the Baby cover they did the drum fill at the end of the spoken word bridge is nuts
yessir. was biblical, and i saw them twice in philly this summer and they played the record minus long island city and bow down over the two shows
Generational W