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Ktt2
Album art
1.5
Author: Jaxxon Yeezy
GENRE: Experimental Hip-Hop
LABEL: Def Jam
REVIEWED: May 27, 2023
"Reborn" sounds like it was recorded in a haunted house, with Cudi's vocals echoing through the halls like a ghostly apparition.

Kanye West is back with his highly-anticipated album, Ktt2 (or Kids See Ghosts 2, for those not in the know). This time, he's joined forces with Kid Cudi, creating an experimental hip-hop experience that's sure to leave you scratching your head and wondering, "what the hell did I just listen to?"

The album opens with the track "What's The Use?" which features a hodgepodge of sounds that would make even the most experienced audio engineer cringe. But don't worry, it gets worse. "Reborn" sounds like it was recorded in a haunted house, with Cudi's vocals echoing through the halls like a ghostly apparition.

But perhaps the real standout track is "Cudi Montage," which features a sample from a Kurt Cobain interview. It's as if Kanye is trying to tell us that he's the new grunge icon, but with more Auto-Tune and less flannel.

Overall, Ktt2 is a confusing, pretentious mess of an album that only the most hardcore Kanye and Cudi fans will appreciate. But hey, if you're into that sort of thing, give it a listen. Just don't blame us if you end up with a headache.

Who took my reply down wtf

Data collection thread

2.2
Author: Asher Pendleton
GENRE: Hip-Hop
LABEL: Glassnote
REVIEWED: May 27, 2023
But, if you're in the mood for some catchy beats and cringe-worthy lyrics, this album might just be for you.

When it comes to Childish Gambino's Camp, the first thing that comes to mind is: "Is this guy for real?" With lyrics like "I'm on my ballin' each and every day / Asian girls everywhere, UCLA," it's hard not to question whether this album is a parody of itself. But alas, after countless listens, it's become clear that this is just Donald Glover's attempt at being a "woke" rapper.

The production on Camp is solid, with a mix of electronic and hip-hop beats that keep the listener engaged. But it's Gambino's lyrics that make you cringe at times. Take for example, the track "Bonfire," where he raps about "raping b****es and s***," which is not only offensive, but also completely out of place on an album that's supposed to be introspective.

Glover's attempts at being a lyrical wordsmith are hit or miss, with some punchlines landing perfectly while others fall flat. The track "All The Shine" is a shining example of Gambino's talent, featuring introspective lyrics about his struggle with fame. However, tracks like "Heartbeat" are littered with cliches and uninspired rhymes.

Overall, Camp is a decent effort from Gambino, but it falls short of being a masterpiece. His attempts at being "woke" come off as pretentious and at times, insincere. But, if you're in the mood for some catchy beats and cringe-worthy lyrics, this album might just be for you.

In the end, "Bordeaux" is a forgettable addition to both Drake and Kanye West's catalogs.

It's hard to think of a more perfect collaboration than Drake and Kanye West, two of the biggest names in hip-hop. And yet, their latest effort, "Bordeaux," falls short of expectations. The track is a strange mix of Drake's signature melancholy and Kanye's abrasive ego, resulting in a disjointed sound that never quite hits the mark.

At first listen, "Bordeaux" seems like a promising addition to both artists' discographies. The beat is catchy and the lyrics are suitably boastful, but the more you listen, the more you realize that something is off. Kanye's verses are overly self-aggrandizing, while Drake's introspection feels forced and out of place. It's as if the two artists were trying to outdo each other instead of working together.

Of course, this is not to say that "Bordeaux" is entirely without merit. The production is solid, and there are a few standout lines that are sure to become Instagram captions for the next few months. But overall, the track feels like a missed opportunity. Two of the most talented rappers of our time should be able to create something greater than this.

It's not terrible, but it's not great either. Perhaps it's time for both artists to take a step back and reevaluate their priorities. As for us, we'll be listening to "Ultralight Beam" on repeat and pretending that this collaboration never happened.

But, if you're in the mood for some catchy beats and cringe-worthy lyrics, this album might just be for you.

After much anticipation, Drake's latest release "Serious Heroin Addiction" has finally hit the shelves. And let me tell you, it's exactly what you would expect from a man who has made a career out of being perpetually sad.

The album opens with the aptly titled "Needles in the Confessional", which sets the tone for the rest of the record. Drake's signature melancholic vocals are accompanied by haunting piano chords that would make even the staunchest of stoics shed a tear. It's a powerful start to an album that explores the depths of addiction and despair.

But as the album progresses, it becomes clear that Drake is taking himself a little too seriously. The track "Junkie's Lament" is particularly cringe-worthy, with its over-the-top references to d*** paraphernalia and graphic depictions of withdrawal symptoms. It's as if Drake is trying to prove how hardcore he is, while simultaneously glamorizing the very thing he claims to be battling.

Overall, "Serious Heroin Addiction" is a mixed bag. While there are certainly moments of raw emotion and vulnerability, they are overshadowed by Drake's insistence on being the most tortured and tragic figure in the music industry. If you're in the mood for some self-indulgent wallowing, then this album is for you. But if you're looking for something with a little more substance, you might want to look elsewhere.

Painus By WALE

1.4
Author: Sceptic McJargon
GENRE: Experimental Hip Hop
LABEL: Interscope Records
REVIEWED: May 27,
2023

The album's production is as jarring as its content.
Painus, the latest release from WALE, is a perplexing and ambitious experiment in the realm of hip hop. However, it leaves much to be desired. The album is a cacophony of sounds that seems to lack direction, coherence, and purpose. It's as if WALE is trying too hard to be avant-garde, but ends up sounding like a misguided teenager with a Casio keyboard.

The opening track, "Painus Intro," sets the tone for the rest of the album with its abrasive beats and nonsensical lyrics. "Is this supposed to be ironic or just plain bad?" one might ask oneself. The following tracks, "Painus Part I" and "Painus Part II," are equally confusing and unlistenable. It's as if WALE is deliberately trying to alienate his audience, which is a shame, since he is a talented rapper with a lot to offer.

The album's production is as jarring as its content. The beats are loud and obnoxious, and the samples are often cringe-worthy. It's as if WALE is trying to evoke a sense of nostalgia for a time that never existed, but ends up sounding like a cheap rip-off of a 90s rap album. The guest appearances by various artists only add to the confusion and chaos of the album.

In conclusion, Painus is a disappointing and pretentious album that fails to achieve what it sets out to do. WALE's attempt at experimental hip hop falls flat on its face, and leaves the listener wondering what the point of it all was. Perhaps WALE should stick to what he does best, and leave the avant-garde to those who know how to do it right.

PAIN + FAMOUS

BROCKHAMPTON - HOMOSEXUAL INITATION RITUAL
Album art
1.4
Author: Marcelle LeFleur
GENRE: Queer Hip-Hop
LABEL: RCA Records
REVIEWED: May 27, 2023
The tracks vary widely in style and tone, with some feeling like half-formed ideas rather than fully realized songs.

BROCKHAMPTON's latest release, "Homosexual Initiation Ritual," is a bold and daring exploration of queerness in the hip-hop landscape. The album showcases the group's signature blend of catchy hooks and socially conscious lyrics, all set against a backdrop of pulsing beats and lush production. However, despite its many charms, "Homosexual Initiation Ritual" ultimately falls short of the high bar set by BROCKHAMPTON's previous work.

One of the album's primary issues is its lack of cohesion. While BROCKHAMPTON's previous albums flowed seamlessly from one track to the next, "Homosexual Initiation Ritual" feels disjointed and uneven. The tracks vary widely in style and tone, with some feeling like half-formed ideas rather than fully realized songs.

Another issue with "Homosexual Initiation Ritual" is its reliance on tired queer stereotypes. While BROCKHAMPTON undoubtedly means well, their frequent use of phrases like "yas queen" and "sissy that walk" feels dated and clichéd. The group's attempts to subvert these stereotypes often fall flat, coming across as more pandering than genuinely subversive.

Despite these shortcomings, "Homosexual Initiation Ritual" still offers plenty of pleasures for fans of queer hip-hop. Tracks like "Gay AF" and "Femme Fatale" are undeniably catchy, and BROCKHAMPTON's commitment to representing marginalized voices in their music is admirable. While it may not be their strongest work to date, "Homosexual Initiation Ritual" is still a worthwhile addition to BROCKHAMPTON's impressive discography.

Look Woman, Amen By Kendrick Lamar
Album art
3.9
Author: Thelonious Fitzroy
GENRE: Conscious Hip-Hop
LABEL: Top Dawg Entertainment
REVIEWED: May 27, 2023
But is it enough to warrant the hype that comes with every Kendrick release?

Kendrick Lamar returns with Look Woman, Amen, an album that is sure to divide both fans and critics alike. The Compton rapper's latest offering is a bold statement on the state of modern society, a scathing critique that is as humorous as it is thought-provoking. But is it enough to warrant the hype that comes with every Kendrick release?

The album opens with the title track, a funky groove that invites listeners to join Kendrick on his journey of self-discovery. The production is top-notch, with a mix of live instrumentation and classic hip-hop samples that create a sound that is both retro and modern. However, the lyrics are a bit on the nose, with Kendrick spelling out his message for those who may not be paying attention.

The album's standout track, "Cancel Culture," sees Kendrick taking aim at the current trend of canceling public figures for past mistakes. The beat is sinister, with a haunting piano loop that provides the perfect backdrop for Kendrick's scathing commentary. But again, the message feels a bit heavy-handed, and Kendrick's flow is not as agile as it has been on past releases.

Overall, Look Woman, Amen is a solid addition to Kendrick Lamar's discography, but it falls short of the high expectations that come with his name. While the production is stellar, Kendrick's message is not as nuanced as it could be, and his delivery lacks the punch that has made him a critical darling. But for fans of conscious hip-hop, Look Woman, Amen will still provide plenty of food for thought.

Kendrick Lamar Redneck Niggaz
Album art
4.0
Author: Thelonious P. Funk
GENRE: Conscious Hip-Hop
LABEL: Self-Released

REVIEWED: May 27, 2023
Additionally, some may find the album's use of country and bluegrass samples jarring and unnecessary.

With his latest release, "Redneck Niggaz," Kendrick Lamar has taken his conscious hip-hop to a whole new level. Combining witty wordplay with a satirical take on the intersection of race and class, Lamar has crafted a provocative and thought-provoking album that is sure to polarize listeners.

While some may find the use of the word "redneck" in the album title offensive, Lamar cleverly flips the label on its head, using it to critique the narrow-mindedness of those who cling to their bigoted beliefs. The album's standout track, "Trailer Park Dreams," skewers the stereotype of the white working-class as uneducated and backwards, while still acknowledging the real struggles faced by those living in poverty.

Lamar's flow is as sharp as ever, with his verses packed full of references to history, politics, and popular culture. However, at times the album veers into pretentiousness, with tracks like "Postmodernist Blues" feeling more like a lecture than a song. Additionally, some may find the album's use of country and bluegrass samples jarring and unnecessary.

Overall, "Redneck Niggaz" is a bold and challenging statement from one of hip-hop's most talented artists. While it may not be for everyone, those willing to engage with Lamar's complex ideas and sharp wit will be rewarded with an album that is both entertaining and thought-provoking.

Torch Bearer By Chimp1
Album art
2.0
Author: Kip Anderson
GENRE: Experimental Hip-Hop
LABEL: Subconscious Records
REVIEWED: May 27, 2023
At times, Chimp1's verses are reminiscent of the musings of a stoned philosophy major, while at others, they sound like they were written by a five-year-old with a penchant for profanity.

What do you get when you cross a chimpanzee with a microphone? Apparently, the answer is Torch Bearer by Chimp1. This experimental hip-hop album is a wild and unpredictable ride, with beats that sound like they were made using a Casio keyboard from the 80s and rhymes that are both absurd and insightful.

At times, Chimp1's verses are reminiscent of the musings of a stoned philosophy major, while at others, they sound like they were written by a five-year-old with a penchant for profanity. The result is a bizarre and hilarious listening experience that will have you scratching your head one minute and nodding it in agreement the next.

While Torch Bearer is certainly not for everyone, those who appreciate off-kilter production and unconventional lyricism will find plenty to love here. Chimp1 may not be the most technically skilled rapper out there, but what he lacks in polish he makes up for in sheer personality.

With its lo-fi beats and absurdist lyrics, Torch Bearer is the kind of album that will leave you questioning everything you thought you knew about hip-hop. Whether you're a diehard fan of the genre or just looking for something completely different, this bizarre and hilarious release is well worth a listen.

This sounds fire

Where The F*** Is Mario Judah

Album art
1.4
Author: Xander Fauxhawk
GENRE: Trap Metal
LABEL: Self-Released
REVIEWED: May 27, 2023
It's great to have Judah back in action, even if this particular track doesn't quite live up to his previous releases.

It's been a hot minute since we've heard anything from trap metal prodigy Mario Judah. So, the question on everyone's lips is: where the f*** is Mario Judah? It seems he's been missing from the scene for longer than his infamous 15 seconds of fame. But fear not, dear listeners, because he's back with a vengeance on his latest single, aptly titled "Where The F*** Is Mario Judah."

Judah's signature blend of metal and trap is as brazen as ever on this track. The lyrics are hilariously self-referential and tongue-in-cheek, poking fun at his own disappearance and the rumors that have been swirling around him. It's clear that he's not taking himself too seriously, and that's part of his charm.

However, as much as we love Judah's irreverent energy, we have to admit that "Where The F*** Is Mario Judah" doesn't quite reach the heights of his previous work. The beat is a bit repetitive, and the vocals lack the same level of intensity that we've come to expect from the artist. It's an enjoyable track, but it doesn't quite hit the mark.

Overall, "Where The F*** Is Mario Judah" is a fun and silly addition to the trap metal canon. It's great to have Judah back in action, even if this particular track doesn't quite live up to his previous releases. We can only hope that he's got more up his sleeve and that he'll continue to surprise us with his unique blend of metal and trap.

Once again, Pitchfork always getting their reviews wrong

This clearly a classic

Oh No Wrong Hole

Album art
1.4
Author: Xander Leatherpants
GENRE: Experimental Jazz Fusion meets BDSM
LABEL: Kinky Tunes
REVIEWED: May 27, 2023
quite literally.

In their latest release, "Oh No Wrong Hole," experimental jazz fusion group, The Kinksters, take their exploratory sound to new depths...quite literally. With each track taking on a BDSM theme, this album is not for the faint of heart or the vanilla-minded listener.

But beyond the leather-clad lyrics and sultry sax solos lies a deeper critique of the BDSM community and its culture. The Kinksters use their music to shed light on the problematic power dynamics at play, particularly in the titular track "Oh No Wrong Hole." The repeated refrain of "oops, wrong hole" serves as a stark reminder of the importance of consent, even in the most intimate of situations.

While the musicianship displayed on this album is undeniably impressive, with standout performances from the drummer, who incorporates the sound of a flogger into his beats, and the bassist, who expertly walks the line between sensual and sleazy, it's hard not to feel a bit overwhelmed by the constant barrage of kink. At times, it feels like The Kinksters are trying too hard to shock and titillate, rather than letting their music speak for itself.

Overall, "Oh No Wrong Hole" is a bold and boundary-pushing release from The Kinksters, showcasing the band's willingness to tackle taboo subjects head-on. While it may not be everyone's cup of tea (or safe word), it's a must-listen for fans of experimental jazz fusion and BDSM culture alike.

Cordova

Album art
1.4
Author: Gwyneth Arugula
GENRE: Indie Folktronica
LABEL: Self-Released
REVIEWED: May 27, 2023
Perhaps the most interesting aspect of Cordova is the use of technology as a theme throughout the album.

Cordova’s self-titled debut album is a quirky blend of indie folk and electronic music that is sure to leave a lasting impression…or not. From the opening track “Circuit Board Heart” to the closing song “Glitch in the System,” the listener is taken on a journey through glitchy beats, ethereal vocals, and folksy guitar riffs. But is it enough to make Cordova stand out in an oversaturated indie music scene?

As a self-released album, Cordova shows promise in its experimentation with genre-blending. However, the lack of cohesiveness and direction ultimately leaves the listener wanting more substance. The production feels amateurish at times, with some tracks sounding like they were recorded in a garage with a cell phone.

Perhaps the most interesting aspect of Cordova is the use of technology as a theme throughout the album. The song “Microchip Blues” features lyrics about being trapped in a digital world, while “Electric Dreams” brings to mind the classic ‘80s film of the same name. Yet, the execution of these themes falls short, leaving the listener with more questions than answers.

Overall, Cordova’s self-titled debut album is a decent first effort, but in a world where indie music is constantly evolving, it falls short of making a lasting impression. Gwyneth Arugula may be intrigued by the band's experimentation, but it's clear that Cordova still has a long way to go in order to truly make their mark.

Spaceghostpurrp
Album art
2.2
Author: Beatrice Blackwell
GENRE: Lo-fi Hip Hop
LABEL: Self-Released
REVIEWED: May 27, 2023
But unfortunately, his self-proclaimed greatness is not backed up by the actual music.
Spaceghostpurrp's latest release, "Gucci Goth," is a sonic journey through the mind of a self-proclaimed visionary. But hold on to your ironic bucket hats, because this is not your typical lo-fi hip hop album. No, Spaceghostpurrp has transcended the genre and created his own unique sound that can only be described as "meh."

From the opening track, "I'm the Real OG," it's clear that Spaceghostpurrp is not one to shy away from self-promotion. But unfortunately, his self-proclaimed greatness is not backed up by the actual music. The beats are repetitive and the lyrics are uninspired, making it hard to distinguish one track from the next.

Perhaps the most disappointing aspect of "Gucci Goth" is that it fails to live up to the hype surrounding Spaceghostpurrp's previous work. He has been hailed as a pioneer of the lo-fi hip hop scene, but this album feels like a step backwards. It's like he took his old beats, slowed them down, and added some cheesy keyboard effects.

In the end, "Gucci Goth" is a forgettable addition to an already oversaturated genre. Spaceghostpurrp may think he's a visionary, but his music proves otherwise. It's time for him to step up his game or step aside and let someone else take the reins.

YOOOO that first paragraph is scathing

this site is so bad it's actually good

It's joever..

J Hus - Don't Say Militancy
Album art
4.2
Author: Remy Lacroix
GENRE: UK Drill, Afroswing
LABEL: Black Butter Records
REVIEWED: June 1, 2023
However, there are moments on this album where the pretentiousness is almost too much to bear.
J Hus has returned with his latest offering, Don't Say Militancy, and for those who have been eagerly waiting for new material, it's safe to say that Mr. Hus has delivered. The UK drill and afroswing genres are in full force on this record, with a certain level of energy that cannot be ignored. However, there are moments on this album where the pretentiousness is almost too much to bear.

The production on Don't Say Militancy is impeccable, with a wide range of beats that capture the essence of both UK drill and afroswing. J Hus's flow is on point throughout the entirety of the record, and his lyrics range from witty to thought-provoking. However, there are moments where the album's attempts at humor fall short, and the whole thing comes across as a bit forced. It's almost like J Hus is trying too hard to be funny, and it detracts from the overall quality of the record.

There's also a certain level of pretentiousness that permeates throughout the album, which is both frustrating and intriguing. On one hand, it's refreshing to see an artist take their craft seriously and try to push the boundaries. On the other hand, some of the choices on the record come across as intentionally obscure and almost impossible to decipher. It's almost like J Hus is trying to alienate his audience, which is not a good look for any artist.

Overall, Don't Say Militancy is a solid addition to J Hus's discography, but it's not without its flaws. There are moments of brilliance, but they're often overshadowed by the record's attempts at humor and pretentiousness. It's an album that will be loved by some and hated by others, but it's definitely worth a listen for those who are fans of UK drill and afroswing.