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  • Updated Feb 16

    01. Stupid Dumb Illiterate (feat. Sid Sriram)
    02. I’m Pretty Cool
    03. Sri Lanka (feat. Your Old Droog)
    04. Accent (feat. Saul Williams)
    05. Going for 6 (feat. Sonnyjim & Abhi the Nomad)
    06. Bab Ganoush (feat. Lee Scott & Cool Calm Pete)
    07. Obi Toppin (Darling) feat. Kool Keith
    08. Kala Tika
    09. Yellow (feat. Sir Michael Rocks & Open Mike Eagle)
    10. Porches (feat. Blu & Quelle Chris)
    11. Saka
    12. Yo Momma (feat. Fatboi Sharif)


    All tracks produced by Lapgan

    “My world was one of graffiti and golgappas, skateboards and saris, music and Mughals, and so on. This is what my music sounds like,”

    veena.nyc


  • Jan 23
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    1 reply

    IN

  • Jan 23
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    1 reply

    Accent is actually incredible

  • Jan 23
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    2 replies

    On Lapgan, the producer

    Several years ago, my friend and I fixated on an idea: to do for the rich traditions of classical Indian music what hip-hop has long done for jazz, surfacing through samples the undersung earworms and singular timbres that largely go unheard by contemporary listeners. Then we discovered Lapgan, who in his ornate beat tapes inspired by ancestral modalities and laced with echoes from across the subcontinent, we recognized a better realized vision of what we thought did not yet exist. On his 2019 and 2021 albums Badmaash and Duniya Kya Hai, the producer born Gaurav Nagpal (his stage name is his last name backwards) cooked up an aromatic feast of found sounds that ranged from the sandy tip of Kerala to the hill stations of Punjab. Some tracks rearranged fluttering Bengali flutes into the frenetic bounce of a Just Blaze banger; other songs transformed Tamil film music in the most inspired way since M.I.A.’s Kala.

    Lapgan on this album

    “It’s so full circle to have one of your musical idols, someone you look up to, f*ck with and validate what you’re doing,” Lapgan tells me over Zoom from his home studio earlier this month. The vote of confidence inspired a new period of bountiful creativity for the producer, and now artists from across his record collection are starting to show up on his beats, a cast of names he can’t publicly share yet but includes several staples of the contemporary rap underground. More important than those star-studded collaborations have been the connections Lapgan’s music has allowed him with other creatives in the South Asian hip-hop beat space. “Only recently have I been making friends from music,” Lapgan says. “To be able to talk to people about music I like and share ideas and production tips, that’s a community that I feel like I never had and that I’m really grateful for and value.”

    passionweiss.com/2023/08/22/lapgan-interview-veena-sounds-history

  • Was always a Das Racist head, and these features are immaculate.

    I’m so f***ing in

  • Jan 23
    Rock Mudson

    On Lapgan, the producer

    Several years ago, my friend and I fixated on an idea: to do for the rich traditions of classical Indian music what hip-hop has long done for jazz, surfacing through samples the undersung earworms and singular timbres that largely go unheard by contemporary listeners. Then we discovered Lapgan, who in his ornate beat tapes inspired by ancestral modalities and laced with echoes from across the subcontinent, we recognized a better realized vision of what we thought did not yet exist. On his 2019 and 2021 albums Badmaash and Duniya Kya Hai, the producer born Gaurav Nagpal (his stage name is his last name backwards) cooked up an aromatic feast of found sounds that ranged from the sandy tip of Kerala to the hill stations of Punjab. Some tracks rearranged fluttering Bengali flutes into the frenetic bounce of a Just Blaze banger; other songs transformed Tamil film music in the most inspired way since M.I.A.’s Kala.

    Lapgan on this album

    “It’s so full circle to have one of your musical idols, someone you look up to, f*ck with and validate what you’re doing,” Lapgan tells me over Zoom from his home studio earlier this month. The vote of confidence inspired a new period of bountiful creativity for the producer, and now artists from across his record collection are starting to show up on his beats, a cast of names he can’t publicly share yet but includes several staples of the contemporary rap underground. More important than those star-studded collaborations have been the connections Lapgan’s music has allowed him with other creatives in the South Asian hip-hop beat space. “Only recently have I been making friends from music,” Lapgan says. “To be able to talk to people about music I like and share ideas and production tips, that’s a community that I feel like I never had and that I’m really grateful for and value.”

    https://www.passionweiss.com/2023/08/22/lapgan-interview-veena-sounds-history/

    Oh yeah this is going to be f***ing crazy

  • lead single is mad nice, stoked for this

  • proper 🔩
    Jan 23

    in

  • Jan 23

  • Jan 23
    ·
    2 replies
    Rock Mudson

    On Lapgan, the producer

    Several years ago, my friend and I fixated on an idea: to do for the rich traditions of classical Indian music what hip-hop has long done for jazz, surfacing through samples the undersung earworms and singular timbres that largely go unheard by contemporary listeners. Then we discovered Lapgan, who in his ornate beat tapes inspired by ancestral modalities and laced with echoes from across the subcontinent, we recognized a better realized vision of what we thought did not yet exist. On his 2019 and 2021 albums Badmaash and Duniya Kya Hai, the producer born Gaurav Nagpal (his stage name is his last name backwards) cooked up an aromatic feast of found sounds that ranged from the sandy tip of Kerala to the hill stations of Punjab. Some tracks rearranged fluttering Bengali flutes into the frenetic bounce of a Just Blaze banger; other songs transformed Tamil film music in the most inspired way since M.I.A.’s Kala.

    Lapgan on this album

    “It’s so full circle to have one of your musical idols, someone you look up to, f*ck with and validate what you’re doing,” Lapgan tells me over Zoom from his home studio earlier this month. The vote of confidence inspired a new period of bountiful creativity for the producer, and now artists from across his record collection are starting to show up on his beats, a cast of names he can’t publicly share yet but includes several staples of the contemporary rap underground. More important than those star-studded collaborations have been the connections Lapgan’s music has allowed him with other creatives in the South Asian hip-hop beat space. “Only recently have I been making friends from music,” Lapgan says. “To be able to talk to people about music I like and share ideas and production tips, that’s a community that I feel like I never had and that I’m really grateful for and value.”

    https://www.passionweiss.com/2023/08/22/lapgan-interview-veena-sounds-history/

    I’m tapping into his album from last year and

  • Jan 23

    in

  • I’m so in heems verses when I was in hs we’re so dope

  • Jan 24
    Cole2
    !https://youtu.be/hnWGsiOEIwE?si=foLyGV62ISTcPol2!https://youtu.be/WAgVwAZTxuA?si=1XXXJrQcK-QFnqcD

    I’m tapping into his album from last year and

    2/3 through and yeah it's fire

    The way dude incorporated laughing at the British into police, police!

  • Jan 24
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    edited
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    2 replies
    NDL DOOM

    IN

    !https://www.youtube.com/watch?v=sBiN3jVNrqU&ab_channel=Heems-Topic

    Remember when Bino spit this as a freestyle on BET lol

  • Jan 24
    Cole2
    !https://youtu.be/hnWGsiOEIwE?si=foLyGV62ISTcPol2!https://youtu.be/WAgVwAZTxuA?si=1XXXJrQcK-QFnqcD

    I’m tapping into his album from last year and

    wow this would have landed very high in my top of 2023 list

  • proper 🔩
    Jan 24
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    1 reply
    TUNDRA IV
    · edited

    Remember when Bino spit this as a freestyle on BET lol

    !https://youtu.be/-8YrFwGKbfQ?si=PwovsCiRlSvron-P

    this is so cringe lmfso

  • Interesting comeback so far

    Just now seeing the track list - really crazy features

  • This is the album I'm looking forward to in 2024 so far

  • Feb 10
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    1 reply

    holy F*** sri lanka is insane

    this the first time I ran back a rap song repeatedly on first listen in years

    heems is SO SO SO back

  • Feb 10
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    1 reply
    Fever

    holy F*** sri lanka is insane

    this the first time I ran back a rap song repeatedly on first listen in years

    heems is SO SO SO back

    It's gonna be special

  • Feb 10
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    2 replies
    Rock Mudson

    It's gonna be special

    last fm says im on listen 8

    this song is insane

    every f***ing bar

    I dont even like YOD

  • Feb 10
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    1 reply
    Fever

    last fm says im on listen 8

    this song is insane

    every f***ing bar

    I dont even like YOD

    YOD is great

  • Feb 10
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    1 reply
    Rock Mudson

    YOD is great

    got specific songs for me to check out? I followed him in those weird conspiracy early days heavy but I only think I have like a couple songs I ever liked enough to save. I just thought it was interesting how he followed the spark master tape promotion technique

    he snapped on this tho

  • Feb 10
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    2 replies
    Fever

    got specific songs for me to check out? I followed him in those weird conspiracy early days heavy but I only think I have like a couple songs I ever liked enough to save. I just thought it was interesting how he followed the spark master tape promotion technique

    he snapped on this tho

    Depends what you're into. TIME is prob his best, big project. Lots of concept tracks. Jewelry is a concept album really about his Jewish identity.

    I like the Kinison and Nicest EPs if you just want some more compact bar oriented stuff. Kinison is all rock references.