01. Stupid Dumb Illiterate (feat. Sid Sriram)
02. I’m Pretty Cool
03. Sri Lanka (feat. Your Old Droog)
04. Accent (feat. Saul Williams)
05. Going for 6 (feat. Sonnyjim & Abhi the Nomad)
06. Bab Ganoush (feat. Lee Scott & Cool Calm Pete)
07. Obi Toppin (Darling) feat. Kool Keith
08. Kala Tika
09. Yellow (feat. Sir Michael Rocks & Open Mike Eagle)
10. Porches (feat. Blu & Quelle Chris)
11. Saka
12. Yo Momma (feat. Fatboi Sharif)
All tracks produced by Lapgan
“My world was one of graffiti and golgappas, skateboards and saris, music and Mughals, and so on. This is what my music sounds like,”
On Lapgan, the producer
Several years ago, my friend and I fixated on an idea: to do for the rich traditions of classical Indian music what hip-hop has long done for jazz, surfacing through samples the undersung earworms and singular timbres that largely go unheard by contemporary listeners. Then we discovered Lapgan, who in his ornate beat tapes inspired by ancestral modalities and laced with echoes from across the subcontinent, we recognized a better realized vision of what we thought did not yet exist. On his 2019 and 2021 albums Badmaash and Duniya Kya Hai, the producer born Gaurav Nagpal (his stage name is his last name backwards) cooked up an aromatic feast of found sounds that ranged from the sandy tip of Kerala to the hill stations of Punjab. Some tracks rearranged fluttering Bengali flutes into the frenetic bounce of a Just Blaze banger; other songs transformed Tamil film music in the most inspired way since M.I.A.’s Kala.
Lapgan on this album
“It’s so full circle to have one of your musical idols, someone you look up to, f*ck with and validate what you’re doing,” Lapgan tells me over Zoom from his home studio earlier this month. The vote of confidence inspired a new period of bountiful creativity for the producer, and now artists from across his record collection are starting to show up on his beats, a cast of names he can’t publicly share yet but includes several staples of the contemporary rap underground. More important than those star-studded collaborations have been the connections Lapgan’s music has allowed him with other creatives in the South Asian hip-hop beat space. “Only recently have I been making friends from music,” Lapgan says. “To be able to talk to people about music I like and share ideas and production tips, that’s a community that I feel like I never had and that I’m really grateful for and value.”
passionweiss.com/2023/08/22/lapgan-interview-veena-sounds-history
On Lapgan, the producer
Several years ago, my friend and I fixated on an idea: to do for the rich traditions of classical Indian music what hip-hop has long done for jazz, surfacing through samples the undersung earworms and singular timbres that largely go unheard by contemporary listeners. Then we discovered Lapgan, who in his ornate beat tapes inspired by ancestral modalities and laced with echoes from across the subcontinent, we recognized a better realized vision of what we thought did not yet exist. On his 2019 and 2021 albums Badmaash and Duniya Kya Hai, the producer born Gaurav Nagpal (his stage name is his last name backwards) cooked up an aromatic feast of found sounds that ranged from the sandy tip of Kerala to the hill stations of Punjab. Some tracks rearranged fluttering Bengali flutes into the frenetic bounce of a Just Blaze banger; other songs transformed Tamil film music in the most inspired way since M.I.A.’s Kala.
Lapgan on this album
“It’s so full circle to have one of your musical idols, someone you look up to, f*ck with and validate what you’re doing,” Lapgan tells me over Zoom from his home studio earlier this month. The vote of confidence inspired a new period of bountiful creativity for the producer, and now artists from across his record collection are starting to show up on his beats, a cast of names he can’t publicly share yet but includes several staples of the contemporary rap underground. More important than those star-studded collaborations have been the connections Lapgan’s music has allowed him with other creatives in the South Asian hip-hop beat space. “Only recently have I been making friends from music,” Lapgan says. “To be able to talk to people about music I like and share ideas and production tips, that’s a community that I feel like I never had and that I’m really grateful for and value.”
https://www.passionweiss.com/2023/08/22/lapgan-interview-veena-sounds-history/
Oh yeah this is going to be f***ing crazy
in
On Lapgan, the producer
Several years ago, my friend and I fixated on an idea: to do for the rich traditions of classical Indian music what hip-hop has long done for jazz, surfacing through samples the undersung earworms and singular timbres that largely go unheard by contemporary listeners. Then we discovered Lapgan, who in his ornate beat tapes inspired by ancestral modalities and laced with echoes from across the subcontinent, we recognized a better realized vision of what we thought did not yet exist. On his 2019 and 2021 albums Badmaash and Duniya Kya Hai, the producer born Gaurav Nagpal (his stage name is his last name backwards) cooked up an aromatic feast of found sounds that ranged from the sandy tip of Kerala to the hill stations of Punjab. Some tracks rearranged fluttering Bengali flutes into the frenetic bounce of a Just Blaze banger; other songs transformed Tamil film music in the most inspired way since M.I.A.’s Kala.
Lapgan on this album
“It’s so full circle to have one of your musical idols, someone you look up to, f*ck with and validate what you’re doing,” Lapgan tells me over Zoom from his home studio earlier this month. The vote of confidence inspired a new period of bountiful creativity for the producer, and now artists from across his record collection are starting to show up on his beats, a cast of names he can’t publicly share yet but includes several staples of the contemporary rap underground. More important than those star-studded collaborations have been the connections Lapgan’s music has allowed him with other creatives in the South Asian hip-hop beat space. “Only recently have I been making friends from music,” Lapgan says. “To be able to talk to people about music I like and share ideas and production tips, that’s a community that I feel like I never had and that I’m really grateful for and value.”
https://www.passionweiss.com/2023/08/22/lapgan-interview-veena-sounds-history/
I’m tapping into his album from last year and
I’m tapping into his album from last year and
2/3 through and yeah it's fire
The way dude incorporated laughing at the British into police, police!
IN
!https://www.youtube.com/watch?v=sBiN3jVNrqU&ab_channel=Heems-TopicRemember when Bino spit this as a freestyle on BET lol
I’m tapping into his album from last year and
wow this would have landed very high in my top of 2023 list
Remember when Bino spit this as a freestyle on BET lol
!https://youtu.be/-8YrFwGKbfQ?si=PwovsCiRlSvron-Pthis is so cringe lmfso
holy F*** sri lanka is insane
this the first time I ran back a rap song repeatedly on first listen in years
heems is SO SO SO back
holy F*** sri lanka is insane
this the first time I ran back a rap song repeatedly on first listen in years
heems is SO SO SO back
It's gonna be special
It's gonna be special
last fm says im on listen 8
this song is insane
every f***ing bar
I dont even like YOD
last fm says im on listen 8
this song is insane
every f***ing bar
I dont even like YOD
YOD is great
YOD is great
got specific songs for me to check out? I followed him in those weird conspiracy early days heavy but I only think I have like a couple songs I ever liked enough to save. I just thought it was interesting how he followed the spark master tape promotion technique
he snapped on this tho
got specific songs for me to check out? I followed him in those weird conspiracy early days heavy but I only think I have like a couple songs I ever liked enough to save. I just thought it was interesting how he followed the spark master tape promotion technique
he snapped on this tho
Depends what you're into. TIME is prob his best, big project. Lots of concept tracks. Jewelry is a concept album really about his Jewish identity.
I like the Kinison and Nicest EPs if you just want some more compact bar oriented stuff. Kinison is all rock references.