Hit-Boy goes in on his peers on new track snippet😮‍💨

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  • Mar 9, 2023

    honestly, kinda fine with it, producer space needs more energy in it these days

  • Mar 9, 2023

    if hitboy never talked, id like him a lot more

  • Hit-boy? More like hater-boy haha

  • Mar 9, 2023
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    1 reply

    Talking down on trap producers is corny and so 2007

  • metro is better and why would hit-boy try to s*** on him when metro has been actively grieving the death of his mother? like fine u wanna have some fun calling little shots but maybe not him ?

  • Mar 9, 2023

    Hard

  • Mar 9, 2023
    ¡
    1 reply
    Altar

    Metro Boomin is easily one of the greatest producers ever. What he does is legitimately hard because it's mostly built from the ground up. I consider it more impressive than sample flipping in most cases since the "producer" doesn't change a damn thing

    Coulda made this point without dismissing sampling as an artform. It's not the flex u think it is

  • Nessy 🦎
    Mar 9, 2023

    he got better as a rapper but the mic presence is still mid

  • Da Bitches 2

    He started it tho @​4:30

    !https://www.youtube.com/watch?v=uJfiGDqaB3U

    Hit-or-Miss Boy and Hit-Remaker wasn't a beef I saw coming

    Can’t stand when people are to scared to throw shots so they throw in compliments at the end. Just tell it how it is

    What has this guy produced btw?

  • Finally somebody said it lol. Producers these days are boring

  • Mar 9, 2023
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    1 reply
    Laced

    Coulda made this point without dismissing sampling as an artform. It's not the flex u think it is

    I'm not dismissing it. I'm just not impressed by producers who take a melody from a well-known song and slap a couple of boom bap drums under it without changing the original at all. A creative sample or a vocal chop is a completely different ballgame

  • Mar 9, 2023

    That's what I assumed he did for at least the majority of his beats. Could be wrong and that would suck if true

  • Mar 9, 2023
    Altar

    I'm not dismissing it. I'm just not impressed by producers who take a melody from a well-known song and slap a couple of boom bap drums under it without changing the original at all. A creative sample or a vocal chop is a completely different ballgame

    Looping is just as valid as chopping. It takes an ear to know what to loop and u have to dig to find it anyway. All that matters is if it sounds good

  • Lord Quas ★
    Mar 9, 2023

    Hit's the illest outta' this new age of producers from a mainstream standpoint.

    Conductor Williams, Daringer, Real Bad Man keeping s*** gutter in the indie scene.

  • Mar 9, 2023
    ¡
    2 replies

    So let me get this straight…

    Buddy is throwing stones at some of the most game-changing producers of the modern era for not doing a specific subgenre (mind you he has not changed the landscape in remotely the same fashion as Metro/Southside/Mustard as he doesn’t have a distinct sound), is a producer but is secretly so attention seeking and insecure that he had to make a whole ass rap diss, and we’re supposed to buy that this is “friendly competition”…

    Man got gassed up caused he produced nondescript anachronistic beats for a few Nas albums and now he has the courage to bite that chip on his shoulder. You dusty niggas are eating it up too is the funny part LMAO. Sad but I commend the balls I guess lol

  • Mar 9, 2023
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    2 replies

    So after reading the thread I'm now on Hit-Boy's side. Everyone else sounding like b****es and being sensitive when Hit-boy is just being competitive. and he's kinda right

  • Mar 9, 2023
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    3 replies
    ragedsycokiller

    So after reading the thread I'm now on Hit-Boy's side. Everyone else sounding like b****es and being sensitive when Hit-boy is just being competitive. and he's kinda right

    What is he even right about tho? Metro and Southside, two Atlanta trap producers from the 2010s, and Mustard whos a West Coast club producer, don’t chop soul samples or make boombap…great now what? Hit-Boy isn’t making some grand point for pointing that out like who gives a s*** if they don’t make that type of music lol

  • Mar 9, 2023

    The real takeaway from this is that a lot of you mfs think boombap and drumless soul sample loops is the only valid type of production in hiphop let’s talk about that

  • Mar 9, 2023
    ¡
    1 reply
    ragedsycokiller

    So after reading the thread I'm now on Hit-Boy's side. Everyone else sounding like b****es and being sensitive when Hit-boy is just being competitive. and he's kinda right

    Really don't get why everyone angry or upset bout this itt lol
    These are the most mild shots ever too

  • Mar 9, 2023
    ¡
    1 reply
    BRAVE

    What is he even right about tho? Metro and Southside, two Atlanta trap producers from the 2010s, and Mustard whos a West Coast club producer, don’t chop soul samples or make boombap…great now what? Hit-Boy isn’t making some grand point for pointing that out like who gives a s*** if they don’t make that type of music lol

    He's just saying he's more versatile. Hitboy makes trap beats too bro

  • Mar 9, 2023
    BRAVE

    What is he even right about tho? Metro and Southside, two Atlanta trap producers from the 2010s, and Mustard whos a West Coast club producer, don’t chop soul samples or make boombap…great now what? Hit-Boy isn’t making some grand point for pointing that out like who gives a s*** if they don’t make that type of music lol

    Because Hit makes both types and yet he’s never given the same respect as “drops three trap beats in a year” Metro

  • Mar 9, 2023
    Altar

    Metro Boomin is easily one of the greatest producers ever. What he does is legitimately hard because it's mostly built from the ground up. I consider it more impressive than sample flipping in most cases since the "producer" doesn't change a damn thing

    Metro uses loops tho

    Nothing wrong with that but don’t s*** on sampling if you use loops

  • Mar 9, 2023
    BRAVE

    What is he even right about tho? Metro and Southside, two Atlanta trap producers from the 2010s, and Mustard whos a West Coast club producer, don’t chop soul samples or make boombap…great now what? Hit-Boy isn’t making some grand point for pointing that out like who gives a s*** if they don’t make that type of music lol

    I think the greater point isn’t just about boom bap (he could’ve worded it better and not focused on that part so much)

    It’s just that a lot of producers today are very formulaic

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