How can yall call J Cole boring but not Gunna?

Reply
  • Jun 3, 2020
    ·
    1 reply
    BLACK

    Yet again, it was another late, sleepless night in Fayettville. The studio was packed, yet intimate all at the same time. Warm amber lights washed over exotic leather furniture, creating a dimly lit sonic oasis. A sweet aroma of clean laundry clouded the air, while vanilla scented candles were strategically placed around the room. The mood developed into a haze of relaxation. As engineers and producers methodically worked the mixing boards, Russ and the rest of his entourage nodded along to a rough take of a track that would later be called "ATM." Many individuals in the studio danced along while producers ran the track back, but there stood Cole in a dark corner, dissecting every piece of "ATM" with surgical precision. The track stopped playing, and Cole stepped from the shadows. He didn't speak much, but when he did, people listened.

    "I'm going back in the booth, play that outro back."

    Puzzled, the engineer began playing the outro instrumental back, not questioning Cole's demands. The room fell quiet as people began to observe. As the outro began to play, Cole put on a pair of monitor headphones, rubbed his freeform dreads and began to take a drink of a white, milky substance. Closing his eyes, Cole began to flow freely.

    "Count it up, count it up, count it up, count it up, count it up, count it up, count it count it up, count it up, count it up" Producers and entourage members in the studio began to look around the room to see if others were witnessing what was happening. Cole continued crooning into the microphone, while the mood became even darker in the studio.

    "Count it up, count it up, count it up, count it up, count it up, count it up, count it count it up, count it up, count it up." The Engineer looked over to Russ with concern. The engineer whispered, "should we stop him?" Russ then put up one finger, as to silence the engineer while shaking his head, not taking his eyes off of Cole.

    "Count it up, count it up, count it up, count it up, count it up, count it up, count it count it up, count it up, count it up." Candles in the studio began to flicker and die out, one by one, as if a spirit swept throughout the room.

    "Count it up, count it up, count it up, count it up, count it up, count it up, count it count it up, count it up, count it up." By now, everyone had stopped what they were doing, all attention was focused on the darkened silhouette in the recording booth. Finishing up his final thoughts, Cole hung up the headphones, took another sip of almond milk, and crept out of the recording booth.

    As he came back into the studio, all eyes followed his every movement. Cole retreated back to his shadowed corner, where he leaned against the wall with his fingers interlocked and pressed against his lips, as if in deep thought. The silence of the room created an uneasy tension. The uneasiness built more and more, as studio members waited for him to speak. Finally, he broke the silence.

    "Play it back."

    McDonalds Man
    McDonalds Man
    The french fries had a plan
    The french fries had a plan
    The salad bar and the ketchup made a band
    Cus the french fries had a plan
    The french fries had a plan

    McDonalds Man
    McDonalds
    I know them french fries have a plan
    I know them french fries have a plan
    The cheeseburger and the shakes formed a band
    To overthrow the french fries plan
    I always knew them french fries was evil man
    Smelling all good and s***
    I don't trust no food that smells that good man
    I don't trust it
    I just can't

    McDonalds Man
    McDonalds Man
    McDonalds, damn
    Them french fries look good though
    I knew the Diet Coke was jealous of the fries
    I knew the McNuggets was jealous of the fries
    Even the McRib was jealous of the fries
    I could see it through his artificial meat eyes
    And he only be there some of the time
    Everybody was jealous of them french fries
    Except for that one special guy
    That smooth apple pie

  • Jun 3, 2020
    Mesaih

    Like I f*** that type of music but like there's a point where an artist does nothing but recreate that same sound and add nothing special to it, which is where Gunna is

    👀 oh yee?

  • Jun 3, 2020
    MORROW

  • Jun 3, 2020
    ·
    1 reply
    Mesaih

    Yeah 100 Percent.
    Lil Baby at least has some energy in his songs
    Gunna sounds asleep

    Even still I'd just rather listen to Thugger and call it a day. These dollar store brand rappers really ain't interesting to me anymore

  • Jun 3, 2020
    DAVIDP

    Because all these little kids wanna hear is the same 808 stuttering hihat autotune song done in every single f***in way possible

    facts trap is so innovative the amount of different ways people have reinvented the s*** is wild and inspiring af

  • Jun 3, 2020
    BLACK

    only lames say either one is boring

  • Jun 3, 2020
    ·
    1 reply
    DAVIDP

    Even still I'd just rather listen to Thugger and call it a day. These dollar store brand rappers really ain't interesting to me anymore

    Thug Uzi and Future only ones rlly worth listening to tbh

  • Jun 3, 2020
    BLACK

    Yet again, it was another late, sleepless night in Fayettville. The studio was packed, yet intimate all at the same time. Warm amber lights washed over exotic leather furniture, creating a dimly lit sonic oasis. A sweet aroma of clean laundry clouded the air, while vanilla scented candles were strategically placed around the room. The mood developed into a haze of relaxation. As engineers and producers methodically worked the mixing boards, Russ and the rest of his entourage nodded along to a rough take of a track that would later be called "ATM." Many individuals in the studio danced along while producers ran the track back, but there stood Cole in a dark corner, dissecting every piece of "ATM" with surgical precision. The track stopped playing, and Cole stepped from the shadows. He didn't speak much, but when he did, people listened.

    "I'm going back in the booth, play that outro back."

    Puzzled, the engineer began playing the outro instrumental back, not questioning Cole's demands. The room fell quiet as people began to observe. As the outro began to play, Cole put on a pair of monitor headphones, rubbed his freeform dreads and began to take a drink of a white, milky substance. Closing his eyes, Cole began to flow freely.

    "Count it up, count it up, count it up, count it up, count it up, count it up, count it count it up, count it up, count it up" Producers and entourage members in the studio began to look around the room to see if others were witnessing what was happening. Cole continued crooning into the microphone, while the mood became even darker in the studio.

    "Count it up, count it up, count it up, count it up, count it up, count it up, count it count it up, count it up, count it up." The Engineer looked over to Russ with concern. The engineer whispered, "should we stop him?" Russ then put up one finger, as to silence the engineer while shaking his head, not taking his eyes off of Cole.

    "Count it up, count it up, count it up, count it up, count it up, count it up, count it count it up, count it up, count it up." Candles in the studio began to flicker and die out, one by one, as if a spirit swept throughout the room.

    "Count it up, count it up, count it up, count it up, count it up, count it up, count it count it up, count it up, count it up." By now, everyone had stopped what they were doing, all attention was focused on the darkened silhouette in the recording booth. Finishing up his final thoughts, Cole hung up the headphones, took another sip of almond milk, and crept out of the recording booth.

    As he came back into the studio, all eyes followed his every movement. Cole retreated back to his shadowed corner, where he leaned against the wall with his fingers interlocked and pressed against his lips, as if in deep thought. The silence of the room created an uneasy tension. The uneasiness built more and more, as studio members waited for him to speak. Finally, he broke the silence.

    "Play it back."

    Please write a whole book about J Cole, i need it

  • Jun 3, 2020

    you not smart of enough to understand gunna music and that’s okay

  • Jun 3, 2020
    Niggamortis

    Imo Gunna has more interesting production and greater, more alluring flows (usually complementing the beat to perfection) that keep you up to pace with whatever instrumental he's on.

    Cole can do that as well but maybe it's his ever-present dead weight of a voice/terrible choruses and hooks that mess up replay value for me.

    He really is bad at choruses.

    I noticed this so long ago, so many songs that would level up from a decent outsourced hook.

  • Jun 3, 2020

  • Jcole cant do this

  • Jun 3, 2020
    Mesaih

    Thug Uzi and Future only ones rlly worth listening to tbh

    Yup. The top ones who innovate stuff are the only ones worth listening to in trap (imo)

    All the other b and c list trap rappers don't bring anything to the table and aren't even worth the attention.

    If we're talking about other sub genres I'll listen to the derivatives though (and probably like them)

  • Jun 3, 2020
    ·
    1 reply

    @DAVIDP u dont like song I post above ?

  • Jun 3, 2020
    ·
    1 reply
    BLACK

    Yet again, it was another late, sleepless night in Fayettville. The studio was packed, yet intimate all at the same time. Warm amber lights washed over exotic leather furniture, creating a dimly lit sonic oasis. A sweet aroma of clean laundry clouded the air, while vanilla scented candles were strategically placed around the room. The mood developed into a haze of relaxation. As engineers and producers methodically worked the mixing boards, Russ and the rest of his entourage nodded along to a rough take of a track that would later be called "ATM." Many individuals in the studio danced along while producers ran the track back, but there stood Cole in a dark corner, dissecting every piece of "ATM" with surgical precision. The track stopped playing, and Cole stepped from the shadows. He didn't speak much, but when he did, people listened.

    "I'm going back in the booth, play that outro back."

    Puzzled, the engineer began playing the outro instrumental back, not questioning Cole's demands. The room fell quiet as people began to observe. As the outro began to play, Cole put on a pair of monitor headphones, rubbed his freeform dreads and began to take a drink of a white, milky substance. Closing his eyes, Cole began to flow freely.

    "Count it up, count it up, count it up, count it up, count it up, count it up, count it count it up, count it up, count it up" Producers and entourage members in the studio began to look around the room to see if others were witnessing what was happening. Cole continued crooning into the microphone, while the mood became even darker in the studio.

    "Count it up, count it up, count it up, count it up, count it up, count it up, count it count it up, count it up, count it up." The Engineer looked over to Russ with concern. The engineer whispered, "should we stop him?" Russ then put up one finger, as to silence the engineer while shaking his head, not taking his eyes off of Cole.

    "Count it up, count it up, count it up, count it up, count it up, count it up, count it count it up, count it up, count it up." Candles in the studio began to flicker and die out, one by one, as if a spirit swept throughout the room.

    "Count it up, count it up, count it up, count it up, count it up, count it up, count it count it up, count it up, count it up." By now, everyone had stopped what they were doing, all attention was focused on the darkened silhouette in the recording booth. Finishing up his final thoughts, Cole hung up the headphones, took another sip of almond milk, and crept out of the recording booth.

    As he came back into the studio, all eyes followed his every movement. Cole retreated back to his shadowed corner, where he leaned against the wall with his fingers interlocked and pressed against his lips, as if in deep thought. The silence of the room created an uneasy tension. The uneasiness built more and more, as studio members waited for him to speak. Finally, he broke the silence.

    "Play it back."

    You read a lot of Stephen King?

  • Jun 3, 2020
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    edited
    ·
    1 reply

    I don't get Gunna at all. The music is just...nothing.

    At least Nav is funny.

  • Jun 3, 2020
    babylon sherm

    @DAVIDP u dont like song I post above ?

    Ayeee that George benson sample 🔥🔥🔥🔥🔥🔥

  • Jun 3, 2020

    It’s music. It’s subjective to that persons ear. Who cares if someone doesn’t like a certain artist?

  • Jun 3, 2020

    I know OP judging off gunna last album lmfaooooo. That s*** was decent but boring af now

  • Jun 3, 2020

    gunna flows like crazy j cole does literally nothing special

  • Jun 3, 2020
    ·
    1 reply
    Noir

    I don't get Gunna at all. The music is just...nothing.

    At least Nav is funny.

    Nav is lietrally like a robot that was commanded to make the most default melodic rap over trap beats

  • Jun 3, 2020
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    2 replies
    rayray

    Nav is lietrally like a robot that was commanded to make the most default melodic rap over trap beats

    Nav wants the world to love him and he's afraid if he deviates from the formula for even a second, he will be alone.

  • Jun 3, 2020
    lilhook

    completely awful thread

  • Jun 3, 2020
    ·
    1 reply

    Gunna isn’t boring that’s just the genre of music that he makes he makes laid-back cool relaxing music

  • Jun 3, 2020
    BLACK

    only lames say either one is boring