Yet again, it was another late, sleepless night in Fayettville. The studio was packed, yet intimate all at the same time. Warm amber lights washed over exotic leather furniture, creating a dimly lit sonic oasis. A sweet aroma of clean laundry clouded the air, while vanilla scented candles were strategically placed around the room. The mood developed into a haze of relaxation. As engineers and producers methodically worked the mixing boards, Russ and the rest of his entourage nodded along to a rough take of a track that would later be called "ATM." Many individuals in the studio danced along while producers ran the track back, but there stood Cole in a dark corner, dissecting every piece of "ATM" with surgical precision. The track stopped playing, and Cole stepped from the shadows. He didn't speak much, but when he did, people listened.
"I'm going back in the booth, play that outro back."
Puzzled, the engineer began playing the outro instrumental back, not questioning Cole's demands. The room fell quiet as people began to observe. As the outro began to play, Cole put on a pair of monitor headphones, rubbed his freeform dreads and began to take a drink of a white, milky substance. Closing his eyes, Cole began to flow freely.
"Count it up, count it up, count it up, count it up, count it up, count it up, count it count it up, count it up, count it up" Producers and entourage members in the studio began to look around the room to see if others were witnessing what was happening. Cole continued crooning into the microphone, while the mood became even darker in the studio.
"Count it up, count it up, count it up, count it up, count it up, count it up, count it count it up, count it up, count it up." The Engineer looked over to Russ with concern. The engineer whispered, "should we stop him?" Russ then put up one finger, as to silence the engineer while shaking his head, not taking his eyes off of Cole.
"Count it up, count it up, count it up, count it up, count it up, count it up, count it count it up, count it up, count it up." Candles in the studio began to flicker and die out, one by one, as if a spirit swept throughout the room.
"Count it up, count it up, count it up, count it up, count it up, count it up, count it count it up, count it up, count it up." By now, everyone had stopped what they were doing, all attention was focused on the darkened silhouette in the recording booth. Finishing up his final thoughts, Cole hung up the headphones, took another sip of almond milk, and crept out of the recording booth.
As he came back into the studio, all eyes followed his every movement. Cole retreated back to his shadowed corner, where he leaned against the wall with his fingers interlocked and pressed against his lips, as if in deep thought. The silence of the room created an uneasy tension. The uneasiness built more and more, as studio members waited for him to speak. Finally, he broke the silence.
"Play it back."
McDonalds Man
McDonalds Man
The french fries had a plan
The french fries had a plan
The salad bar and the ketchup made a band
Cus the french fries had a plan
The french fries had a plan
McDonalds Man
McDonalds
I know them french fries have a plan
I know them french fries have a plan
The cheeseburger and the shakes formed a band
To overthrow the french fries plan
I always knew them french fries was evil man
Smelling all good and s***
I don't trust no food that smells that good man
I don't trust it
I just can't
McDonalds Man
McDonalds Man
McDonalds, damn
Them french fries look good though
I knew the Diet Coke was jealous of the fries
I knew the McNuggets was jealous of the fries
Even the McRib was jealous of the fries
I could see it through his artificial meat eyes
And he only be there some of the time
Everybody was jealous of them french fries
Except for that one special guy
That smooth apple pie
Like I f*** that type of music but like there's a point where an artist does nothing but recreate that same sound and add nothing special to it, which is where Gunna is
👀 oh yee?
Yeah 100 Percent.
Lil Baby at least has some energy in his songs
Gunna sounds asleep
Even still I'd just rather listen to Thugger and call it a day. These dollar store brand rappers really ain't interesting to me anymore
Because all these little kids wanna hear is the same 808 stuttering hihat autotune song done in every single f***in way possible
facts trap is so innovative the amount of different ways people have reinvented the s*** is wild and inspiring af
Even still I'd just rather listen to Thugger and call it a day. These dollar store brand rappers really ain't interesting to me anymore
Thug Uzi and Future only ones rlly worth listening to tbh
Yet again, it was another late, sleepless night in Fayettville. The studio was packed, yet intimate all at the same time. Warm amber lights washed over exotic leather furniture, creating a dimly lit sonic oasis. A sweet aroma of clean laundry clouded the air, while vanilla scented candles were strategically placed around the room. The mood developed into a haze of relaxation. As engineers and producers methodically worked the mixing boards, Russ and the rest of his entourage nodded along to a rough take of a track that would later be called "ATM." Many individuals in the studio danced along while producers ran the track back, but there stood Cole in a dark corner, dissecting every piece of "ATM" with surgical precision. The track stopped playing, and Cole stepped from the shadows. He didn't speak much, but when he did, people listened.
"I'm going back in the booth, play that outro back."
Puzzled, the engineer began playing the outro instrumental back, not questioning Cole's demands. The room fell quiet as people began to observe. As the outro began to play, Cole put on a pair of monitor headphones, rubbed his freeform dreads and began to take a drink of a white, milky substance. Closing his eyes, Cole began to flow freely.
"Count it up, count it up, count it up, count it up, count it up, count it up, count it count it up, count it up, count it up" Producers and entourage members in the studio began to look around the room to see if others were witnessing what was happening. Cole continued crooning into the microphone, while the mood became even darker in the studio.
"Count it up, count it up, count it up, count it up, count it up, count it up, count it count it up, count it up, count it up." The Engineer looked over to Russ with concern. The engineer whispered, "should we stop him?" Russ then put up one finger, as to silence the engineer while shaking his head, not taking his eyes off of Cole.
"Count it up, count it up, count it up, count it up, count it up, count it up, count it count it up, count it up, count it up." Candles in the studio began to flicker and die out, one by one, as if a spirit swept throughout the room.
"Count it up, count it up, count it up, count it up, count it up, count it up, count it count it up, count it up, count it up." By now, everyone had stopped what they were doing, all attention was focused on the darkened silhouette in the recording booth. Finishing up his final thoughts, Cole hung up the headphones, took another sip of almond milk, and crept out of the recording booth.
As he came back into the studio, all eyes followed his every movement. Cole retreated back to his shadowed corner, where he leaned against the wall with his fingers interlocked and pressed against his lips, as if in deep thought. The silence of the room created an uneasy tension. The uneasiness built more and more, as studio members waited for him to speak. Finally, he broke the silence.
"Play it back."
Please write a whole book about J Cole, i need it
Imo Gunna has more interesting production and greater, more alluring flows (usually complementing the beat to perfection) that keep you up to pace with whatever instrumental he's on.
Cole can do that as well but maybe it's his ever-present dead weight of a voice/terrible choruses and hooks that mess up replay value for me.
He really is bad at choruses.
I noticed this so long ago, so many songs that would level up from a decent outsourced hook.
Thug Uzi and Future only ones rlly worth listening to tbh
Yup. The top ones who innovate stuff are the only ones worth listening to in trap (imo)
All the other b and c list trap rappers don't bring anything to the table and aren't even worth the attention.
If we're talking about other sub genres I'll listen to the derivatives though (and probably like them)
@DAVIDP u dont like song I post above ?
Yet again, it was another late, sleepless night in Fayettville. The studio was packed, yet intimate all at the same time. Warm amber lights washed over exotic leather furniture, creating a dimly lit sonic oasis. A sweet aroma of clean laundry clouded the air, while vanilla scented candles were strategically placed around the room. The mood developed into a haze of relaxation. As engineers and producers methodically worked the mixing boards, Russ and the rest of his entourage nodded along to a rough take of a track that would later be called "ATM." Many individuals in the studio danced along while producers ran the track back, but there stood Cole in a dark corner, dissecting every piece of "ATM" with surgical precision. The track stopped playing, and Cole stepped from the shadows. He didn't speak much, but when he did, people listened.
"I'm going back in the booth, play that outro back."
Puzzled, the engineer began playing the outro instrumental back, not questioning Cole's demands. The room fell quiet as people began to observe. As the outro began to play, Cole put on a pair of monitor headphones, rubbed his freeform dreads and began to take a drink of a white, milky substance. Closing his eyes, Cole began to flow freely.
"Count it up, count it up, count it up, count it up, count it up, count it up, count it count it up, count it up, count it up" Producers and entourage members in the studio began to look around the room to see if others were witnessing what was happening. Cole continued crooning into the microphone, while the mood became even darker in the studio.
"Count it up, count it up, count it up, count it up, count it up, count it up, count it count it up, count it up, count it up." The Engineer looked over to Russ with concern. The engineer whispered, "should we stop him?" Russ then put up one finger, as to silence the engineer while shaking his head, not taking his eyes off of Cole.
"Count it up, count it up, count it up, count it up, count it up, count it up, count it count it up, count it up, count it up." Candles in the studio began to flicker and die out, one by one, as if a spirit swept throughout the room.
"Count it up, count it up, count it up, count it up, count it up, count it up, count it count it up, count it up, count it up." By now, everyone had stopped what they were doing, all attention was focused on the darkened silhouette in the recording booth. Finishing up his final thoughts, Cole hung up the headphones, took another sip of almond milk, and crept out of the recording booth.
As he came back into the studio, all eyes followed his every movement. Cole retreated back to his shadowed corner, where he leaned against the wall with his fingers interlocked and pressed against his lips, as if in deep thought. The silence of the room created an uneasy tension. The uneasiness built more and more, as studio members waited for him to speak. Finally, he broke the silence.
"Play it back."
You read a lot of Stephen King?
I don't get Gunna at all. The music is just...nothing.
At least Nav is funny.
@DAVIDP u dont like song I post above ?
Ayeee that George benson sample 🔥🔥🔥🔥🔥🔥
It’s music. It’s subjective to that persons ear. Who cares if someone doesn’t like a certain artist?
I know OP judging off gunna last album lmfaooooo. That s*** was decent but boring af now
I don't get Gunna at all. The music is just...nothing.
At least Nav is funny.
Nav is lietrally like a robot that was commanded to make the most default melodic rap over trap beats
Nav is lietrally like a robot that was commanded to make the most default melodic rap over trap beats
Nav wants the world to love him and he's afraid if he deviates from the formula for even a second, he will be alone.
Gunna isn’t boring that’s just the genre of music that he makes he makes laid-back cool relaxing music