he's getting paid for arguing and we're not

Phew, thanks Drake, you really got my back with this one.

S*** never fails to be within the first few posts you see on here, I'm f***ing crying

It isn't a new yorker article without a quasi-seinfeld reference why are we mentioning Veep

"It’s difficult to remember, but Drake’s early music was radically transparent, even relatable. On his first three commercial projects—“So Far Gone,” “Thank Me Later,” and “Take Care”—he unveiled personal flaws, romantic failures, and deep-seated insecurities between flex raps and bouts of overconfidence, creating an interplay of delicious contradiction."

"One moment, he’s one of “the realest niggas in the f***ing game” (“She Will”); the next, he’s sobbing into a glass of rosé, begging an ex to come over (“Marvins Room”). Drake was also an inventive formalist, singing and rapping over hybrid production styles until every distinction dissolved into a singular whole. His latest records are neither relatable nor inventive—they’re dispatches from Hell."

yeeeee-p

F*** can we get another fd signifier video

What's the dirt 5 hour family matters breakdown video soon

K dot is K toast

This section had me go

The clips dating back a decade do give rare glimpses into Drake’s creative process, as he crafts some of the finest material of his career. He writes and records the deep-cut favorites “Furthest Thing” and “Connect,” teases out verses for “Trophies” and “Who Do You Love?” The footage spotlights the depth of Drake’s talent—he sings and raps with blustery ease, landing on one inspired idea after another, making minute mixing decisions that click a song into focus. The more recent footage, however, reveals less about Drake as an artist. Almost every track he works on is already done, save for a tweak or a finishing touch. We do not see him write a verse or whittle his way toward a melody; only once does he sit and listen to prospective beats to record on. While working on “Scorpion,” he asks 40 to turn down Future’s ad-lib on the song “Blue Tint,” then nods along as another producer reviews the album’s mastering notes. During the “Her Loss” sessions, Drake and Lil Yachty vibe in the studio and talk about the magic of Yachty’s single “Poland.” Otherwise, much of the dump is a profound act of absence, with almost everything worth watching abandoned on a secret hard drive or not filmed at all.

I didn’t even realize this as I was watching the 100 Gigs footage

The face of "culture".

Makes no sense calling a billionare a loser when you live from paycheck

Elon won

“a genre-fluid Lothario” god I love the New Yorker lol

ya assuming he isn't hiding more in-depth footage it's obvious he lost his drive and hunger and started phoning it in ages ago lol

people think because he drops all the time that he's still as determined as he was early in his career

IM what the culture feeling 😈

It’s almost like financial status doesn’t define a human being

Anyone have that billboard tweet showing how his recent drops haven’t charted?

talk to that f***ing commie

Drake stans in here laughing at the author but that’s your average KTT Drake fan with a mafia movie pic calling others crodie

Maybe you're too young hahaha

The same niggas in here laughing at the writer for being white and talking about Drake are also white and talking about Drake