Reply
  • Jul 25, 2024
    splice

    it’s simple. he makin s*** niggas don’t wanna hear. if you wanna do all this weird s*** you gotta understand you not gonna do numbers

    That and barely had a sizeable rollout considering it's a movie tie in

  • Jul 25, 2024
    ·
    1 reply

    Thursday ain’t over yet b****es, just bought 2 vinyl copies on gambino’s website pnd is cooked

  • Jul 25, 2024

    Seems like anytime he gets any momentum he ditches it for the next thing

  • Jul 25, 2024
    pneu

    Album wasn't very good unfortunately.

    After 4/5 listens i find myself only wanting to keep about 4 songs

    Looking forward to the film more lol

  • Jul 25, 2024
    ellen degenerate

    how is this a real post WOW

    bro asked his graphics person for the .PSD file too all the branding LMAO

    lmao I feel like you only understand how crazy this is if you use photoshop enough

  • Jul 26, 2024
    BlueDream

    Y’all care way too much about numbers.
    If you like the music, then listen to it and enjoy the art.
    If you don’t like the music, then ignore it and move on

    Niggas on KTT never take this advice when it comes to Donald I swear.

    These niggas just be whining like Ice T.

  • Jul 26, 2024
    ·
    1 reply
    WopWopWopWopWop

    Name fifteen things.

    1. You hatin

    2. You hatin

    3. You hatin

    4. You hatin

    5. You hatin

    6. You hatin

    7. You hatin

    8. You hatin

    9. You hatin

    10. You hatin

    11. You hatin

    12. You hatin

    13. You hatin

    14. You hatin

    15. You clearly don't like his music at all or try to understand his direction at all, and you hatin.

  • Jul 26, 2024
    ·
    1 reply
    maxxing

    Thursday ain’t over yet b****es, just bought 2 vinyl copies on gambino’s website pnd is cooked

    2 vinyl copies is equal to 1 million streams

  • Jul 26, 2024
    linnabary

    2 vinyl copies is equal to 1 million streams

    quick maths

  • Jul 26, 2024
    ·
    1 reply
    Kee

    1. You hatin

    2. You hatin

    3. You hatin

    4. You hatin

    5. You hatin

    6. You hatin

    7. You hatin

    8. You hatin

    9. You hatin

    10. You hatin

    11. You hatin

    12. You hatin

    13. You hatin

    14. You hatin

    15. You clearly don't like his music at all or try to understand his direction at all, and you hatin.

    What the heck? 14/15 are the same thing, and number 15 is almost the same. Try again!

  • Jul 26, 2024
    ·
    1 reply
    WopWopWopWopWop

    What the heck? 14/15 are the same thing, and number 15 is almost the same. Try again!

    If you want me to give serious reasons why he's not washed up.

    You should give me a 7 paragraph essay on why he's washed up.

  • Jul 26, 2024
    ·
    1 reply
    Kee

    If you want me to give serious reasons why he's not washed up.

    You should give me a 7 paragraph essay on why he's washed up.

    Once a beacon of innovation in the music industry, Childish Gambino has seen a noticeable decline in artistic impact. His early career was marked by groundbreaking projects like "Camp" and "Because the Internet," which seamlessly blended hip-hop, R&B, and alternative influences while offering sharp social commentary. Gambino's ability to challenge the status quo and push artistic boundaries solidified his status as a cultural icon.

    However, the trajectory of his career has taken a sharp turn since then. Albums such as "Awaken, My Love!" and "3.15.20" showcased a dramatic shift away from his signature sound, delving deep into psychedelic soul and funk. While these projects undoubtedly demonstrated Gambino's versatility as an artist, they lacked the lyrical depth and social consciousness that characterized his earlier work.

    The critical and commercial reception of these later albums has been notably tepid. While the single "This Is America" remains a powerful cultural touchstone, it stands as a solitary peak amidst a discography that has become increasingly uneven. The once-fresh and experimental elements of Gambino's music have become commonplace in the industry, making it difficult for him to differentiate himself from the pack.

    The pressure to maintain a consistently high level of success can be a stifling force for any artist, and it appears to have taken its toll on Gambino. His earlier work established an incredibly high bar, and subsequent projects have struggled to measure up.

    While Childish Gambino's legacy is secure due to his earlier achievements, the trajectory of his career is undeniably downward. Unless he can reignite his creative spark and deliver a project that resonates with the same level of impact as his previous masterpieces, his reputation as a groundbreaking artist will continue to fade.

    Beyond the musical decline, there's also a sense of artistic detachment that has crept into Gambino's work. His earlier projects were deeply personal, offering intimate glimpses into his psyche. However, recent efforts have felt more calculated and distant, as if he's playing a character rather than revealing himself. This shift has alienated some fans who craved the raw authenticity that defined his early career.

    The immense pressure to replicate past successes has undoubtedly taken a toll on Gambino's creative process. The fear of falling short might have stifled his experimentation and willingness to take risks. Additionally, the constant scrutiny of his work can be a suffocating environment for any artist. It's possible that Gambino has simply lost the joy and freedom that fueled his initial artistic endeavors.

  • Jul 26, 2024
    ·
    1 reply
    WopWopWopWopWop

    Once a beacon of innovation in the music industry, Childish Gambino has seen a noticeable decline in artistic impact. His early career was marked by groundbreaking projects like "Camp" and "Because the Internet," which seamlessly blended hip-hop, R&B, and alternative influences while offering sharp social commentary. Gambino's ability to challenge the status quo and push artistic boundaries solidified his status as a cultural icon.

    However, the trajectory of his career has taken a sharp turn since then. Albums such as "Awaken, My Love!" and "3.15.20" showcased a dramatic shift away from his signature sound, delving deep into psychedelic soul and funk. While these projects undoubtedly demonstrated Gambino's versatility as an artist, they lacked the lyrical depth and social consciousness that characterized his earlier work.

    The critical and commercial reception of these later albums has been notably tepid. While the single "This Is America" remains a powerful cultural touchstone, it stands as a solitary peak amidst a discography that has become increasingly uneven. The once-fresh and experimental elements of Gambino's music have become commonplace in the industry, making it difficult for him to differentiate himself from the pack.

    The pressure to maintain a consistently high level of success can be a stifling force for any artist, and it appears to have taken its toll on Gambino. His earlier work established an incredibly high bar, and subsequent projects have struggled to measure up.

    While Childish Gambino's legacy is secure due to his earlier achievements, the trajectory of his career is undeniably downward. Unless he can reignite his creative spark and deliver a project that resonates with the same level of impact as his previous masterpieces, his reputation as a groundbreaking artist will continue to fade.

    Beyond the musical decline, there's also a sense of artistic detachment that has crept into Gambino's work. His earlier projects were deeply personal, offering intimate glimpses into his psyche. However, recent efforts have felt more calculated and distant, as if he's playing a character rather than revealing himself. This shift has alienated some fans who craved the raw authenticity that defined his early career.

    The immense pressure to replicate past successes has undoubtedly taken a toll on Gambino's creative process. The fear of falling short might have stifled his experimentation and willingness to take risks. Additionally, the constant scrutiny of his work can be a suffocating environment for any artist. It's possible that Gambino has simply lost the joy and freedom that fueled his initial artistic endeavors.

  • Jul 26, 2024

    I even knew that s*** was GPT generated even before hand lmfaooo

  • Jul 26, 2024
    ·
    1 reply
    Kee

    Hmmm you typed your post rather than handwriting it :) Checkmate!

  • Jul 26, 2024

    Party is him Donal Glover is talented fs but Gambino is not him.

  • WINTER 🌨️
    Jul 26, 2024
    quadra

    There was a 100k+ liked tweet saying he does Drake better than Drake

    He got outsold by the tweet

    thats nuts

  • Jul 26, 2024
    HURRY UP K DOG

    Neither were any of the guys in OVO but no one waits more than 30 seconds to start clowning them and b****ing how they would all be mega stars if they weren't on Drake's s***ty label

    No one said Mike Zombie or Plaza would be Mega stars

  • Jul 26, 2024
    BlueDream

    Y’all care way too much about numbers.
    If you like the music, then listen to it and enjoy the art.
    If you don’t like the music, then ignore it and move on

  • Jul 26, 2024
    Unforgivable

    I swear This Is America built this illusion for a lot of you Drake stans in thinking he was bigger than he actually is lol anyone who isn't a delusional Gambino stan knows where his ceiling is in rap

    To be fair he had a huge hit before This is America wit Redbone and AML. And he wasn’t super underground before then either but even then he still never did crazy FW numbers.

  • Jul 26, 2024
    WopWopWopWopWop

    Hmmm you typed your post rather than handwriting it :) Checkmate!

    How unserious you are lol?

  • Jul 26, 2024
    provider 4 u

    PARTYNEXTDOOR 4 (P4) by PARTYNEXTDOOR, the R&B album of the year, out now under OVO Sound.

  • Jul 26, 2024

    somehow my thread gets locked but this is still up. A mod must have it out for me

  • PND4 is better I think I’m not surprised it outsold but bando had some great moments

    The description for the album makes it sound like he doesn’t want it to be accessible anyway I feel like he’s tired of people like you processing art anyway

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