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  • Mar 22, 2020
    RXHalfDeadCaliban

    yeah I'm out out

    Bye, Felicia.

  • Mar 22, 2020
    innuendo

    new apple mUSIC PIC

  • Mar 22, 2020
    Speakers

    that journal talks about the "first book"

    second book - second album?

    let's not DAMN/NATION ourselves

  • Mar 22, 2020

    Donald I will never understand you bro

  • Mar 22, 2020
    LYL

    so is this his endless

    need his blonde

  • Slingshot 🦚
    Mar 22, 2020

    TAKE A BITE OF THE APPLE

  • Mar 22, 2020
    ·
    1 reply
    NBAFEMBOI

    Where Weeknd asked him and his brother if he was actually black?

    Yes, lol. The timing is rather questionable, fans eating though

  • Banana 🍌
    Mar 22, 2020

    Out on deezer ripping it now
    This song playing right now really not hitting tho

  • Mar 22, 2020
    mason marjella

    yo the s*** not playing on apple wtf going on?

    NVM WE IN!!!!

  • Mar 22, 2020

    ayoo what the f*** is this “cover art” & tracklist.....?

  • Mar 22, 2020

    Algorhythm hard as s***

  • CARMEN đź’ś
    Mar 22, 2020

    Wtf going on

  • F*** algorythm so good f***

  • Oh I know - they’re alphabetical

  • Mar 22, 2020
    ·
    2 replies

    These songs sound way different than the ones from last week

    Way more fleshed out

  • Mar 22, 2020

    glad i didnt get my hopes up for another album when we already got this instant classic. cdq sounds godly

  • Mar 22, 2020
    ·
    1 reply

    Never liked a project from him but here we go

  • Mar 22, 2020
    ·
    3 replies

    EDITORS’ NOTES
    There's never been any effective way to prepare for a Childish Gambino project from Donald Glover; over a decade-long discography, they've oscillated between quirky raps, electro-pop, and strands of funk and R&B. This remains true with his new release, 3.15.20, which he also has released as a single-track opus, which may explain the decision to have most of the individual tracks here titled as timestamps. That mischievous, mercurial nature carries over to the music itself—he explores the darker hues of the outré, playing with genre as much he does disjointed sound effects—atmospheric noise, glitches, distortion, uncanny Auto-Tune. The soulful "24.19" and the optimistic closer "53.49" tread worn but welcome territory, while the foreboding futurism of "Time" and the sensory overload of "32.22" don't land like songs so much as cinematic collages brimming with ideas. Unsurprisingly, the one familiar track, "Feels Like Summer" (titled here as "42.26"), which was officially released in July 2018, is also the album's most accessible. 3.15.20 is a logical progression from his experimental inclinations of the past that latches onto some of his most eccentric impulses and thrusts them into overdrive. He basks in the spaces between restraint and rebellion, genius and madness, forcing listeners to find the freedom in chaos. The axiom "expect the unexpected" doesn't quite capture what Gambino has put together here—perhaps, this time, it's better not to expect anything at all.

  • Mar 22, 2020
    Cam McNasty

    Why can’t he just drop a normal track list with this s*** tho

  • Mar 22, 2020
    SignedTwice

    Only smoking this blunt if its new s***

    F*** it imma smoke it anyway and listen again

  • Slingshot 🦚
    Mar 22, 2020
    ·
    2 replies

    ALGORYTHM

  • Mar 22, 2020
    ·
    1 reply
    LD

    These songs sound way different than the ones from last week

    Way more fleshed out

    They're the same exact cuts?

    Alogrythm is the same.

  • Mar 22, 2020
    ·
    1 reply
    Pretty Toney

    Never liked a project from him but here we go

    Bti top personal 3

  • Mar 22, 2020

    FUUUUUCK