HaroldsChicken

4y

I mean they made Snyder a rich white man who gets 300 million budgets and R rated 3-4 hour cuts the perfect victim

HaroldsChicken

4y

I am not even saying I disagree i am saying a year later why you need to hate

HaroldsChicken

4y

These people need help and I am not even joking

AKFresh

4y

Part of people being weirdos on twitter is they realize how much it bothers people

AKFresh

4y

Part of people being weirdos on twitter is they realize how much it bothers people

MONEYDRAGON

4y

tru before i got banned i would wild out on twitter cause dat s*** was funny to see people reactions

HaroldsChicken

4y

Nah you must know these people are dead ass again I got a cult friend of 16 years and he isnt joking

AKFresh

4y

Well I agree with him it would be cool to see the Snyderverse be restored but all the backlash is what causes people to go the extra mile and be weirdos about it.

They feel like they’re fighting against something.

HaroldsChicken

4y

They fighting against their mind because blowing money on a billboard and truck is utterly ridiculous

HaroldsChicken

4y

They fighting against their mind because blowing money on a billboard and truck is utterly ridiculous

AKFresh

4y

Superhero’s are all about escapism so it’s no wonder it attracts weirdos

MONEYDRAGON

4y

love this alan moore quote
" I haven’t read any superhero comics since I finished with Watchmen. I hate superheroes. I think they’re abominations. They don’t mean what they used to mean. They were originally in the hands of writers who would actively expand the imagination of their nine- to 13-year-old audience. That was completely what they were meant to do and they were doing it excellently. These days, superhero comics think the audience is certainly not nine to 13, it’s nothing to do with them. It’s an audience largely of 30-, 40-, 50-, 60-year old men, usually men. Someone came up with the term graphic novel. These readers latched on to it; they were simply interested in a way that could validate their continued love of Green Lantern or Spider-Man without appearing in some way emotionally subnormal. This is a significant rump of the superhero-addicted, mainstream-addicted audience"
and this one
"I think the impact of superheroes on popular culture is both tremendously embarrassing and not a little worrying. While these characters were originally perfectly suited to stimulating the imaginations of their twelve or thirteen year-old audience, today’s franchised übermenschen, aimed at a supposedly adult audience, seem to be serving some kind of different function, and fulfilling different needs. Primarily, mass-market superhero movies seem to be abetting an audience who do not wish to relinquish their grip on (a) their relatively reassuring childhoods, or (b)the relatively reassuring 20th century. The continuing popularity of these movies to me suggests some kind of deliberate, self-imposed state of emotional arrest, combined with an numbing condition of cultural stasis that can be witnessed in comics, movies, popular music and, indeed, right across the cultural spectrum. The superheroes themselves – largely written and drawn by creators who have never stood up for their own rights against the companies that employ them, much less the rights of a Jack Kirby or Jerry Siegel or Joe Schuster – would seem to be largely employed as cowardice compensators, perhaps a bit like the handgun on the nightstand. I would also remark that save for a smattering of non-white characters (and non-white creators) these books and these iconic characters are still very much white supremacist dreams of the master race. In fact, I think that a good argument can be made for D.W. Griffith’s Birth of a Nation as the first American superhero movie, and the point of origin for all those capes and masks."

BRAVE

4y

People understand the scene perfectly fine, it wouldn’t be clowned if they didn’t

MONEYDRAGON

4y

love this alan moore quote
" I haven’t read any superhero comics since I finished with Watchmen. I hate superheroes. I think they’re abominations. They don’t mean what they used to mean. They were originally in the hands of writers who would actively expand the imagination of their nine- to 13-year-old audience. That was completely what they were meant to do and they were doing it excellently. These days, superhero comics think the audience is certainly not nine to 13, it’s nothing to do with them. It’s an audience largely of 30-, 40-, 50-, 60-year old men, usually men. Someone came up with the term graphic novel. These readers latched on to it; they were simply interested in a way that could validate their continued love of Green Lantern or Spider-Man without appearing in some way emotionally subnormal. This is a significant rump of the superhero-addicted, mainstream-addicted audience"
and this one
"I think the impact of superheroes on popular culture is both tremendously embarrassing and not a little worrying. While these characters were originally perfectly suited to stimulating the imaginations of their twelve or thirteen year-old audience, today’s franchised übermenschen, aimed at a supposedly adult audience, seem to be serving some kind of different function, and fulfilling different needs. Primarily, mass-market superhero movies seem to be abetting an audience who do not wish to relinquish their grip on (a) their relatively reassuring childhoods, or (b)the relatively reassuring 20th century. The continuing popularity of these movies to me suggests some kind of deliberate, self-imposed state of emotional arrest, combined with an numbing condition of cultural stasis that can be witnessed in comics, movies, popular music and, indeed, right across the cultural spectrum. The superheroes themselves – largely written and drawn by creators who have never stood up for their own rights against the companies that employ them, much less the rights of a Jack Kirby or Jerry Siegel or Joe Schuster – would seem to be largely employed as cowardice compensators, perhaps a bit like the handgun on the nightstand. I would also remark that save for a smattering of non-white characters (and non-white creators) these books and these iconic characters are still very much white supremacist dreams of the master race. In fact, I think that a good argument can be made for D.W. Griffith’s Birth of a Nation as the first American superhero movie, and the point of origin for all those capes and masks."

AKFresh

4y

It isn’t exactly thinking straight and a type of escapism from reality.

HaroldsChicken

4y

Don't get me wrong I respect the passion but with Rebel Moon filming two movies back to back I hope at least during that rollout they dont make every question or thing about snyderverse. Like let snyder actually cook and cheer on what he is making

not "oh many this rebel moon trailer looks so good cant wait til you are back in the snyderverse"

MONEYDRAGON

4y

i mean tru but zack baiting the snyderverse fans all the time still.. even rebel moon casting charlie hunnam seem like tease for green arrow lol it hard not to be hype for potential sequels
but i feel the fans love zack enough to not make the whole rollout about dc
they supported army of the dead when it dropped without making it all about snyderverse

AKFresh

4y

It’s not like Snyder fans have gone without any teasing from Snyder himself