Nah not true, SWISH became TLOP. Only song from SHMG that made it anywhere was Nina Chop (Famous)
FML, highlights, wolves, real friends, fsmh all originated in swish or before
FML, highlights, wolves, real friends, fsmh all originated in swish or before
Read page 2
even the pablo songs that are from 2014 are way different sounding fml was bare mysterious til he brought in weeknd and metro w his drums
wasn’t cos of their actual music i meant like their advice to kanye they said it sounded too electro and experimental all the stuff he made during yeezus 2 / shmg which made him change up the sound to be a lot more easier to be played by mainstream audiences. explains why he was handing out songs like 3500 tell your friends all your fault etc
That’s what i’m saying though. Prior to 2014, people were making experimental/deep music and rejection what was popular. From 2010 - 2013 everyone was trying to standout and out-do each other artistically and then ATL tookover after some of those names took the year off
Some people itt are doing way too much just because its Frank, it's cool but it's nothing groundbreaking
That’s what i’m saying though. Prior to 2014, people were making experimental/deep music and rejection what was popular. From 2010 - 2013 everyone was trying to standout and out-do each other artistically and then ATL tookover after some of those names took the year off
it’s not really cos of the atl sound blowing up it was just metro and southside suggesting to kanye that’s what’s forward thinking and kanye took some of those sounds but made it his own thing waves fsmh etc
That’s what i’m saying though. Prior to 2014, people were making experimental/deep music and rejection what was popular. From 2010 - 2013 everyone was trying to standout and out-do each other artistically and then ATL tookover after some of those names took the year off
This is the realest s*** posted on here in a minute and I feel like it never gets discussed and we got brainwashed into thinking the regression of popular music is a good thing
He was working on this song for years and years I guess he was just never satisfied.
All the way from Yeezus 2 to i think KSG era
Hopefully he’s still saving it for the finale
it’s not really cos of the atl sound blowing up it was just metro and southside suggesting to kanye that’s what’s forward thinking and kanye took some of those sounds but made it his own thing waves fsmh etc
Why would Kanye even listen to them in the first place? Cause their sound took over and he wanted to be part of it. Look at Facts for starters.
This version is pretty interesting, definitely feels like it was between iterations. the piano loop is pretty silly and a lot of the droning stuff over the main chop feels pretty extraneous. Still super cool to get another peek into such a grail, and the idea that Frank was involved at some point is delicious
Why would Kanye even listen to them in the first place? Cause their sound took over and he wanted to be part of it. Look at Facts for starters.
It hadn’t taken over
It was making moves underground and was being recognised sire, but it wasn’t taking over
Also kinda crazy to suggest that Kanye only listens to popular artists and that metro/Southside were only recognised for being popular when that doesn’t make sense at all
Kanye has always put on near-nobodies (Travis, Cudi, Kaycyy, ant clemons, 070, etc) and Metro/Southside are two of the most talented trap producers ever, and are among the most talented rap producers of all time
Sure Kanye heard of them because they were popular, but there’s more to why he respected and adopted their criticisms in earnest
Also kinda crazy to suggest that Kanye only listens to popular artists and that metro/Southside were only recognised for being popular when that doesn’t make sense at all
Kanye has always put on near-nobodies (Travis, Cudi, Kaycyy, ant clemons, 070, etc) and Metro/Southside are two of the most talented trap producers ever, and are among the most talented rap producers of all time
Sure Kanye heard of them because they were popular, but there’s more to why he respected and adopted their criticisms in earnest
Who said that he only listens to popular artists? Nobody even discredited their talents. All i’m saying is that he linked them in 2015 after Future’s Run and Young Thug’s rise cause he saw how much they changed the game.
Obviously the skill was there but Ye was even late in reaching out to them cause they already were popular so it’s not the same as him linking with Kaycyy and s***.
Ye wanted to be on the radio again and an album like Yeezus or even something like he was doing with SHMG wasn’t going to be that at the time due to the shift in sound. Thats all i’m saying. 2014 is when all of that was buzzing in the underground and then it took over
Also kinda crazy to suggest that Kanye only listens to popular artists and that metro/Southside were only recognised for being popular when that doesn’t make sense at all
Kanye has always put on near-nobodies (Travis, Cudi, Kaycyy, ant clemons, 070, etc) and Metro/Southside are two of the most talented trap producers ever, and are among the most talented rap producers of all time
Sure Kanye heard of them because they were popular, but there’s more to why he respected and adopted their criticisms in earnest
Ehh not really, he was definitely chasing popularity and relevance that era after seeing Drake's success and how yeezus was being recieved commercially.
That would make him more receptive to letting newer guys like metro's feedback to the point of him making the chances he did
This is fire. Pretty insane we never knew about this until now. Kanye’s got hiphop history in his vault
This is fire. Pretty insane we never knew about this until now. Kanye’s got hiphop history in his vault
it’s not really cos of the atl sound blowing up it was just metro and southside suggesting to kanye that’s what’s forward thinking and kanye took some of those sounds but made it his own thing waves fsmh etc
Tbh no one has made a song that sounds like Waves or FSMH since TLOP so I'd say it aged well