That's fair enough but then again, you also have albums like More Life, Views and CLB, which appease both his rap, R&B and pop fans and they have all had insane longevity as well as them aging well.
It's easy to say he should "just make a cohesive body of work" but that doesn't necessarily guarantee success, especially when he's at a point in his career where regardless of how good the actual music on a project is, people will judge it harshly simply because it's a project by Drake. Remember that for as many beloved projects as he has, he has NEVER been a critic darling and people usually hate/harshly critique his music before eventually coming around to it. That's been the story his entire career.
I don't think Drake has to do anything to get back to where he was because he never left. 2024 was supposedly the year he suffered a devastating blow to his career but the numbers don't reflect that at all. He was the biggest male act globally of 2024. He was the most-streamed male act on Spotify across all credits in 2024. He was the most-consumed male act in the US in 2024. In each of those metrics, he was only behind Taylor Swift.
Again, maybe I'm just at a different point but it seems more like you want him to give you a version of himself that's reminiscent of his work from 12-15 years ago and by all indications, the guy who gave you that is long gone. He's admitted as much in his songs. All he can do now is move forward.
I would argue that even a cohesive Drake project will have different sounds and styles. Nothing Was the Same is a predominantly rap album with pop and R&B songs, same goes for Take Care. If You're Reading This It's Too Late is a rap mixtape with one of Drake's all-time R&B cuts. Honestly, Nevermind is a dance album with one of his biggest rap hits of the decade. That's simply who he is. His mainstream introduction was So Far Gone, a rap mixtape that displayed an array of influences ranging from southern rap, pop, R&B, alternative and electronic music.
I feel like even with songs like Nokia, Meet Your Padre and Die Trying, $$$4U still plays like a cohesive R&B album but other people might feel differently.
I guess I'm just at a point where I'm not trying to suggest to Drake what he should do. He's an insanely talented musician who has hit the mark way more times than he's ever missed in almost 2 decades of consistently dropping music. I trust that he knows what to do and I'm looking forward to seeing what he comes up with.
Ah my friend, you are in luck! As I happened to have gotten my hands on none other than a crystal ball.. now thegreatdivine… gaze into this crystalline sphere as I ask.. whats your future
Hmmm yes…. I can see.. the smoke is clearing.. my vision becoming clearer
Is that.. no.. it makes no sense… a… McDonald’s uniform? But what could it possibly mean..
Ah my friend, you are in luck! As I happened to have gotten my hands on none other than a crystal ball.. now thegreatdivine… gaze into this crystalline sphere as I ask.. whats your future
Hmmm yes…. I can see.. the smoke is clearing.. my vision becoming clearer
Is that.. no.. it makes no sense… a… McDonald’s uniform? But what could it possibly mean..
The newer McDonald’s uniforms are low-key kinda hard (relatively speaking).
Unfortunately the Weeknd has fallen to #5 on spotify, only weeks after dropping the last album of his career
Unfortunately the Weeknd has fallen to #5 on spotify, only weeks after dropping the last album of his career
You want to look into the crystal ball too ?
i think he’s got two ways to come back:
the scorpion route where he produces multiple undeniable hits (at this point even one hit would be huge) or the project route where he drops the album that his haters have wanted to hear from him for years. something focused with more mature lyrics.
i dont think these bloated 21-23 song albums that seem designed to get as many first week streams as possible are going to cut it anymore, at least in terms of the pure mainstream.
Right now I’m hearing NOKIA everywhere.
That's fair enough but then again, you also have albums like More Life, Views and CLB, which appease both his rap, R&B and pop fans and they have all had insane longevity as well as them aging well.
It's easy to say he should "just make a cohesive body of work" but that doesn't necessarily guarantee success, especially when he's at a point in his career where regardless of how good the actual music on a project is, people will judge it harshly simply because it's a project by Drake. Remember that for as many beloved projects as he has, he has NEVER been a critic darling and people usually hate/harshly critique his music before eventually coming around to it. That's been the story his entire career.
I don't think Drake has to do anything to get back to where he was because he never left. 2024 was supposedly the year he suffered a devastating blow to his career but the numbers don't reflect that at all. He was the biggest male act globally of 2024. He was the most-streamed male act on Spotify across all credits in 2024. He was the most-consumed male act in the US in 2024. In each of those metrics, he was only behind Taylor Swift.
Again, maybe I'm just at a different point but it seems more like you want him to give you a version of himself that's reminiscent of his work from 12-15 years ago and by all indications, the guy who gave you that is long gone. He's admitted as much in his songs. All he can do now is move forward.
I would argue that even a cohesive Drake project will have different sounds and styles. Nothing Was the Same is a predominantly rap album with pop and R&B songs, same goes for Take Care. If You're Reading This It's Too Late is a rap mixtape with one of Drake's all-time R&B cuts. Honestly, Nevermind is a dance album with one of his biggest rap hits of the decade. That's simply who he is. His mainstream introduction was So Far Gone, a rap mixtape that displayed an array of influences ranging from southern rap, pop, R&B, alternative and electronic music.
I feel like even with songs like Nokia, Meet Your Padre and Die Trying, $$$4U still plays like a cohesive R&B album but other people might feel differently.
I guess I'm just at a point where I'm not trying to suggest to Drake what he should do. He's an insanely talented musician who has hit the mark way more times than he's ever missed in almost 2 decades of consistently dropping music. I trust that he knows what to do and I'm looking forward to seeing what he comes up with.
The issue is a lot of people will think Drake has fallen off, because he hasn't had a mega hit in a while. But megahits aren't what make artists huge anymore. Taylor hasn't had a mega hit in like 5/6 years now.
The game has changed and a lot of people haven't realised it. Mega hits are no longer required
some of those are crazy surprising.
some of those are crazy surprising.
Yeah I didn't know Walk It, Talk It and Yes Indeed were that popular
some of those are crazy surprising.
They're surprising until you realize that some of these tracks released during a time where rap was BY FAR the most dominating genre on streaming services (and especially Drake was dominating)
Yes Indeed wouldn't even be 3x platinum these days
They're surprising until you realize that some of these tracks released during a time where rap was BY FAR the most dominating genre on streaming services (and especially Drake was dominating)
Yes Indeed wouldn't even be 3x platinum these days
Yeah maybe, but even Jimmy Cooks has the same amount of streams and is years newer (jimmy 1.1b, yes indeed 1.1b)
diamond in the US for 1b streams on spotify seems weird to me
Yeah maybe, but even Jimmy Cooks has the same amount of streams and is years newer (jimmy 1.1b, yes indeed 1.1b)
diamond in the US for 1b streams on spotify seems weird to me
Jimmy Cooks was a good song and it benefited heavily because people hated HNVM and straight skipped to that song imo
i think he’s got two ways to come back:
the scorpion route where he produces multiple undeniable hits (at this point even one hit would be huge) or the project route where he drops the album that his haters have wanted to hear from him for years. something focused with more mature lyrics.
i dont think these bloated 21-23 song albums that seem designed to get as many first week streams as possible are going to cut it anymore, at least in terms of the pure mainstream.
Appealing to people who dont like you never works.
Yeah I didn't know Walk It, Talk It and Yes Indeed were that popular
Drake was hot as fish grease in 2018
Yeah I didn't know Walk It, Talk It and Yes Indeed were that popular
Yes Indeed was huge
They're surprising until you realize that some of these tracks released during a time where rap was BY FAR the most dominating genre on streaming services (and especially Drake was dominating)
Yes Indeed wouldn't even be 3x platinum these days
Rap was dominating because Drake for the most part. Plus everyone big dropped in 2018. Also they count Post Malone as rap for those stats.
I wish someone ran those 10m+ numbers on taylor/weeknd etc too, I wanna know how big Drake's lead is
I'm guessing Jimmy cooks, Fair Trade, Knife Talk, Wants and Needs and Rich Flex will all hit it in a few years too
I wish someone ran those 10m+ numbers on taylor/weeknd etc too, I wanna know how big Drake's lead is
I'm guessing Jimmy cooks, Fair Trade, Knife Talk, Wants and Needs and Rich Flex will all hit it in a few years too
You a racist? @shaleirose keeps telling me you are
You a racist? @shaleirose keeps telling me you are
Mexicans that say the n word always think everyone else is a racist
then they wake up and sing macarena
Mexicans that say the n word always think everyone else is a racist
then they wake up and sing macarena
Fair point
Mexicans that say the n word always think everyone else is a racist
then they wake up and sing macarena
Not even Mexican stop saying that weird s***
The issue is a lot of people will think Drake has fallen off, because he hasn't had a mega hit in a while. But megahits aren't what make artists huge anymore. Taylor hasn't had a mega hit in like 5/6 years now.
The game has changed and a lot of people haven't realised it. Mega hits are no longer required
This isn’t true. Drake is actually the only artist that finished in the Top 10 on Billboard in 2024 who didn’t also have a Top 25 Song on the Year-End Chart (his highest entry was Rich Baby Daddy at #45).
Here are the Top 10 Artists on Billboard in 2024, and their Top 25 Entries on the Year-End Hot 100 Chart:
#1. Taylor Swift - #12. Cruel Summer & #22. Fortnight
#2. Morgan Wallen - #4. I Had Some Help
#3. Zach Bryan - #9. I Remember Everything
#4. Drake - N/A
#5. Sabrina Carpenter - #7. Espresso & #16. Please Please Please & #25. Feather
#6. Billie Eilish - #15. BIRDS OF A FEATHER
#7. SZA - #19. Saturn & #20. Snooze
#8. Luke Combs - #23. Fast Car
#9. Post Malone - #4. I Had Some Help & #22. Fortnight
#10. Kendrick Lamar - #6. Not Like Us & #14. Like That
Megahits 100% still matter in today’s music landscape.