the higher they are

That’s how we know you ain’t be outside

God’s plan ran 2018 and beyond

Forever a classic

1. Champagne (Prod. Jahron B., co-produced Noah "40" Shebib): A song involving a drunken Jahron wooing a beautiful woman who catches his eye at the club. The beat co-produced by 40 doubles and redoubles with smooth synths and a sparse percussion beat in the background. The song is a smooth airy opener to really set the tone for the rest of the album.

2. Diva (Prod. Jahron B.): This song is a slightly trap influenced upbeat club banger about a stripper from Atlanta as Party tries to seduce her. He describes their love life and it ends with the beat slowly fading out to the next track with synths in the background.

3. Private Party (Prod Jahron B.co- produced by Illangelo): This track has the essence of the 90's RnB scene and really embraces the undertones that were being introduced by the last two cuts. The beat is reminiscent of something inspired by Jodeci and Silk. The premise of the song is Jahron crooning over a girl as he invites her to his crib. His voice increases dramatically at the climax of the track and the synths help smoothe out the sudden emotion and the rest of the track has minimalistic guitar riffs in the background, fleeting piano and Party changes tone yet again and ends the song in a low smooth tone.

4. Amazing (Prod Jahron B, co-produced by Illangelo). The song immediately starts with very sparse moody percussion and guitar riffs faintly in the background. The tension in the track is sliced and Partys smooth voice is covered in the blanket of mollasses witch is the beat. He croons over a heartbreak and the woman cheating on him. His voice reaches a unheard facet of his vocal range and he hits a high note. As this dramatic moment occurs the guitar suddenly explode with life and Party sings his heart out as the beat finishes with piano and synths.

5. This Life (feat. Drake) (Prod Jahron B., co- produced by Noah "40" Shebib).: This track is the embodiment of the "Toronto Sound". This track is truly a anthem for simps. Drizzy starts with a heartfelt verse followed by the percussion beginning right when he finishes his verse. Immediately Party starts belting out a song for a lost flame and they take turns speaking their minds and hearts about love, fame and happiness and the soft piano fades away slowly in this wonderful moment.

6. Glass Room ( Prod. Jahron B, co - produced Illangelo): This track is a heartfelt Party speaking his mind and spilling his heart about all the women in his life and the fleeting thing known as love. The track is wonderfully atmospheric with sparse percussion, guitar riffs and synths. He ends it with the synth and his voice coming together as it fades away.

7. Europe (Feat. Jeremih) (Prod. Jahron B, co-produced Noah "40" Shebib) : This track is heavily influenced by Thriller by Michael Jackson with the guitar riffs and a percussion beat that alternates from left to right ear. The beat suddenly drops heavily with claps and heavy percussion with intermittent guitar riffs. Jeremih belts out a boastful verse about his fame money and foreign broads. Party comes on with Jeremih providing backup vocals as he is in his most confident and boastful and he ethers the clones he birthed with a single line and continues his singing/rapping unhitched and flawlessly ending the track after another verse by Jeremih.

8. The 905 (Prod. Jahron B. co-produced Zaytoven): The song is named after Party's home town, Missisauga and its area code. Zay opens the beat wonderfully with his signature pianos at a trap like pace. Party is incredibly confident as he spits his verse and croons majestically over the beat. The beat is heavily trap influenced and Party delivers a great club anthem and another hit.

9. This Side (feat. Drake, Travis Scott) (Prod. Jahron B. co-produced Travis Scott): Party,Travis and Drake provide a moody, upper crust trap influenced club hit. This track is about inviting "broads" over to their crib to party. The beat that Trav delivers is wonderfully put together with guitar, percussion and synths heavily used. This moody, hedonistic and lean drenched club hit comes together as Drake spits his verse in his great flow and then a magical moment as Travus and Party harmonize in the hook and Travis delivers a great verse followed by the hook two more times.

10. Downtown (feat. The Weeknd) (Prod Jahron B. co-produced Illangelo): The Weeknd is extremely complemented by this beat as it is guitar filled and percussion heavy. As he sings in a high pitched voice his voice is distorted to fit the lean and d*** infused beat. As he finishes the verse, him and Party harmonize together as they sing an invite to a Penthouse "downnntownn".

The writers put their personal scores in and an average is worked out, then one writer writes the review

No swine in my dine

KTT compromised

Drake stans like to create fake track lists and imagine how the songs would sound based on the features and producers💀they weird af

this brings me back to people making fake Kanye trackless on KTT1 and they tried looking up the most convoluted words in the english language as the titles

Idk about all that but Nice For What outside era was crazy i remember legit being out and almost every other place was blasting it

All the talk about his hits, numbers, The amount of beefs he’s been in and the war general still got slammed into a trash can by the 5’5 guy from Compton

One of his best singles imo. Wipes Gods Plan.

Them scorpion singles

Look alive and yes indeed were goin crazy round that time too

Wasn’t i a good king?
Maybe too much of a good thing haah

drake average streams per songs is 203m

Kendrick got hits with alien voice.
Running the clubs and streets
#1 hit
Packed out arena
Responded back to back
Witty
And quotables 😂😂😂😂

Drake fans have nothing to argue about anynore

s*** i must be blind then

So they have just taken to lying now I see

Zack needs a hug man

It’s been six years give it up

This one is fire lol