This production was gorgeous throughout, and like I said before - if WLR was geared towards hood niggas. BUT with the ambition level of whatever headspace Kanye was in between 2010-2013 in not just official material but leaks. Pβs approach is varied yet consistent, the mark of a great producer. Jhodi truly gets the assignment as well, heβs versatile according to the demands of each song, and he comes with catchy flows. My favorites are Castlemania, Maybe We Can Love Again, Treble Clef and Get Up.
Thereβs so much potential for epic and polished songs in the future you can hear
Congrats to yβall and @Childhood for that instantly memorable cover
@mitchell @BlackSlug @BernieX @nessy @hayabusa @666 @proper
@americana @vagabonds
fuc with itttttt
on that
hold tf up
this nigga kinda go hard
castlemania beat is insane thats really my dawg fasho
castlemania beat is insane thats really my dawg fasho
s*** sound like the 9th level of hell lmaoo
made that in january
bump
I STAY SILENCE MOSTA DA TIME ION WANAAA TALLLLK
I STAY SILENCE MOSTA DA TIME ION WANAAA TALLLLK
chord stabs
very solid tape
much luv my bruda fr
this s*** gas
π€π€
this s*** gas
pin thread! want to give my friend a spotlight
These beats lowkey like if WLR was geared towards hood niggas
This whole thing is if Carti was just a bit more of a nigga the way Yeat is
Me when Castlemania started
Me when "Maybe We Can Love Again" started
Jhodi coming in on "Lost My High "
Jhodi coming in on "Lost My High "
lmaoooo thank u for the listen bro
our discog looks beautiful asf in op
visuals will always be a guarantee
Castlemania so f***ing tuff bruh π€