new interview out with The Times but it's behind a paywall. here's what she says about next plans

thetimes.co.uk/article/lana-del-rey-ive-been-on-my-guard-for-so-long-5qq2shmqr

Did You Know … is a beautiful but intense album — like having a therapy session on a Californian beach. But what comes next for her? “I’m tired now,” Del Rey admits. “So keeping it simple is probably the way that it’s going to go. I dug around a lot writing this album and don’t think I have to go there again.”
As such, she has plans to write an album of standards — classic, simple songs that could reach even more people than she does now. A bit like the gorgeous, piano-led cover of Take Me Home, Country Roads by John Denver that she released on Friday, or the Elvis Presley version of Unchained Melody that she recorded at Graceland for a Christmas TV show. She is a star who not only finally feels understood, but also finally understands.
“That’s why God didn’t give me children yet,” she says tenderly about what may or may not come next. “Because there is more to explore. I know people who’ve tested every water. It’s burnt them, like Icarus. But I’m willing to go there. I see it coming for me. We’ll see.” She is speaking quickly now, excitedly. “We’ll see what melts the wings.”

when’s it gonna be my turn

By the way, the party is December 18th

to the place i belong.

it's never too late, baby, so don't give up

if there's a cover album there needs to be a cat power cover on there !!!!!!!! lana singing maybe not or evolution

follow me right quick

done

check dm

new song previewed on instagram. "Henry, come on"

more music otw my GOAT never stops writing and recording

finally no more f***ing piano

the f***ing goddess. this whole SKIMS shoot

best album of last yr

😳😰

mannnnn

correct! 5 grammy nominations let's get it!

sweet little interview with Vogue on the Skims campaign and the album/Grammy nods

vogue.com/article/lana-del-rey-skims-campaign-grammys-coachella

Q: One of my favorite tracks on the album is “A&W,” which has a Grammy nod for Song of the Year. I think it delivers one of the best musical transitions of the year; the song takes you on a journey. What was the intention behind the track’s epic mid-song switch-up?

A: That song sat in Jack Antonoff’s mailbox for nine months. It was supposed to be a ballad, and when I was done making the album, I asked him to listen to it. I had already put down the instrumental, and it didn’t include the “Jimmy Cocoa Puff” part that it transitions into. He felt really, really strongly that it should. And I wasn't sure, because I had written the Jimmy part 13 years ago, and I had recreated it with him two years ago. So I re-recreated that, and I did a different interpretation that was a little more bouncy. And at the time, I wasn’t really sure if the transition diminished the song’s point, or if distracted from it in a good way—if took it from one place into a better place. Ultimately I was like, I would prefer for this song to transition into a happier place; I don’t want it to land in this sad spot. So, it’s interesting: When Jack has a really strong opinion, I’ve definitely learned that it's very worth trusting it. Sometimes we’re so differently inclined musically, but with this one, I’m really glad that we went with our inclination. If you asked me, I would not have thought that this song would gain any traction. But I am really happy about it; I think it’s cool.

Need 13 Beaches

Venice B**** is still my favorite

Lana & Deftones

Nice