To be honest we will likely hear some of the soundtrack before we see Trailer 2 if it exist

I THINK IT DROPS AT THE SAME TIME AS THE NFT

lol that is what I have been saying but you keep saying "I dont care about the NFT "

The NFT drops Tuesday then the choice on red or blue pill is in like 2 weeks

Comic Con next weekend

Also reason for no green

Because Cloud Atlas! It was, artistically speaking, the film that struck me the most, at least the one that really made me progress as a director. I worked very closely with Tom Tykwer, John Toll and Daniele Massaccesi (also interviewed for this issue, editor's note). These three have made me evolve considerably. Young filmmaker, I hated natural light; I couldn't stand the sun. I wanted to be able to shape the light and give it the desired shape. I liked the shadows, I liked the brutality of the contrasts. Look at Bound, Matrix… the light in these films is very "sharp", very controlled. I was influenced by film noir and its aesthetic. And then on Cloud Atlas, thanks to the three people I mentioned, I discovered another way to enlightenment. I understood the madness and the power of the unexpected that takes hold of the directing when you start to play with the sun. I admit I hated it at first. It was very frustrating that my light source was gone, that it was never where I expected it to be. And then there was an epiphany moment. I saw the magic that the sun can bring to a scene. Suddenly a shot was sparkling and it was beautiful. This quality of light, this density: no special effect could reproduce it.

Yes, and that's one of the reasons I've always loved working with actors: what they give is never repeatable. Each take is unique. So can you imagine when I found out that I could make the sun and the actors interact? It was a revelation, literally. I felt like I connected two incredibly powerful forces! Two forces greater than me! Sometimes I hear some directors explain to me that they are going to make a shot like this, or like that. I don't reason in the same way. I feel closer to what Michelangelo said: “As I worked, by continuing to apply himself to the material, the David was revealed, little by little. "This is exactly how Matrix Resurrections was born: the film" unfolded little by little. " Basically, I tried to bring natural light back into the Matrix. John, Tom, Daniele and I worked very closely. We were able to stay together for the film to reveal itself. And this extraordinary proximity created the conditions necessary to welcome the magic when it presented itself. This is what changed the way I make films. You can feel it in Cloud Atlas, a bit in Jupiter: Destiny of the Universe and especially in Sense8, which was shot entirely in natural light.

Read this @Bane

REALITY THAT DOESNT LOOK REAL THATS WHAT I FELT THE FIRST TIME I SAW IT SOMETHING SURREALISTIC

MICHELANGELO CARAVAGGIO

Feasting

I mean, It's not like they'll come out and say "this movie looks like trash, it's way worse than the originals"

Think I should rewatch Cloud Atlas

First couple watches weren’t really sticking for me

I ain’t gonna lie to you that was one where first time in imax has been absolutely incomparable to at home watches. Was sober in imax but nearly fell down stairs s*** was immaculate

I think animatrix definitely rewatch if you haven’t . I know matrix Reddit is doing a movie a week matrix , reloaded , revolutions, animatrix

I may do same

Wow they can’t even finish their cgi completely this movie is in shambles

I don’t know if this leaked from . I think the person is supposed to be a hologram like that based on the time they had no way cgi not done

There is a reason I mean similiar to end of revolutions use of color

Likely not same Matrix