quotes from new interview
“I can take living in the ghetto, where there’s broken glass, prostitutes, empty lots and no prospects across a seven-mile radius, and make birthday cakes out of it!” says Chicago-born rapper Lupe Fiasco. “We take the least and make the most out of it . . . that’s what hip-hop’s sweet spot is.”
“I care about rap, but I don’t care anymore about the business side or selling records. I’ve always been a storyteller. When I was in the third grade, I wrote a play about a warring cat and mouse. I will be rapping right until the day I die.”
He mourns the loss of the city’s young drill artists FBG Duck and King Von, both murdered at 26 after their unapologetically macabre storytelling manifested into real-life tragedy. “Fame, all in the name of martyrdom,” Fiasco laments in one powerful new song.
“The structure and segregation of Chicago means you could go from a Gangster Disciples to a Black Disciples hood just by crossing the street. These gangs are killing each other, so how am I going to drive through their neighbourhoods playing drill music out the window that boasts about their friends’ murders?”
“My brother was a high-ranking gang member. I have friends that are Vice Lords, so I get it. But drill scares me because I know what happens at the end of that road: most of you are going to die. We need these drill rappers to live longer, because we need their intellect out in the world. Don’t throw away your lives or your talent by being forced into unsafe situations. As consumers, I believe we need to do a better job of telling them that.”
“Have you ever seen a nightclub when the lights are turned on? It’s f***ing gross. The paint is cheap, it’s sticky, the floor doesn’t match the walls. But in the darkness, you would never know any of this. It’s my job to shine that light and expose the dark side.”
In the past, he has been frank about his unhappiness with how he was treated by Atlantic Records, but since leaving the company he seems to have reached a more positive place of reflection. “Being on a major label allowed me to play to 40,000 people at Glastonbury. I travelled the world and brought those experiences back home with me. I just wish in those label meetings, where I felt degraded, that I’d shouted even louder.”
“We’re not basketball players, who have a limit to their bodies and taper off. Rappers only get more skilled as we get older, because we have more experiences to draw from . . . It isn’t about living for ever, ​​but living long enough to make a positive impact in the world that can’t be undone.”
Have a link? Album name makes a lot more sense now
Seems like this album still has a very deep and important concept/theme like his others, but looks like it'll be a lot more concise this time
Have a link? Album name makes a lot more sense now
Seems like this album still has a very deep and important concept/theme like his others, but looks like it'll be a lot more concise this time
ft.com/content/93535a24-5c90-43ee-bb16-58df6ef6dbb9
he's definitely going to be adressing the violence in the city, drill music and somehow connect it to a religious theme
https://www.ft.com/content/93535a24-5c90-43ee-bb16-58df6ef6dbb9
he's definitely going to be adressing the violence in the city, drill music and somehow connect it to a religious theme
Thanks for the link. Seems like an interesting interview but also kinda odd to pick a British finance newspaper to discuss a hip hop album about Chicago
they have a lupe fiasco interview behind a paywall in 2022.
i just read the whole thing for free
excited for this
they have a lupe fiasco interview behind a paywall in 2022.
When I clicked on the link it took me to a paywall too. But if you just google "Lupe Fiasco Financial Times" and click on the top result, it doesn't have the paywall for me for some reason
When I clicked on the link it took me to a paywall too. But if you just google "Lupe Fiasco Financial Times" and click on the top result, it doesn't have the paywall for me for some reason
it worked
Hook on new single wack asf
Album is “jazz-enthused” according to the interview
Most of his indie music has been. He loves jazz. Wave had a ton of jazzy beats
This is ass. No classic album would have this song on it… stop the cap 🧢
It's not ass, it's decent. The verses are dope. The flows/rhymes schemes are really nice but the beat, the hook and the outro leaves a lot to be desired. The outro was unnecessary and didn't add anything to the song. Could've been an extra verse or just instrumental instead of taking the worst part of the song and having it sung in autotune. Beat is ok, hook is weak and sounds Cardi B inspired because of the flow. I'd give the song a 6 or 7.
this gotta be one of the worst paintings i ever seen 
let alone album covers
Song is growing on me. First verse is pretty good, actually. Second verse sounds like he phoned it in.
Beat is gorgeous.
Y'all see the track times?

Song is growing on me. First verse is pretty good, actually. Second verse sounds like he phoned it in.
Beat is gorgeous.
Y'all see the track times?

last two tracks gonna be insane
I feel like people are entering in with wrong expectations, this will prob be a light hearted album akin to Drogas Light, except it’ll be MUCH better
But anyone who’s expecting another T&Y or Drogas Wave will be let down and need to tamper their expectations. After all he did create this album in only 3 days
I feel like people are entering in with wrong expectations, this will prob be a light hearted album akin to Drogas Light, except it’ll be MUCH better
But anyone who’s expecting another T&Y or Drogas Wave will be let down and need to tamper their expectations. After all he did create this album in only 3 days
Light hearted ? Very far off, just off that interview this album might be far more serious than t&y and drogas wave