With Food & Liquor, I think that’s an album that just about anyone can possibly learn from and make their own take on the duality of life. The Cool is a little more unique and you need to be in a more imaginative headspace to create characters like the Michael Young History, The Streets and The Game. Outside of the base narrative, it’s an equal celebration and condemnation of all things cool. Repping the Chicago double-time flow on one song and the next, saying he was lucky to make it out of there alive. Framing things like stardom, materialism and fast food as alluring, but you should probably run away from them. This fusion of good and bad elements is something he was already doing in small doses, but refined it to where he was able to address deportation and child soldiers while still remaining catchy. With the exception of The Coolest, the album is almost evenly split down the middle into a bright first half and a dark second half. Fighters is a little bit of both as a pick-me-up and Go Baby is a bonus.
That’s what I get out of it, but like the person above said, hate it or love it.
'Outside of the base narrative, it’s an equal celebration and condemnation of all things cool.'
This is it. Thanks for that insight. I'll relisten to it based on this post.
I appreciate the album but I want it to click the same way Tetsuo & Youth clicked. Will relisten to Gotta Eat.
T&Y really just had mad complex lyrics that requires this fine tooth comb
The Cool uses extended metaphors and has Lupe portray characters, like a d*** dealer that also acts as a fast food item like on Gotta Eat, but I feel like every song hearkens back to the Michael Young character’s life, and that’s the big thing with that album. It’s a character concept project more than anything
I appreciate the album but I want it to click the same way Tetsuo & Youth clicked. Will relisten to Gotta Eat.
T&y has more layered songs but The Cool has a deeper overarching concept
T&y has more layered songs but The Cool has a deeper overarching concept
I'm failing or fiascoing at not grasping the deeper overarching concept of the album. Looking forward to the listen, prolly after this Caleno - Plant fight. Canelo in 10 lol
Hov think I’m Hov, Nas think I’m Nas
That’s the trick, you ain’t gotta think
when niggas already think you are
damn this s*** still factz. & still legendary
took the drake route
you can't take the drake route if you started this s***
Royce is a true weirdo.
Lupe smacked him around lyrically and Mickey stomped him lyrically.
This nigga wanna do everything but Rap.
took the drake route
Why is it the two people who refuse to rap talk so loudly
took the drake route
This nigga
How you gon say what you would've done when you started it
you can't take the drake route if you started this s***
You can't even take the drake route if you're not the bigger artist
took the drake route
Bruh this hilarious
should’ve/could’ve/would’ve
head ass
Stumbled upon this thread and spent the past hour reading thru it and listening to the disses.
Lupe is wild. He's def one of those dudes you don't want to debate/beef with because he will dissect you with no remorse.