Why should it be someone elses responsible to go babysit a grown ass man that doesn't want to be helped lol. at this point it's on kanye to realize he needs help and to reach out to people.
Yup honestly at this point Kanye should have enough self awareness to realize this is his work style. I feel like this is just the way he works whether it’s on music, clothes, shoes or anything else he designs. It’s chaotic and hectic af but having that alienate his best co producers And other ppl on his team is not it…
Great leaders understand how to adapt to the people and circumstances around them
why did uzi even care that much about tyler's opinion lmao. out of everyone he could have listened to he picked the guy who's never produced a hit record or album for another artist. tyler's taste in music is dusty as f*** too for the most part so what the f*** does he know about uzi's type of music lmao.
I mean look how Tyler carries himself some would think his word holds weight
Yup honestly at this point Kanye should have enough self awareness to realize this is his work style. I feel like this is just the way he works whether it’s on music, clothes, shoes or anything else he designs. It’s chaotic and hectic af but having that alienate his best co producers And other ppl on his team is not it…
Great leaders understand how to adapt to the people and circumstances around them
Kanye is more like a boss at amazon than a leader lmao
Cudi was great on Moon, you bugging.
Yachty...yeah Ye imma need you to delete that verse
cudi was garbage
Kanye is more like a boss at amazon than a leader lmao
Everyone always has such nice things to say about him tho!
Kanye is more like a boss at amazon than a leader lmao
I think he thinks he’s Steve Jobs therefore he has the right to yell and fire anyone he wants at anytime lmao
agreed
the people's opinion tends to be really stupid.
great example of this is the dichotomy of uzi and carti
uzi let the fans dictate EA, even had them choose the cover art and which songs were on the deluxe. He let tyler's opinion DRAMATICALLY affect the album even though tyler has no business in uzi's lane. and he dropped a wholly mid-tier album (and this is coming from someone who believes uzi never released a sub-par project before then)
Carti didnt give a s*** what his fans said and only put two of the many leaks fans wanted on his album. And while that received plenty of initial backlash, it's become a massive critical success since and is widely regarded as an overall great album.
ya we dont know what version of eternal atake tyler heard. It might have been ass. There was multiple versions of that album im p sure
most definitely.
mbdtf was a beautiful merging of powerful features.
donda is just a bizarre mix of random rappers that someone probably played kanye or he heard about on twitter. I think a lot of it just has to do w him getting old. Kanye has said on record that he doesn't keep up with rap. he doesn't listen to modern hip hop. and that's fine, because he's never really tried to make modern rap, he always just does what he likes. for a long time, whatever he did became modern rap. When he put together the feature list on mbdtf it was a bunch of artist who came up with or around him, and people who's music he was genuinely a big fan of.
the sense i get w donda is that kanye said "i'm gonna make christian music cool. I'm gonna put christianity into cool rap songs" and then realized he doesn't know what "cool rap songs" even means. It seems like he grabbed a bunch of guys who he heard were popular with the kids and threw them on whatever tracks he felt like. This time around it really doesn't seem like there's a deep connection with most of the features at all. I really doubt Kanye and Lil Durk are close outside of the recording studio.
Honestly this keeps going with the beats. I think Kanye has picked up that short zaytoven style 808s are popular now, but hasn't realized how important drumkits are in this digital age. You need the right hats claps snares etc to make a good beat. when it's homebrewed stuff it has to be either really well done or really unique, otherwise it just sounds cheap and off brand. and that's exactly what's happened with so many of these beats, the 808s especially. For all my producer people out there, I think most of the donda beats sound like attempts at modern instrumentals made with only stock sounds. It doesn't sound like one (or even a few) producers coherent vision, it sounds like a product of session musicians and a bunch of inexperienced producers. while im at it, this is exactly why I hate take a daytrip's production, it just sounds like a lab made imitation of what real production is.
I didn't really listen to the production much on the stream, and I only watched that once. I hope it drops in CDQ (in some form or fashion) so I can hear what you're saying there.
I actually think he did an admirable job of finding a meshing point with all those wild names. Idk how much of it I would've came back to, and like you alluded to, the most coherent moments are the ones where he's working with the folks he has a report with, or some of the solo moments.
It was really cool to get your insight on this though, someone on the back end.
agreed
the people's opinion tends to be really stupid.
great example of this is the dichotomy of uzi and carti
uzi let the fans dictate EA, even had them choose the cover art and which songs were on the deluxe. He let tyler's opinion DRAMATICALLY affect the album even though tyler has no business in uzi's lane. and he dropped a wholly mid-tier album (and this is coming from someone who believes uzi never released a sub-par project before then)
Carti didnt give a s*** what his fans said and only put two of the many leaks fans wanted on his album. And while that received plenty of initial backlash, it's become a massive critical success since and is widely regarded as an overall great album.
I don't like the super duper trap rapper Uzi, and it seems like most people nowadays like that version of him. He's not really as interesting as even a Gunna or Baby rapping wise when he's just making generic s***...even with me not coming back to most of LIR2, something like Neon Guts, Pretty Mami, 20 Min...shits on 99% of that joint
dont even get me started on "LUV VTW 2"
still a disgrace he titled it that
most definitely.
mbdtf was a beautiful merging of powerful features.
donda is just a bizarre mix of random rappers that someone probably played kanye or he heard about on twitter. I think a lot of it just has to do w him getting old. Kanye has said on record that he doesn't keep up with rap. he doesn't listen to modern hip hop. and that's fine, because he's never really tried to make modern rap, he always just does what he likes. for a long time, whatever he did became modern rap. When he put together the feature list on mbdtf it was a bunch of artist who came up with or around him, and people who's music he was genuinely a big fan of.
the sense i get w donda is that kanye said "i'm gonna make christian music cool. I'm gonna put christianity into cool rap songs" and then realized he doesn't know what "cool rap songs" even means. It seems like he grabbed a bunch of guys who he heard were popular with the kids and threw them on whatever tracks he felt like. This time around it really doesn't seem like there's a deep connection with most of the features at all. I really doubt Kanye and Lil Durk are close outside of the recording studio.
Honestly this keeps going with the beats. I think Kanye has picked up that short zaytoven style 808s are popular now, but hasn't realized how important drumkits are in this digital age. You need the right hats claps snares etc to make a good beat. when it's homebrewed stuff it has to be either really well done or really unique, otherwise it just sounds cheap and off brand. and that's exactly what's happened with so many of these beats, the 808s especially. For all my producer people out there, I think most of the donda beats sound like attempts at modern instrumentals made with only stock sounds. It doesn't sound like one (or even a few) producers coherent vision, it sounds like a product of session musicians and a bunch of inexperienced producers. while im at it, this is exactly why I hate take a daytrip's production, it just sounds like a lab made imitation of what real production is.
Completely agree with the beats
Nah Nah is a prime example
this is kinda seeming to be more about the time conflict with Mike Deans show next weekend more than anything. Mike can't work on the album rn and has other albums to do and a string of shows he's been promoting for a while now
feel like 90% of the posts here are gonna turn out to be useless discussion and fan fiction
Okay yeah Kanye def wanted Mike to be focused on the album but he had his show to do and disagreement prob began. Or just the fact he has other s*** to do and he gets annihilated with questions every day about Kanye.
He hasn't even been there since Monday and Donda thread had been seeing new names come around and rumors about mixing yesterday....which we now know he wasnt even there for

cred @kanyewest @hotpancakes
ya we dont know what version of eternal atake tyler heard. It might have been ass. There was multiple versions of that album im p sure
K Lee (his engineer) said the tracklist remained mostly the same from what Uzi turned in originally but then Uzi said leaks f***ed up what EA was supposed to be so clearly there was a different version at some point that got scrapped
I really give a lot of credit to the engineers who have to make miracles happen in short span to make the albums work. Think the Uzi parallel was also very clear cause EA originally had way more skits and bridges between parts that K Lee had to cut down significantly before release and make it all flow and she was working 24/7 for a whole week to fix it. Then Uzi rushed out the deluxe before she had a chance to mix all the old tracks and even eventually did have a version where she mixed them all but it never released due to COVID. Mike Dean is literally fixing this album that was clearly no where near done and the pressures been on for weeks to make it work so I don’t blame him for wanting out.
I really give a lot of credit to the engineers who have to make miracles happen in short span to make the albums work. Think the Uzi parallel was also very clear cause EA originally had way more skits and bridges between parts that K Lee had to cut down significantly before release and make it all flow and she was working 24/7 for a whole week to fix it. Then Uzi rushed out the deluxe before she had a chance to mix all the old tracks and even eventually did have a version where she mixed them all but it never released due to COVID. Mike Dean is literally fixing this album that was clearly no where near done and the pressures been on for weeks to make it work so I don’t blame him for wanting out.
Sound engineer sounds like the s***tiest role ever to be in. You have so much work to do but then it's never appreciated and the producers and musicians get all the credit and praise