Think he’s offended because a seasoned veteran dared to release an album tbh.

KD1 started off with very good reviews, P4K s***ted on it and others followed suit, hopefully they’ll make their own minds up this time around

“ “Money off tech, pushing a Tesla/Rolled up a fresh one/It’s one IPO to the next one,” he raps on “Store Run,” mechanically referencing Illmatic. It sounds like he’s introducing himself at a corporate luncheon”

^^
@goo

Wow. Literally doesn’t understand rap music at all.

pitchfork.com/reviews/albums/aesop-rock-spirit-world-field-guide

@Goo

Same reviewer. Pretty clear what type of rap he likes.

💀💀

pitchfork.com/reviews/albums/flo-milli-ho-why-is-you-here

Peep the type of bars he's praising lol

“On Spirit World Field Guide, this fascination with creatures widens into a cosmology. Animals no longer play bit parts in Aesop Rock’s intricate tapestries; they are the omphalos, a turn that leans into Aesop’s wearied misanthropy and softens it. This is the most joyous album he’s ever made.“

Lmfao. This is why I hate P4K. No way is this guy going to like Nas.

“Flo Milli raps like she was born and raised in a no-flex zone. When she claims, “None of you b****es is f***in’ with me,” it feels less like a boast and more like a law that governs the universe“

^^^

I mean… cmonnnn

She opens “In the Party” with a perfect line: “Dicks up when I step up in the party.”

Etc etc

“Like That B****” features a moment where she discovers and ends a tiff in the same breath. “Actin like we got beef/I didn’t know that you exist!” she yelps, elongating the vowel in “know.”

Lol pay attention to vowels when you hear Flo Milli but not Nas brehs

It’s f***ing pitiful how he is trying to turn some vapid female rap s*** that we see all the time now into something artsy

I wouldn't mind it if he approached the Nas album with the same energy

Now he's just a hypocrite

You can't be a "professional critic" yet this biased

F*** me. Is he not a parody writer? That’s what I can imagine someone in here would post to mimic the pretentiousness of P4K

twitter.com/clickclaimprize/status/1425419590113316871

Peep the replies lol

Oh this is glorious

twitter.com/pitchfork/status/1425547636464099340

Insane tbh

according2hiphop.com/nas-releases-a-classic

@Goo

Maybe we need to elevate this publication…

you can't be serious right now

Store Run... lord have mercy

Even after P4k's hit piece it's sitting at a nice 88/100 on Metacritic and top 50 of the year all genres considered on RYM

But I know the loser from Stereogum is gonna slander this album like he did KD1

Death row east so hard great storytelling too

LMFAO

F***ing B**** fork back at it

This album was super fresh

Their dumbass liberal arts takes gotta stop having any value

There’s a hint of survivor’s guilt in Nas’ fixation on the past. The first verse of the album opens with “I ain’t made it till we all can say that we made it,” and throughout, Nas pauses to note the people he’s lost, as well as dead rappers. He’s clearly taking stock of his career and his life, but his insistence on a moral to his life story crowds out detail and texture, turning his soul-searching into grandstanding. His version of history is a perpetual victory lap, an eternal bacchanal of self-help gruel—or “Brunch on Sundays,” as he puts it. King’s Disease II isn’t the worst legacy-obsessed rap album in recent memory. But it’s a reminder of the emptiness of rap as monument, the way fetishizing posterity reduces the genre. Nas is blessed, yes. Is that it?

Crying i hate these nerds

This what he looks like bro. I have no further questions