mid life crisis

LOL I swear I'm trying to get it bruh I really am lmaooooo

I just don't man

OLD

I swear it's not that bruh

resurrect him

Cross em out tho

GTFO

IM TRYING

Fantano hates it it’s a classic

accurate review tbh

This nigga older than the sun ofc he dont get it

Confirms it isn't reddit-core

nettspend music sounds like chainsaw s***but I fw it

fantano not the target audience at all

Am I alone in thinking ok with no "wegonbeok/ok is the hardest I swear 2 God" is demonstrably less hard? Like I'd almost rather not hear the beat if there's no tag

Yea but it can get annoying if he prods most the beats on a tape

it hits everytime

Nah s*** used to by hype af every single time and he caved to Twitter and stopped using it

yea I hate that he scaled it back so much

would much rather hear it on every song than never hear it

I’m 29 (hey fellow kids) and was put onto a lot of good music by Fantano in the 2010s like Injury Reserve, Death Grips, Brockhampton, etc but there’s part of rap nowadays that he’s just not in tune with at all. Says he doesn’t get Veeze, finally reviews Xaviersobased and gives a 5, hates on WLR and then spends the 2020s ignoring the artists that came out of that sound. He’s never reviewed Drakeo or Greedo but doubt he’d like them. And these are all essential artists that have pushed rap forward in the past 5 years.

With that in mind, he really missed the mark here unsurprisingly. Of course he’s caught up in the exhausting “authenticity/race” debate and has to frame everything he thinks about it through that. Even worse tho he said the production is some of the most uninspired rage beats he’s heard. Haaaarrrrdd disagree. The production on this album is out of this world, and does push the sound forward. I think this is a messy album with a lot of bold choices and the highs are really high. But everyone’s caught up in this narrative about age and realness and is scared that if they like Nettspend it’s like cringe or something. And I think that’s exactly why you haven’t seen a lot of publication try and review it yet. Like with WLR, I think they don’t know what to make of it, and are scared of missing the mark and panning an album that could potentially be considered a classic later.