official Moor Mother thread [new 700 BLISS album out now!]

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  • Jan 22, 2024

    Don't know why it's taken me so long to check anything from her but I'm running this 700 Bliss record rn and it's incredible

    I'm in

  • Jan 22, 2024
    DwindlingSun

    New album March 8

    https://moormother.bandcamp.com/album/the-great-bailout

    Description thingy here
    https://www.anti.com/news/moor-mother-announces-the-great-bailout-haunting-new-album-dissects-the-ugl/

    !https://youtu.be/0ox6Xpwphuk?si=6AuH7a7FI_LbNfSV

    @op update needed

  • Jan 22, 2024
    DwindlingSun

    New album March 8

    https://moormother.bandcamp.com/album/the-great-bailout

    Description thingy here
    https://www.anti.com/news/moor-mother-announces-the-great-bailout-haunting-new-album-dissects-the-ugl/

    !https://youtu.be/0ox6Xpwphuk?si=6AuH7a7FI_LbNfSV

    God bless

  • Feb 27, 2024
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    1 reply

    lets go!!

  • Mar 8, 2024
    DwindlingSun

    New album March 8

    https://moormother.bandcamp.com/album/the-great-bailout

    Description thingy here
    https://www.anti.com/news/moor-mother-announces-the-great-bailout-haunting-new-album-dissects-the-ugl/

    !https://youtu.be/0ox6Xpwphuk?si=6AuH7a7FI_LbNfSV

    OUT NOW

  • Gonna watch Tinydesk and listen to the album. Thanks for the thread and updates

  • Mar 9, 2024

    Really hypnotised by this one off first listen. Loved the whole soundscape and damn does she go for the jugular on England.

    Liked Jazz Codes and Black Encyclopedia but I see myself playing this a lot more.

  • Mar 10, 2024
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    Death by Longitude is so nightmarish.

    Sound design across the whole album is elite.

  • Mar 14, 2024

    Her new album is f***ing great, charnel productionl to match the brutal lyrics

    I hope she really does a 3-day noise residency like she was saying on twitter

  • Jul 23, 2024
  • Nov 30, 2024
  • Feb 10
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    jazz codes is in my top 10 favorite albums of the 2020's

  • the great bailout is unbelievable. super heavy. can’t wait to dive deeper into her catalog, she’s brilliant

  • sometimes i feel like a nation-less child.

  • Mar 6
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    2 replies

    👨🏼‍💼⏰❌

  • With its evocative verses and resonant themes, American Equations in Black Classical Music invites readers on a transformative journey through the melodic landscapes of jazz, the a***ytical realms of economics, and the intricacies of American life. While making room for the speculative, American Equations in Black Classical Music allows one's imagination to begin to continue to draw from past lessons/innovations to hack future portals for these traditions to breathe new lives.

    hatandbeard.com/products/american-equations-in-black-classical-music-by-camae-ayewa

  • oh s*** no way she dropped ima peep this rn

  • Mar 10
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    viscera

    lets go!!

    !https://youtu.be/YKnifgh9dEQ?si=bRudFBt1VmC5Kfj5

    live performance from january:
    BIMHUIS TV Presents: Irreversible Entanglements

  • Mar 10
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    1 reply
    viscera
    · edited

    👨🏼‍💼⏰❌

    !https://www.youtube.com/watch?v=E0exntarhs4

    Out Now

    Why do some processes—like aging, birth, and car crashes—occur in only one direction in time, when by the fundamental symmetry of the universe, we should experience time both forward and backward? Our dominant perception of time owes more to Western history and social order than to a fact of nature, argues writer Rasheedah Phillips, delving into Black and Afrodiasporic conceptions of time, where the past, present, and future interact in more numerous constellations.

    Phillips unfolds the history of time and its legacy of racial oppression, from colonial exploration and the plantation system to the establishment of Daylight Savings. Yet Black communities have long subverted space-time through such tools of resistance as Juneteenth, tenant organizing, ritual, and time travel. What could Black liberation look like if the past were as changeable as the future?

    Drawing on philosophy, archival research, quantum physics, and Phillips’s own art practice and work on housing policy, Dismantling the Master’s Clock expands the horizons of what can be imagined and, ultimately, achieved.

    Interdisciplinary artist, author, and lawyer Rasheedah Phillips discusses working beyond the 9-to-5, tapping into non-Western ways of experiencing reality, and learning the unique value only you can bring

    BQF mix

  • viscera
    · edited

    ‘I tell the truth about what’s unknown’: Moor Mother on revealing Britain’s ongoing slavery links

    Real primitive accumulation hours

    !https://youtu.be/WK3NHEgJIUM?si=ysUKFw0mvuIUSuNw

    27:38

  • happy tdov

  • Apr 14
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    1 reply
    viscera

    Out Now

    Why do some processes—like aging, birth, and car crashes—occur in only one direction in time, when by the fundamental symmetry of the universe, we should experience time both forward and backward? Our dominant perception of time owes more to Western history and social order than to a fact of nature, argues writer Rasheedah Phillips, delving into Black and Afrodiasporic conceptions of time, where the past, present, and future interact in more numerous constellations.

    Phillips unfolds the history of time and its legacy of racial oppression, from colonial exploration and the plantation system to the establishment of Daylight Savings. Yet Black communities have long subverted space-time through such tools of resistance as Juneteenth, tenant organizing, ritual, and time travel. What could Black liberation look like if the past were as changeable as the future?

    Drawing on philosophy, archival research, quantum physics, and Phillips’s own art practice and work on housing policy, Dismantling the Master’s Clock expands the horizons of what can be imagined and, ultimately, achieved.

    Interdisciplinary artist, author, and lawyer Rasheedah Phillips discusses working beyond the 9-to-5, tapping into non-Western ways of experiencing reality, and learning the unique value only you can bring

    BQF mix

    Book Launch:

    In convo w/ Jason Harris: