Don't know why it's taken me so long to check anything from her but I'm running this 700 Bliss record rn and it's incredible
I'm in
New album March 8
https://moormother.bandcamp.com/album/the-great-bailout
Description thingy here
https://www.anti.com/news/moor-mother-announces-the-great-bailout-haunting-new-album-dissects-the-ugl/
@op update needed
New album March 8
https://moormother.bandcamp.com/album/the-great-bailout
Description thingy here
https://www.anti.com/news/moor-mother-announces-the-great-bailout-haunting-new-album-dissects-the-ugl/
God bless
New album March 8
https://moormother.bandcamp.com/album/the-great-bailout
Description thingy here
https://www.anti.com/news/moor-mother-announces-the-great-bailout-haunting-new-album-dissects-the-ugl/
OUT NOW
Really hypnotised by this one off first listen. Loved the whole soundscape and damn does she go for the jugular on England.
Liked Jazz Codes and Black Encyclopedia but I see myself playing this a lot more.
Death by Longitude is so nightmarish.
Sound design across the whole album is elite.
Her new album is f***ing great, charnel productionl to match the brutal lyrics
I hope she really does a 3-day noise residency like she was saying on twitter
‘I tell the truth about what’s unknown’: Moor Mother on revealing Britain’s ongoing slavery links
Real primitive accumulation hours
the great bailout is unbelievable. super heavy. can’t wait to dive deeper into her catalog, she’s brilliant
With its evocative verses and resonant themes, American Equations in Black Classical Music invites readers on a transformative journey through the melodic landscapes of jazz, the a***ytical realms of economics, and the intricacies of American life. While making room for the speculative, American Equations in Black Classical Music allows one's imagination to begin to continue to draw from past lessons/innovations to hack future portals for these traditions to breathe new lives.
hatandbeard.com/products/american-equations-in-black-classical-music-by-camae-ayewa
lets go!!
!https://youtu.be/YKnifgh9dEQ?si=bRudFBt1VmC5Kfj5live performance from january:
BIMHUIS TV Presents: Irreversible Entanglements
👨🏼💼⏰❌
!https://www.youtube.com/watch?v=E0exntarhs4Why do some processes—like aging, birth, and car crashes—occur in only one direction in time, when by the fundamental symmetry of the universe, we should experience time both forward and backward? Our dominant perception of time owes more to Western history and social order than to a fact of nature, argues writer Rasheedah Phillips, delving into Black and Afrodiasporic conceptions of time, where the past, present, and future interact in more numerous constellations.
Phillips unfolds the history of time and its legacy of racial oppression, from colonial exploration and the plantation system to the establishment of Daylight Savings. Yet Black communities have long subverted space-time through such tools of resistance as Juneteenth, tenant organizing, ritual, and time travel. What could Black liberation look like if the past were as changeable as the future?
Drawing on philosophy, archival research, quantum physics, and Phillips’s own art practice and work on housing policy, Dismantling the Master’s Clock expands the horizons of what can be imagined and, ultimately, achieved.
‘I tell the truth about what’s unknown’: Moor Mother on revealing Britain’s ongoing slavery links
Real primitive accumulation hours
!https://youtu.be/WK3NHEgJIUM?si=ysUKFw0mvuIUSuNw27:38
Out Now
Why do some processes—like aging, birth, and car crashes—occur in only one direction in time, when by the fundamental symmetry of the universe, we should experience time both forward and backward? Our dominant perception of time owes more to Western history and social order than to a fact of nature, argues writer Rasheedah Phillips, delving into Black and Afrodiasporic conceptions of time, where the past, present, and future interact in more numerous constellations.
Phillips unfolds the history of time and its legacy of racial oppression, from colonial exploration and the plantation system to the establishment of Daylight Savings. Yet Black communities have long subverted space-time through such tools of resistance as Juneteenth, tenant organizing, ritual, and time travel. What could Black liberation look like if the past were as changeable as the future?
Drawing on philosophy, archival research, quantum physics, and Phillips’s own art practice and work on housing policy, Dismantling the Master’s Clock expands the horizons of what can be imagined and, ultimately, achieved.
Interdisciplinary artist, author, and lawyer Rasheedah Phillips discusses working beyond the 9-to-5, tapping into non-Western ways of experiencing reality, and learning the unique value only you can bring
BQF mix
Book Launch:
In convo w/ Jason Harris: