Mar 27, 2020Check
Mar 27, 2020·6 repliesThat's f***ing wild. His debut album isn't even out yet. In fact, Bryson Tiller's Trap Soul (cringe title) came out already. Does not having the best album out last year count as a loss? Is that what all of you Bryson Tiller stans are saying? Because if you're saying that I can assure you that you're wrong. PND's album is still gaining hype right now and he has been the best R&B singer in The Game for how many years now? He's up against an industry plant named Bryson Tiller who just happens to have a lead in hype because he's feeding off the energy of his one song, Don't. But you know what? He still f***ing sucks. PND created this entire sound, signed to Drake's OVO Sound record label, and had some of the best songs of last year. He made Travi$ Scott listenable. Oh look at that, Pitchfork gave the new PARTYNEXTDOOR an 8.4 Best New Music, while they don't even have time for Bryson Tiller. All of you Tiller stans need to stop posting how great the album is and get your own section. O wait. I almost have a feeling all of the Bryson Tiller stan threads are 14 year old white kids in suburbia who only listen to Don't on Vevo or YouTube and don't even have more than 300 songs in their iTunes library. F*** you, be good at something in YOUR life and then maybe try to stan Bryson Tiller, like I give a f***. It's so easy to spot out these threads now. Always doing stupid s*** like saying Tiller's the GOAT, or Don't is a top R&B song of all time. Why don't you guys try to be good posters? Just for once? For once in your life try to make a topic like this. That's just you Tiller stans, you're always right at getting it wrong. You are nothing. Seriously though, Party has shown so much progression since he started. First with PND1, he was running with the smooth ratchet trap&b crooner and gave us classics like Wus Good/Curious, Make A Mil or Break From Toronto
then he randomly hit us with two of his best songs: West District and Persian Rugs. Keep in mind those were random soundcloud loosies.
With PND2, he moves on a darker, moody style of singing mixing it well with his more minimalistic production.
But this is where things get interesting, Party starts experimenting way more in his music after this release. With the EP Colours, he tries pitching up and down his voice, rapping, trying different atmospheres.
The OVO Sound radio tracks are so unique that they deserve their own era imo. Party takes experimentation a bit further and even starts whistling (!!!) on tracks, like on All I Wanna Do (classic song). The production gets way more creative too, with obscure quick looped samples, reminescent of Devante Swing's style of production.
P3 has commonly been referred to as the “Yeezus of contemporary r&b”. A harrowing account of the pains of love and heartbreak, PARTY continues to push the envelope of modern pop music. Incorporating numerous styles world music, PARTY has developed a genre-defying potpourri that was highly misunderstood at the time of its release, as many great works of art are. The influence of this seminal record can be heard in the songs of 6LACK, 24Hrs, pink sweats, Khalid, Snoh Aalegra, Jessie Reyes, and even The Weeknd.
Hot off the heels of writing for Jay Electronica, Travis Scott, Drake and Rihanna, among others, Durag Jesus once again aims to set the standard of r&b music with PARTYMOBILE.Party has shown so much progression since he started. First with PND1, he was running with the smooth ratchet trap&b crooner and gave us classics like Wus Good/Curious, Make A Mil or Break From Toronto
then he randomly hit us with two of his best songs: West District and Persian Rugs. Keep in mind those were random soundcloud loosies.
Mar 27, 2020·1 replyCapable78That's f***ing wild. His debut album isn't even out yet. In fact, Bryson Tiller's Trap Soul (cringe title) came out already. Does not having the best album out last year count as a loss? Is that what all of you Bryson Tiller stans are saying? Because if you're saying that I can assure you that you're wrong. PND's album is still gaining hype right now and he has been the best R&B singer in The Game for how many years now? He's up against an industry plant named Bryson Tiller who just happens to have a lead in hype because he's feeding off the energy of his one song, Don't. But you know what? He still f***ing sucks. PND created this entire sound, signed to Drake's OVO Sound record label, and had some of the best songs of last year. He made Travi$ Scott listenable. Oh look at that, Pitchfork gave the new PARTYNEXTDOOR an 8.4 Best New Music, while they don't even have time for Bryson Tiller. All of you Tiller stans need to stop posting how great the album is and get your own section. O wait. I almost have a feeling all of the Bryson Tiller stan threads are 14 year old white kids in suburbia who only listen to Don't on Vevo or YouTube and don't even have more than 300 songs in their iTunes library. F*** you, be good at something in YOUR life and then maybe try to stan Bryson Tiller, like I give a f***. It's so easy to spot out these threads now. Always doing stupid s*** like saying Tiller's the GOAT, or Don't is a top R&B song of all time. Why don't you guys try to be good posters? Just for once? For once in your life try to make a topic like this. That's just you Tiller stans, you're always right at getting it wrong. You are nothing. Seriously though, Party has shown so much progression since he started. First with PND1, he was running with the smooth ratchet trap&b crooner and gave us classics like Wus Good/Curious, Make A Mil or Break From Toronto
then he randomly hit us with two of his best songs: West District and Persian Rugs. Keep in mind those were random soundcloud loosies.
With PND2, he moves on a darker, moody style of singing mixing it well with his more minimalistic production.
But this is where things get interesting, Party starts experimenting way more in his music after this release. With the EP Colours, he tries pitching up and down his voice, rapping, trying different atmospheres.
The OVO Sound radio tracks are so unique that they deserve their own era imo. Party takes experimentation a bit further and even starts whistling (!!!) on tracks, like on All I Wanna Do (classic song). The production gets way more creative too, with obscure quick looped samples, reminescent of Devante Swing's style of production.
P3 has commonly been referred to as the “Yeezus of contemporary r&b”. A harrowing account of the pains of love and heartbreak, PARTY continues to push the envelope of modern pop music. Incorporating numerous styles world music, PARTY has developed a genre-defying potpourri that was highly misunderstood at the time of its release, as many great works of art are. The influence of this seminal record can be heard in the songs of 6LACK, 24Hrs, pink sweats, Khalid, Snoh Aalegra, Jessie Reyes, and even The Weeknd.
Hot off the heels of writing for Jay Electronica, Travis Scott, Drake and Rihanna, among others, Durag Jesus once again aims to set the standard of r&b music with PARTYMOBILE.Party has shown so much progression since he started. First with PND1, he was running with the smooth ratchet trap&b crooner and gave us classics like Wus Good/Curious, Make A Mil or Break From Toronto
then he randomly hit us with two of his best songs: West District and Persian Rugs. Keep in mind those were random soundcloud loosies.Mid
Mar 27, 2020·1 replyStill gonna do OVO numbers
Mar 27, 2020yeaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa !!!!!!!!!!!!!!!!!!!!!!!!!!!! #party
- Mar 27, 2020MORROW
Mid
What the f*** did you just f***ing say about me, you little b****? I'll have you know I graduated top of my class in the Navy Seals, and I've been involved in numerous secret raids on Al-Quaeda, and I have over 300 confirmed kills. I am trained in gorilla warfare and I'm the top sniper in the entire US armed forces. You are nothing to me but just another target. I will wipe you the f*** out with precision the likes of which has never been seen before on this Earth, mark my f***ing words. You think you can get away with saying that s*** to me over the Internet? Think again, f***er. As we speak I am contacting my secret network of spies across the USA and your IP is being traced right now so you better prepare for the storm, maggot. The storm that wipes out the pathetic little thing you call your life. You're f***ing dead, kid. I can be anywhere, anytime, and I can kill you in over seven hundred ways, and that's just with my bare hands. Not only am I extensively trained in unarmed combat, but I have access to the entire arsenal of the United States Marine Corps and I will use it to its full extent to wipe your miserable ass off the face of the continent, you little s***. If only you could have known what unholy retribution your little "clever" comment was about to bring down upon you, maybe you would have held your f***ing tongue. But you couldn't, you didn't, and now you're paying the price, you goddamn idiot. I will s*** fury all over you and you will drown in it. You're f***ing dead, kiddo.
Mar 27, 2020·1 replyPowerful
- Mar 27, 2020
Crazy too in midst of all the corona s*** going on
Mar 27, 2020·1 replyHappy birthday blahblahem
Mar 27, 2020Capable78That's f***ing wild. His debut album isn't even out yet. In fact, Bryson Tiller's Trap Soul (cringe title) came out already. Does not having the best album out last year count as a loss? Is that what all of you Bryson Tiller stans are saying? Because if you're saying that I can assure you that you're wrong. PND's album is still gaining hype right now and he has been the best R&B singer in The Game for how many years now? He's up against an industry plant named Bryson Tiller who just happens to have a lead in hype because he's feeding off the energy of his one song, Don't. But you know what? He still f***ing sucks. PND created this entire sound, signed to Drake's OVO Sound record label, and had some of the best songs of last year. He made Travi$ Scott listenable. Oh look at that, Pitchfork gave the new PARTYNEXTDOOR an 8.4 Best New Music, while they don't even have time for Bryson Tiller. All of you Tiller stans need to stop posting how great the album is and get your own section. O wait. I almost have a feeling all of the Bryson Tiller stan threads are 14 year old white kids in suburbia who only listen to Don't on Vevo or YouTube and don't even have more than 300 songs in their iTunes library. F*** you, be good at something in YOUR life and then maybe try to stan Bryson Tiller, like I give a f***. It's so easy to spot out these threads now. Always doing stupid s*** like saying Tiller's the GOAT, or Don't is a top R&B song of all time. Why don't you guys try to be good posters? Just for once? For once in your life try to make a topic like this. That's just you Tiller stans, you're always right at getting it wrong. You are nothing. Seriously though, Party has shown so much progression since he started. First with PND1, he was running with the smooth ratchet trap&b crooner and gave us classics like Wus Good/Curious, Make A Mil or Break From Toronto
then he randomly hit us with two of his best songs: West District and Persian Rugs. Keep in mind those were random soundcloud loosies.
With PND2, he moves on a darker, moody style of singing mixing it well with his more minimalistic production.
But this is where things get interesting, Party starts experimenting way more in his music after this release. With the EP Colours, he tries pitching up and down his voice, rapping, trying different atmospheres.
The OVO Sound radio tracks are so unique that they deserve their own era imo. Party takes experimentation a bit further and even starts whistling (!!!) on tracks, like on All I Wanna Do (classic song). The production gets way more creative too, with obscure quick looped samples, reminescent of Devante Swing's style of production.
P3 has commonly been referred to as the “Yeezus of contemporary r&b”. A harrowing account of the pains of love and heartbreak, PARTY continues to push the envelope of modern pop music. Incorporating numerous styles world music, PARTY has developed a genre-defying potpourri that was highly misunderstood at the time of its release, as many great works of art are. The influence of this seminal record can be heard in the songs of 6LACK, 24Hrs, pink sweats, Khalid, Snoh Aalegra, Jessie Reyes, and even The Weeknd.
Hot off the heels of writing for Jay Electronica, Travis Scott, Drake and Rihanna, among others, Durag Jesus once again aims to set the standard of r&b music with PARTYMOBILE.Party has shown so much progression since he started. First with PND1, he was running with the smooth ratchet trap&b crooner and gave us classics like Wus Good/Curious, Make A Mil or Break From Toronto
then he randomly hit us with two of his best songs: West District and Persian Rugs. Keep in mind those were random soundcloud loosies.Exactly what I'm saying. His debut album isn't even out yet. In fact, Bryson Tiller's Trap Soul (cringe title) came out already. Does not having the best album out last year count as a loss? Is that what all of you Bryson Tiller stans are saying? Because if you're saying that I can assure you that you're wrong. PND's album is still gaining hype right now and he has been the best R&B singer in The Game for how many years now? He's up against an industry plant named Bryson Tiller who just happens to have a lead in hype because he's feeding off the energy of his one song, Don't. But you know what? He still f***ing sucks. PND created this entire sound, signed to Drake's OVO Sound record label, and had some of the best songs of last year. He made Travi$ Scott listenable. Oh look at that, Pitchfork gave the new PARTYNEXTDOOR an 8.4 Best New Music, while they don't even have time for Bryson Tiller. All of you Tiller stans need to stop posting how great the album is and get your own section. O wait. I almost have a feeling all of the Bryson Tiller stan threads are 14 year old white kids in suburbia who only listen to Don't on Vevo or YouTube and don't even have more than 300 songs in their iTunes library. F*** you, be good at something in YOUR life and then maybe try to stan Bryson Tiller, like I give a f***. It's so easy to spot out these threads now. Always doing stupid s*** like saying Tiller's the GOAT, or Don't is a top R&B song of all time. Why don't you guys try to be good posters? Just for once? For once in your life try to make a topic like this. That's just you Tiller stans, you're always right at getting it wrong. You are nothing. Seriously though, Party has shown so much progression since he started. First with PND1, he was running with the smooth ratchet trap&b crooner and gave us classics like Wus Good/Curious, Make A Mil or Break From Toronto
then he randomly hit us with two of his best songs: West District and Persian Rugs. Keep in mind those were random soundcloud loosies.
With PND2, he moves on a darker, moody style of singing mixing it well with his more minimalistic production.
But this is where things get interesting, Party starts experimenting way more in his music after this release. With the EP Colours, he tries pitching up and down his voice, rapping, trying different atmospheres.
The OVO Sound radio tracks are so unique that they deserve their own era imo. Party takes experimentation a bit further and even starts whistling (!!!) on tracks, like on All I Wanna Do (classic song). The production gets way more creative too, with obscure quick looped samples, reminescent of Devante Swing's style of production.
P3 has commonly been referred to as the “Yeezus of contemporary r&b”. A harrowing account of the pains of love and heartbreak, PARTY continues to push the envelope of modern pop music. Incorporating numerous styles world music, PARTY has developed a genre-defying potpourri that was highly misunderstood at the time of its release, as many great works of art are. The influence of this seminal record can be heard in the songs of 6LACK, 24Hrs, pink sweats, Khalid, Snoh Aalegra, Jessie Reyes, and even The Weeknd.
Hot off the heels of writing for Jay Electronica, Travis Scott, Drake and Rihanna, among others, Durag Jesus once again aims to set the standard of r&b music with PARTYMOBILE.Party has shown so much progression since he started. First with PND1, he was running with the smooth ratchet trap&b crooner and gave us classics like Wus Good/Curious, Make A Mil or Break From Toronto
then he randomly hit us with two of his best songs: West District and Persian Rugs. Keep in mind those were random soundcloud loosies.
Mar 27, 2020all i see is Rihanna trending
Mar 27, 20202wordsStill gonna do OVO numbers
im sayin 30K max
- Mar 27, 2020·1 reply
actually the Rihanna feat might give it a boost
Mar 27, 2020Prolly listened to touch me
Mar 27, 2020Capable78That's f***ing wild. His debut album isn't even out yet. In fact, Bryson Tiller's Trap Soul (cringe title) came out already. Does not having the best album out last year count as a loss? Is that what all of you Bryson Tiller stans are saying? Because if you're saying that I can assure you that you're wrong. PND's album is still gaining hype right now and he has been the best R&B singer in The Game for how many years now? He's up against an industry plant named Bryson Tiller who just happens to have a lead in hype because he's feeding off the energy of his one song, Don't. But you know what? He still f***ing sucks. PND created this entire sound, signed to Drake's OVO Sound record label, and had some of the best songs of last year. He made Travi$ Scott listenable. Oh look at that, Pitchfork gave the new PARTYNEXTDOOR an 8.4 Best New Music, while they don't even have time for Bryson Tiller. All of you Tiller stans need to stop posting how great the album is and get your own section. O wait. I almost have a feeling all of the Bryson Tiller stan threads are 14 year old white kids in suburbia who only listen to Don't on Vevo or YouTube and don't even have more than 300 songs in their iTunes library. F*** you, be good at something in YOUR life and then maybe try to stan Bryson Tiller, like I give a f***. It's so easy to spot out these threads now. Always doing stupid s*** like saying Tiller's the GOAT, or Don't is a top R&B song of all time. Why don't you guys try to be good posters? Just for once? For once in your life try to make a topic like this. That's just you Tiller stans, you're always right at getting it wrong. You are nothing. Seriously though, Party has shown so much progression since he started. First with PND1, he was running with the smooth ratchet trap&b crooner and gave us classics like Wus Good/Curious, Make A Mil or Break From Toronto
then he randomly hit us with two of his best songs: West District and Persian Rugs. Keep in mind those were random soundcloud loosies.
With PND2, he moves on a darker, moody style of singing mixing it well with his more minimalistic production.
But this is where things get interesting, Party starts experimenting way more in his music after this release. With the EP Colours, he tries pitching up and down his voice, rapping, trying different atmospheres.
The OVO Sound radio tracks are so unique that they deserve their own era imo. Party takes experimentation a bit further and even starts whistling (!!!) on tracks, like on All I Wanna Do (classic song). The production gets way more creative too, with obscure quick looped samples, reminescent of Devante Swing's style of production.
P3 has commonly been referred to as the “Yeezus of contemporary r&b”. A harrowing account of the pains of love and heartbreak, PARTY continues to push the envelope of modern pop music. Incorporating numerous styles world music, PARTY has developed a genre-defying potpourri that was highly misunderstood at the time of its release, as many great works of art are. The influence of this seminal record can be heard in the songs of 6LACK, 24Hrs, pink sweats, Khalid, Snoh Aalegra, Jessie Reyes, and even The Weeknd.
Hot off the heels of writing for Jay Electronica, Travis Scott, Drake and Rihanna, among others, Durag Jesus once again aims to set the standard of r&b music with PARTYMOBILE.Party has shown so much progression since he started. First with PND1, he was running with the smooth ratchet trap&b crooner and gave us classics like Wus Good/Curious, Make A Mil or Break From Toronto
then he randomly hit us with two of his best songs: West District and Persian Rugs. Keep in mind those were random soundcloud loosies.- Mar 27, 2020·1 reply
Oh. Well I'm not wishing you a happy birthday on your actual birthday then
Mar 27, 2020Capable78That's f***ing wild. His debut album isn't even out yet. In fact, Bryson Tiller's Trap Soul (cringe title) came out already. Does not having the best album out last year count as a loss? Is that what all of you Bryson Tiller stans are saying? Because if you're saying that I can assure you that you're wrong. PND's album is still gaining hype right now and he has been the best R&B singer in The Game for how many years now? He's up against an industry plant named Bryson Tiller who just happens to have a lead in hype because he's feeding off the energy of his one song, Don't. But you know what? He still f***ing sucks. PND created this entire sound, signed to Drake's OVO Sound record label, and had some of the best songs of last year. He made Travi$ Scott listenable. Oh look at that, Pitchfork gave the new PARTYNEXTDOOR an 8.4 Best New Music, while they don't even have time for Bryson Tiller. All of you Tiller stans need to stop posting how great the album is and get your own section. O wait. I almost have a feeling all of the Bryson Tiller stan threads are 14 year old white kids in suburbia who only listen to Don't on Vevo or YouTube and don't even have more than 300 songs in their iTunes library. F*** you, be good at something in YOUR life and then maybe try to stan Bryson Tiller, like I give a f***. It's so easy to spot out these threads now. Always doing stupid s*** like saying Tiller's the GOAT, or Don't is a top R&B song of all time. Why don't you guys try to be good posters? Just for once? For once in your life try to make a topic like this. That's just you Tiller stans, you're always right at getting it wrong. You are nothing. Seriously though, Party has shown so much progression since he started. First with PND1, he was running with the smooth ratchet trap&b crooner and gave us classics like Wus Good/Curious, Make A Mil or Break From Toronto
then he randomly hit us with two of his best songs: West District and Persian Rugs. Keep in mind those were random soundcloud loosies.
With PND2, he moves on a darker, moody style of singing mixing it well with his more minimalistic production.
But this is where things get interesting, Party starts experimenting way more in his music after this release. With the EP Colours, he tries pitching up and down his voice, rapping, trying different atmospheres.
The OVO Sound radio tracks are so unique that they deserve their own era imo. Party takes experimentation a bit further and even starts whistling (!!!) on tracks, like on All I Wanna Do (classic song). The production gets way more creative too, with obscure quick looped samples, reminescent of Devante Swing's style of production.
P3 has commonly been referred to as the “Yeezus of contemporary r&b”. A harrowing account of the pains of love and heartbreak, PARTY continues to push the envelope of modern pop music. Incorporating numerous styles world music, PARTY has developed a genre-defying potpourri that was highly misunderstood at the time of its release, as many great works of art are. The influence of this seminal record can be heard in the songs of 6LACK, 24Hrs, pink sweats, Khalid, Snoh Aalegra, Jessie Reyes, and even The Weeknd.
Hot off the heels of writing for Jay Electronica, Travis Scott, Drake and Rihanna, among others, Durag Jesus once again aims to set the standard of r&b music with PARTYMOBILE.Party has shown so much progression since he started. First with PND1, he was running with the smooth ratchet trap&b crooner and gave us classics like Wus Good/Curious, Make A Mil or Break From Toronto
then he randomly hit us with two of his best songs: West District and Persian Rugs. Keep in mind those were random soundcloud loosies.- CKL TML 🌺Mar 27, 2020·1 replymartian master
actually the Rihanna feat might give it a boost
P3 did 50k first week lol
- Mar 27, 2020CKL TML
P3 did 50k first week lol
and its 2020 lol
but dunno well see. a rihanna ft will deff help
Mar 27, 2020Capable78That's f***ing wild. His debut album isn't even out yet. In fact, Bryson Tiller's Trap Soul (cringe title) came out already. Does not having the best album out last year count as a loss? Is that what all of you Bryson Tiller stans are saying? Because if you're saying that I can assure you that you're wrong. PND's album is still gaining hype right now and he has been the best R&B singer in The Game for how many years now? He's up against an industry plant named Bryson Tiller who just happens to have a lead in hype because he's feeding off the energy of his one song, Don't. But you know what? He still f***ing sucks. PND created this entire sound, signed to Drake's OVO Sound record label, and had some of the best songs of last year. He made Travi$ Scott listenable. Oh look at that, Pitchfork gave the new PARTYNEXTDOOR an 8.4 Best New Music, while they don't even have time for Bryson Tiller. All of you Tiller stans need to stop posting how great the album is and get your own section. O wait. I almost have a feeling all of the Bryson Tiller stan threads are 14 year old white kids in suburbia who only listen to Don't on Vevo or YouTube and don't even have more than 300 songs in their iTunes library. F*** you, be good at something in YOUR life and then maybe try to stan Bryson Tiller, like I give a f***. It's so easy to spot out these threads now. Always doing stupid s*** like saying Tiller's the GOAT, or Don't is a top R&B song of all time. Why don't you guys try to be good posters? Just for once? For once in your life try to make a topic like this. That's just you Tiller stans, you're always right at getting it wrong. You are nothing. Seriously though, Party has shown so much progression since he started. First with PND1, he was running with the smooth ratchet trap&b crooner and gave us classics like Wus Good/Curious, Make A Mil or Break From Toronto
then he randomly hit us with two of his best songs: West District and Persian Rugs. Keep in mind those were random soundcloud loosies.
With PND2, he moves on a darker, moody style of singing mixing it well with his more minimalistic production.
But this is where things get interesting, Party starts experimenting way more in his music after this release. With the EP Colours, he tries pitching up and down his voice, rapping, trying different atmospheres.
The OVO Sound radio tracks are so unique that they deserve their own era imo. Party takes experimentation a bit further and even starts whistling (!!!) on tracks, like on All I Wanna Do (classic song). The production gets way more creative too, with obscure quick looped samples, reminescent of Devante Swing's style of production.
P3 has commonly been referred to as the “Yeezus of contemporary r&b”. A harrowing account of the pains of love and heartbreak, PARTY continues to push the envelope of modern pop music. Incorporating numerous styles world music, PARTY has developed a genre-defying potpourri that was highly misunderstood at the time of its release, as many great works of art are. The influence of this seminal record can be heard in the songs of 6LACK, 24Hrs, pink sweats, Khalid, Snoh Aalegra, Jessie Reyes, and even The Weeknd.
Hot off the heels of writing for Jay Electronica, Travis Scott, Drake and Rihanna, among others, Durag Jesus once again aims to set the standard of r&b music with PARTYMOBILE.Party has shown so much progression since he started. First with PND1, he was running with the smooth ratchet trap&b crooner and gave us classics like Wus Good/Curious, Make A Mil or Break From Toronto
then he randomly hit us with two of his best songs: West District and Persian Rugs. Keep in mind those were random soundcloud loosies.
Mar 27, 2020