the remix version of Banned from NO is dope too

the og has a dope verse but then they just cut it up (and awkwardly at that) to force two or 3 choruses out of it sloppily like a wannabe dance song but it doesnt have that vibe or rhythm at all - i wouldnt be surprised if the og was suppose to have a feat the whole time but they had to salvage it last minute without one for the initial release

you didn’t like Cotton Candy, Alone in Studio or Maria?

what’d you think of those

yup the Nikki version is the one I kept. it’s way better with her on it

the future/lil baby song is really good too have you heard it?

Uproar was 2018

why do you think he started being a legacy act with Uproar?

maria i dont like the feature and uunfortunately they take up most of the song

cotton candy the beat and 2 chainz is dope but i felt like wayne was too stuck on being too straight forward about coke wwhile chainz did more interesting things and was more "coy:" about it - but the song i dont hate and can see people liking it, its decent/good i wouldnt say its bad at all

loki's theme i like the first half, but i dont like the 2nd half

rari is cool, i dont even mind his kid feat but overall its whatever

my favs would be bell, welcome to the carter and hiphop i really like and will keep normally

i also like bein myself, NO Remix and alone in the studio with my gun

if i played guitar is and flex is ok - rari would probably be in the ok lane as well

then the rest are bad, i would probably opput loki here in bad too even tho i like the first half

but i forgot about mula kommin lmao that s*** also donwright horrible along with islands - that those two are absolute offensive

Goes to show that the internet isn’t a real place

no we need to talk about it lol

wayne needs a wake up call

he’s wasting his talent making s*** like this and probably won’t realize that until the point is driven home that we don’t like it

Dam.

fax

in all reality, bro’s right

FRR

Shockingly little pitchfork hate itt that’s how you know it’s bad

Wayne fell off quality wise a long time ago. C4 was his last solid project then after that his voice got too nasally and he fell into the future influenced auto tune worm hole and never recovered from it. He’s still a legend though and his legacy was cemented after C3. Any good moments he’s had since then are just a bonus imo.

no love for c5?

i forgot about Written History

thats a good one too

Bells, Welcome to the Carter, Hiphop, Bein Myself, Alone in the Studio and Written History HM to NO Remix are them ones

I strongly agree with this Eminem comparison. The bars might be technically impressive, but there’s just no real substance there, or any real personality

Here, nearly every verse defaults to the same dense, superficially complex style: a thick block of syllables cut into words and lines as if it were a jigsaw puzzle. Writing this way can be time-intensive, but requires (or at least reveals) little in the way of actual inspiration; at a certain point, it’s just math.

In this way, the useful referent for late-period Wayne is late-period Eminem. Earlier in their careers, both rappers were able to navigate incredibly difficult technical passages while still communicating personality, bend, spontaneity. Today both of them, syllable-obsessed rap nerds that they are, write verses that are—and this is a description, not an endorsement—airtight, scrubbed of any imprecision, but also most of what made them so inimitable at their respective peaks

Pitchfork missed the boat we’ve moved on

"The first problem is that there aren’t any good songs."

#SH!T

Omg the title LOOOOOOOOL

• momma don’t worry

thats dam near 10 tracks bro

probably the best franchise ever no duds still going up every release i think theres no other franchise that really competes maybe avatar when its finished in terms of box office and quality its brazzzzzzzy pixar/disney never dying

You don’t have to keep pretending Wayne’s recent output is any good.

Someone ain’t a hip hop fan cos they don’t enjoy mid like IANAHB2 and Rebirth?