I’m here for it

三十

He owns all post Scorpion masters to my understanding via some type of limited licensing. Where in UMG owns via licensing the master until such time it recoups, then master ownership reverts to Drake. He did 62ish billion streams 2020-2024 so far. They probably recouped on every released since Scorpion already including FATD.

Tonight

We get it, we got it. (I Think)

For those that don't it's the 100GIGS formatting on the web page with quadrant graph meant to be a HUGE +

100GIGS 3.0 gonna feed families

Plot twist throwing shots at UMG/spotify on his story?

Wonder if there’s some way to monetize 100 gigs without it becoming riddled with ads. Could really change the game.

Obviously he could charge a subscription for it but that doesn’t seem like his thing.

Who is to say we aren't the monetization. Nothing like real time data to prove how much traffic interest clicks purchasing power a singular person or entity generates...

Must be re-negotiation time again 😂

These days $400M’s is a lowball. Run the funds @Lucian.

It is interesting that the 2.0 songs haven’t been taken down off instagram

1.0 songs got taken down in what like 2-3 days after getting posted?

Feel like he heard people say that Lucian made him so he did it again to show he’s running the show.

Something like that, yeah.

this posted here? just got back to the crib

I believe that the 400M might have been for 5 albums so either it's already over the next one is the last one. So they need the next contract done by the next one. All my speculation.

DLDT (technically a mixtape)
CLB
HN
HL
FATD

Smoking on Spotify/UMG packs is fun and all like yeah f*** the machine n all that I rather be smokin a midget pack tho so I hope he don't forget the main objective

makes sense

Two birds one stone

過去のロゴ

this is actually insane

Are you saying drake is blazing a new path for music consumption?

what we think the percentage of bundles that is haha

I'm confused