And the only comedy skit if you even can call that that was with Adonis

i like it the production is great and overall track sounds like janice stfu cousin

beat na 2 parte de national treasures é ridiculo de absurdo pqp

Is Drake using so many beat switches to try and add more depth to his songs? But like he’s still not saying anything a lot of times so it feels unnecessary.

kept director x away

si si bro

drake é um fenomeno no brasil

yeah brother i ran out of spanish but agree with the vibes you typing

It ain't bad just my least favorite.

Iceman damn near perfect. If he would've took one of the top songs from Habibti and subbed it for Don't Worry then sheeesh

habibti songs belong on habibti but these are the songs i wish made it on iceman -

astalavista
3pm in new orleans
supermax
lake como

White man policing how a black man talks in his rap boy oh boy man

The lawsuit I got is fried, ‘till the r switch place with the i, they’ll frame it as people retired, but we know what’s the truth and the lie…

3pm in NO was fire. Was that confirmed real?

The OG that's just how I feel would've been fire on this too

janice is my favorite track for sure but damn I love the rougher earlier version so heavy, the switch at 2:36 lowkey could've reworked this to transition into janice if they took out the intro

RIDICULO

simple s*** flying over your head is your own problem, not drake's

f*** that opp

all 5 recent leaks were real

make for nice bonus tracks to the albums

last time something like this happened was with clb where he cut mention me and grand entrance

They say that karma could take an eternity

Yours is droppin the same night as me

The thing that frustrates me with WDIM is that if Drake tweaked it a bit more, it would had been amazing.

Add to the verses with more bars, remove the beat switch and take some of the empty space out the song. Would had turned it into a mega hit imo

bet I know your @ on twitter

on 876th listen of plot twist

it's the worst song

One of my coworkers reviewed the album:

Cold Composure, Fragmented Focus: A Review of Drake’s ‘ICEMAN’
By Jordan G.
Album Score: 7.5 / 10
In the wake of a historically tumultuous year for his legacy, Drake’s latest offering, ICEMAN, arrives with a heavy burden of proof. It positions the Toronto megastar in a familiar but heightened state of mind: isolated, defensive, and acutely aware of the shifting landscape around him. The resulting body of work is a technically impressive, often compelling portrait of a man sitting alone at the top—even if he occasionally steps out of his own way to chase the radio.
The Power of the "Make Them" Narrative
Where ICEMAN truly shines is in its conceptual anchor—the "Make Them" series of tracks. Drake sets a mature, confrontational tone immediately with the intro, "Make Them Cry." Finally addressing family insights and the inevitable reality of aging in a young man’s game, he offers a grounded perspective that feels like a necessary post-script to the vitriol of 2024's "Meet the Grahams."
This momentum carries through to "Make Them Pay," a fiery standout bolstered by an exceptional sample flip, and "Make Them Remember," which features some of the heaviest, most loquacious bars on the project (even if lines like the Nazi bar elicit more of a yawn than a gasp). By the time the curtain closes on the excellent outro, "Make Them Know," it’s clear that when Drake is directly addressing the competitive field, he remains an elite heavyweight.
Sonic Brilliance and Structural Missteps
Production-wise, ICEMAN is a masterclass. The album heavily relies on dynamic beat switches to keep the listener engaged, a thesis statement established early on the decent, shape-shifting "Dust." Songs like "Whisper My Name" pair hard-hitting "white label" bars with immaculate production, even if the track’s momentum fizzles toward the finish line. Similarly, "Janice STFU" overcomes a flat start to deliver high-energy subliminals aimed at Jay-Z—shots that feel entirely warranted given the behind-the-scenes machinations of the industry.
However, for an album titled ICEMAN, the tracklist struggles to maintain its cold, introspective focus. The project is weighed down by "palette cleanser" songs that disrupt the record's narrative flow.

"Ran to Atlanta" brings a highly anticipated reunion with Future, but despite a nice beat, it plays like a mid-tier entry in their collaborative catalog and feels entirely out of place.
"Shabang" and "Burning Bridges" (featuring more fatigue-inducing shots at A$AP Rocky) add little to the album’s weight.
The old-school rap styling of "2 Hard 4 the Radio" and the Florida-vibe track "Little Birdie"—despite their individual merits—feel like they belong on a different playlist entirely.
The Pen and the Verdict
While Drake's delivery is sharp when he's focused, ICEMAN exposes a recurring flaw in his modern era: a lack of consistency in his pen. Throughout the 18 tracks, his rhyme schemes can occasionally feel lackluster and elementary for an artist of his caliber (take the basic Dubai bar on "Make Them Pay," for example).
The back half of the album does find its footing with a tightly sequenced run. "National Treasures" delivers a hard performance with a flawless transition into "B’s on the Table." Combined with high-energy, solid singles like "What Did I Miss?" and the narrative-driven "Plot Twist" and "Firm Friends," the album successfully reminds audiences of Drake’s versatility.
Ultimately, ICEMAN is a strong 7.5/10. It boasts phenomenal production and elite rapping when Drake stays in his introspective bag. However, its lack of cohesion hinders its long-term replay value. ICEMAN proves that it is indeed lonely at the top—largely because Drake’s best, most compelling moments here are the ones where he is at his least relatable.

not an answer