New single not doing it for me

What's going on with rina💔

catch me in the air coo but these singles have been pretty meh so far

so much for this generations hikaru utada huh

this sounds 50% off sale commercial music

new single is the best so far IMO. really didn’t mess with the others at all

this song is class

Tomorrow.

Out now.

first this hell now this?!?! girl is COMING FOR THAT AOTY

Hold the Girl is breaktaking I can't stop listening.

That last chorus

the less she uses clarence clarity production the worse she gets, she has decent voice but the production she is getting is super generic

she is 1/3 for me with This Hell being my fav

that song she did with Pabllo Vittar is better then all her singles tho

The title track for this is f***ing insane

What a great voice

Sawayama’s success can be attributed to the artist’s gritty approach to pop music. While her vocals are traditionally within the realm of “pop,” she’s not afraid to sample melodies from a mélange of genres—including rock, country, and techno—to create a distinctly alternative sound all her own. She’s also not one to shy away from heavier topics. When probed about her writing process, she reveals, “At the end of the day, my goal is to have my music be like a Trojan horse, where you can hide deep and sad meanings within a song, but the melody and production have to be good.” That artful balance is unequivocally on display in breakout hits like “STFU!” from Sawayama and “This Hell” from her forthcoming album, Hold the Girl. Both explore the facets of her identity and her angst in navigating microaggressions and homophobia as a British Japanese pansexual woman in the 21st century. Holding space for oneself is about making room for self-reflection, self-care, and self-parenting, and in listening to her sophomore album, it’s clear Sawayama has reached that stage in her life. Set to release in September, Hold the Girl, in Sawayama’s own words, “is about holding your inner child. It’s about speaking to the girl that’s gone through a lot.” The topic of healing is explored throughout the album’s 13 tracks, and in songs such as “Phantom” and “To Be Alive,” you can feel how music has been a part of Sawayama’s journey back to herself. “Through this process of reparenting myself and looking at my inner child to see what I would have wanted, I’m holding space for myself and giving myself creative freedom,” she elaborates.

whowhatwear.com/rina-sawayama-interview

Happy birthday, Rina!

this rollout been going on for 6 months

mother tho