Reply
  • Dec 6, 2022
    ·
    1 reply

    But I do enjoy writing

  • Dec 6, 2022
    ·
    2 replies

    The Disruptors
    Dirk
    Freddie
    Shasta
    Alma
    Eli
    Lena
    Alana

    The System
    Jack
    Lancaster
    Doc
    Woodcock
    Daniel
    Barry
    Gary

    The Old Reliables
    Peggy
    Bigfoot
    Cyril

  • Dec 6, 2022
    Very Based

    Nah I'm a video editor

    Lol the one thing I try to avoid

  • Dec 6, 2022
    ·
    1 reply
    Very Based

    But I do enjoy writing

    “All film writers should be shot” - Peter Greenaway

  • Dec 6, 2022
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    1 reply
    Jonboi

    The Disruptors
    Dirk
    Freddie
    Shasta
    Alma
    Eli
    Lena
    Alana

    The System
    Jack
    Lancaster
    Doc
    Woodcock
    Daniel
    Barry
    Gary

    The Old Reliables
    Peggy
    Bigfoot
    Cyril

    Can’t this just be seen as Protagonist/Antagonist relationships? Which would apply to other filmmakers movies too

  • Dec 6, 2022
    ·
    2 replies
    Fella

    Kill Bill as one film is one of his best. The perfect encapsulation of him totally indulging in all of his sensibilities and interests while crafting one of his most emotionally engaging stories. Jackie Brown is fantastic but it’s the “overrated” boring choice at this point for his best. People confuse its relative restraint and focus on middle aged relationships as it being more sophisticated. It’s certainly top 5, but I agree with QT when he says “if you think Jackie Brown is my best, you don’t get or like my work”. Obviously there’s exceptions to this, but I think this is generally true.

    It's Uma, I find her really annoying in Kill Bill. Most of her dialogue is atrocious and she always has this look on her face like every line is so f***ing clever when it's just Quentin being a cheeseball. And I normally dig Uma, especially in Pulp Fiction, so it's just KB that doesn't work for me.

    I thought David Carradine's scenes with her were pretty dumb too aside for the last one which is also one of the best from the two movies imo. Hattori Hanzo, Pai Mei and Gogo is good s*** too.

  • Dec 6, 2022
    ·
    1 reply
    Fella

    “All film writers should be shot” - Peter Greenaway

    I’ll boom Peter

  • sace 👍
    Dec 7, 2022

    Can’t shoot Mr. Greenaway

  • BLACK
    Dec 7, 2022
    ·
    1 reply
    Oscar Winner

    I’ll boom Peter

    gay

  • Dec 7, 2022
    Jonboi

    The Disruptors
    Dirk
    Freddie
    Shasta
    Alma
    Eli
    Lena
    Alana

    The System
    Jack
    Lancaster
    Doc
    Woodcock
    Daniel
    Barry
    Gary

    The Old Reliables
    Peggy
    Bigfoot
    Cyril

    The Disruptors tho

  • Dec 7, 2022
    ·
    1 reply
    rise zero

    It's Uma, I find her really annoying in Kill Bill. Most of her dialogue is atrocious and she always has this look on her face like every line is so f***ing clever when it's just Quentin being a cheeseball. And I normally dig Uma, especially in Pulp Fiction, so it's just KB that doesn't work for me.

    I thought David Carradine's scenes with her were pretty dumb too aside for the last one which is also one of the best from the two movies imo. Hattori Hanzo, Pai Mei and Gogo is good s*** too.

    Yikes you don’t like strong female characters

  • Dec 7, 2022
    ·
    1 reply
    BLACK

    gay

    Boom means shoot.

  • Dec 7, 2022
    Fella

    Yikes you don’t like strong female characters

    #GogoShouldveWon

  • BLACK
    Dec 7, 2022
    ·
    1 reply
    Oscar Winner

    Boom means shoot.

    you gon shoot him in the ass? wtf

  • Dec 7, 2022
    Very Based

    I'd just keep my script and shot list separate. I feel you can still convey a lot of imagery through descriptions without being fussy about the specifics.

    Also if it's a script for your own personal project there's nothing wrong with adding shots. But if it's a script you're sending off to producers or competitions it may not be taken seriously.

    i've yet to find that balance which you're describing, but to be honest, I haven't really tried to separate the two that much because I never thought about sending out specs to producers/production companies. the biz is incredibly incestous here, so I never toyed with that idea.

    competitions is however different, i'd really have to clean it up

    perhaps it stems from the fact that i never thought about actually making anything and just writing for fun until i discovered hal hartley's films almost two years ago, they always feel empowering in the sense that I can do it too. up until then shooting script was the endgame and the "film"

    a bad habit waiting to get broken

  • Dec 7, 2022
    ·
    1 reply
    Oscar Winner

    Wait are you saying you could barely tell the episodes apart with TOTDY or Copenhagen?

    copenhagen

  • Dec 7, 2022
    ·
    1 reply
    Oscar Winner

    Can’t this just be seen as Protagonist/Antagonist relationships? Which would apply to other filmmakers movies too

    Sort of. Other filmmakers do it too, but I feel like the way PTA does it more often feels specific to that layout.

  • Dec 7, 2022
    ·
    1 reply
    rise zero

    It's Uma, I find her really annoying in Kill Bill. Most of her dialogue is atrocious and she always has this look on her face like every line is so f***ing clever when it's just Quentin being a cheeseball. And I normally dig Uma, especially in Pulp Fiction, so it's just KB that doesn't work for me.

    I thought David Carradine's scenes with her were pretty dumb too aside for the last one which is also one of the best from the two movies imo. Hattori Hanzo, Pai Mei and Gogo is good s*** too.

    Do you wanna know why that is? Or at least my assumption, QT said over 50% of the dialogue of Kill Bill came from s*** he overheard Uma saying in real life conversations…he would hear it and write it down whenever they hung out.

  • Dec 7, 2022
    BLACK

    you gon shoot him in the ass? wtf

    Ayoooo code 33

  • Dec 7, 2022
    ·
    1 reply
    Oscar Winner

    Do you wanna know why that is? Or at least my assumption, QT said over 50% of the dialogue of Kill Bill came from s*** he overheard Uma saying in real life conversations…he would hear it and write it down whenever they hung out.

    So Uma talks like an annoying comic book character in real life?

  • Dec 7, 2022
    ·
    1 reply
    dundis

    copenhagen

    Nigga how tf you watch that already?!?

  • Dec 7, 2022

    I felt like Django was too long
    That’s why I have it as the weakest of the Tarantino I’ve seen
    Felt like he was feelin himself, really just extending his drum solo on that one

  • Dec 7, 2022
    Jonboi

    Sort of. Other filmmakers do it too, but I feel like the way PTA does it more often feels specific to that layout.

    That’s a fact he knows how to really hone in on the dynamic of two people

  • Dec 7, 2022
    ·
    1 reply
    Oscar Winner

    Nigga how tf you watch that already?!?

    i saw it last month at the stockholm film festival, the nordic premiere.

    dude's a funny guy for real the Q&A was literally him just shooting the s***

  • Dec 7, 2022
    rise zero

    So Uma talks like an annoying comic book character in real life?

    Lmao hey I’m just quoting what the man said. I’m sure QT tweaked the dialogue and made it more animated and dramatic

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