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  • Sep 16, 2020
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    3 replies
    Weekend KaTeezy

    I didn’t expect the budgets to be that high

    12 million for Yeezus and 5.7 million for Cruel Summer film (didn’t even release)

    Assuming the sample clearance + studio hours + personnel wages + software licenses + equipment + music videos + promotion + tour production are all added up in this?

  • Sep 16, 2020
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    2 replies

    Where were you when KanYe needed you all those years ago OP

  • Sep 16, 2020
    Mango

    Thanks OP.

    GOOD keeps 50% of profits after recoupment of advances

    So they kick 50% after recoupment up the ladder. I presume Kanye/GOOD keep some. So what are his signees looking at? Has Kanye practiced what he's preaching?

    doubt it

  • CARMEN 🐉
    Sep 16, 2020
    Ooo

    So I’m curious did he just figure this out a few years ago back when he started ranting about being under contract forever? Or did he always know and just have it pent up for so long until his episode that it just came out? I’m not sure if you’re able to answer those just curious. And is that his obsession with being a billionaire to finally feel like he’s free?

    We won’t ever have those answers b

    This is Ye

  • Sep 16, 2020

    Damn Yeezus is the third most expensive album of all time

  • Sep 16, 2020
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    1 reply
    safe

    yea its wild
    all of the advances are huge - LR was $3.5m I think

    but the thing is that sure he gets that money. but the label won't pay him s*** back until they've recouped all the advances AND costs
    and the costs is a ton of stuff - marketing, distribution costs etc

    so basically he will have seen very little in terms of royalties over the years
    and I suspect the 50% profit share thing is bogus in that the label basically structures the accounting so that the 'profit' is very small

    Yeah, also remember Zane Lowe interview he admitted he had to take a risky deal for the Yeezus tour? Something like if he didn’t make a certain amount of money he’d go into debt

    Label is ruthless

  • Sep 16, 2020
    CactusJackSentYa

    Where were you when KanYe needed you all those years ago OP

    Prob skateboarding with some bruh girl in Australia

  • Sep 16, 2020
    CactusJackSentYa

    Where were you when KanYe needed you all those years ago OP

    Prob kindergarten? Lol

  • Sep 16, 2020
    MAMBA
    · edited

    Great work Safe. Shocking how low his cut is even after all this time. Music industry needs to be reset.

    every time the NBA goes on strike, players get a better cut - either an even split of the revenue, or better amenities / whatever it is. seems like music industry - you cant have a strike to level the playing field.

    I feel mine there could be a strike in the music industry if people really wanted to but at the end of the day a lot if not most are in it for the riches. The same can be said about the nba but there’s a cap to how many players there are and you have to stay at your peak to have a career unlike the music industry

  • Mango

    Thanks OP.

    GOOD keeps 50% of profits after recoupment of advances

    So they kick 50% after recoupment up the ladder. I presume Kanye/GOOD keep some. So what are his signees looking at? Has Kanye practiced what he's preaching?

    Does Kanye have that much control?

    It’s still under Def Jam. Big Sean in twitter asking ye to look at his contract from Universal

  • Sep 16, 2020
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    1 reply
    the reds

    Assuming the sample clearance + studio hours + personnel wages + software licenses + equipment + music videos + promotion + tour production are all added up in this?

    True true. It’s probably a large lump sum for everything

    Music videos themselves can be 1 million

  • Sep 16, 2020
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    1 reply
    SBMike

    You don’t need leverage to say sign a deal for just a set amount and not give the label the option to keep you under contract as long as they want.

    You definitely need leverage. In any type of labor or contract negotiation the other side isn't going to just give you something for nothing.

    Like if Kanye said he's not signing if the label has the options to extend the deal forever and the label just says, "Okay...don't sign." What's Ye going to do then? At the time he needed the label more than the label needed him

  • safe 🪩
    OP
    Sep 16, 2020
    Mango

    Thanks OP.

    GOOD keeps 50% of profits after recoupment of advances

    So they kick 50% after recoupment up the ladder. I presume Kanye/GOOD keep some. So what are his signees looking at? Has Kanye practiced what he's preaching?

    so basically the parent label pays GOOD a budget for general label promotion and a budget per album and etc and wants 2 albums a year

    the parent label will then take all royalties until they're satisfied that the costs to them have been met. they then give 50% of the profit to GOOD as a label

    the contracts for GOOD signees will look a little different. they'll include the advance that the artist gets and a royalty rate of net revenue that the artist gets after their personal advance is covered. they might get a split of profit share - either GOODs profit share or the label

    GOOD is almost like an artist contract - its basically a middleman

    the other thing is that kanye DOES have control over contracts but he has to involve Island Def Jam in negotiations and the control is defined as 'reasonable'

    I would doubt the GOOD contracts are great given what we hear but I cant say how they look without info on those contracts specifically. but kanye definitely has the power to make them fairly favorable

  • CARMEN 🐉
    Sep 16, 2020
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    1 reply
    Weekend KaTeezy

    True true. It’s probably a large lump sum for everything

    Music videos themselves can be 1 million

    Don’t features also cost quite a bit?

  • Sep 16, 2020
    safe

    first off lemme say that this s*** is complicated as f*** and im not a lawyer. however here is some stuff I could glean from the contracts that people might find interesting. feel free to ask me stuff but no guarantees I can help

    Overall
    • From what I can tell the deal was structured to give UMG options to extend the contract multiple times. Of course because of Kanye's success they picked to exercise these options

    • There's a letter in their from Rock the World and because its only partial I cant read too much into details. But it's essentially demanding royalty rates of 85%-100% for the different contract periods with the rest of the royalties going to RTW. The issue is I dont know what the contract periods represent. If it is indeed albums Kanye wanted 80% for CD, LR, Grad and 808s, 85% for MBDTF, Yeezus and TLOP and 100% for anything post TLOP. This letter was not signed by Island Def Jam

    College Dropout and Onwards
    • Its hard to tell what options were exercised but Roc-A-Fella appear to own his masters for whatever number of albums took place on the initial contact - at least two, as many as 7

    • He didnt give up any merchandising rights (i.e. not a 360)

    • royalty rate of 14% with sales targets pushing it to a possible 19% for late registration and possibly beyond

    GOOD Music
    • Kanye has creative control for all intents and purposes

    • Kanye signed the deal in 2011. this was for 3 contract years - however any year that he did not deliver TWO albums from GOOD would be suspended until he delivered 2 albums

    • Year 1 got waived for not having two albums

    • the contract was extended in 2012 and 2016

    • If an artist he brings to Island Def Jam that he wants to sign to GOOD is rejected, he must offer that artist to other Universal labels first

    • Kanye has control over contracts subject to a minimum level stipulated by UMG

    • GOOD keeps 50% of profits after recoupment of advances

    Cruel Summer
    • The Cruel Summer film ended up with a budget of at least $5.7m
    • Because of costs associated with the Hawaii recordings and Cruel Summer recordings, Kanye had to pay 100% of Cruel Summer profits to the label until the costs were recouped
    • This also may be why Cruel Winter was cancelled. The agreement says if Cruel Winter releases, the label will also take 100% of profits until costs are recouped
    Yeezus
    • The initial Yeezus budget on the label side was $12m
    • Royalty rate was 22% again after recoupment of advances
    Swish/TLOP
    • was expected by the label by 2015
    • royalty rate of 22%
    • a later document says the label will also pay 50% of profits for yeezus and tlop. these are technically different things. royalties are based on net revenue whereas profit is revenue minus costs.
    • Kanye gets the masters for Yeezus and TLOP 20 years after the release date. if the advancement isn't recouped he has to pay the difference to get the masters
    WTT
    • the budget was $2.5m of which $1m would be paid after delivery. this was an advance and thus recouped from royalties
    • label owns the master
    • the royalty return for Kanye was just 15% and that is after recoupment of the advance
    Ye and JiK
    • Here Kanye owns the master but has licensed it to Island Def Jam for 7 years
    • Royalty rate is 25% in the US and 16% elsewhere again subject to advance recoupment
    • Kanye potentially wanted to sell 'super deluxe versions' of the album exclusively through his online store

    thank you safe for another amazing thread

  • Sep 16, 2020
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    1 reply
    OVHoe Freight

    You definitely need leverage. In any type of labor or contract negotiation the other side isn't going to just give you something for nothing.

    Like if Kanye said he's not signing if the label has the options to extend the deal forever and the label just says, "Okay...don't sign." What's Ye going to do then? At the time he needed the label more than the label needed him

    You’re not getting anything. it’s simply not signing a slave contract. There are plenty of artists that don’t sign s*** like this with no leverage.

  • safe 🪩
    OP
    Sep 16, 2020
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    3 replies

    also interesting:

    the label still wants the Cruel Summer film
    they list it in the 2016 GOOD contract as being a delivery obligation

  • Sep 16, 2020
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    2 replies

    Thanks op.

    Im not seeing anything shady here. Looks like a standard and fair contract

  • CARMEN

    Don’t features also cost quite a bit?

    Yeah definitely. Kanye himself would get 50k as a producer at his peak before he was rapping

    So a feature from a big artist is probably a big bag too

  • Sep 16, 2020
    Flaboi

    king s***

  • Sep 16, 2020
    the reds

    Assuming the sample clearance + studio hours + personnel wages + software licenses + equipment + music videos + promotion + tour production are all added up in this?

    Most likely smh

    Roc, Def Jam & UMG really finessed this man, sad

    At least this isn’t a 360 deal, so he probs made decent amounts of $ with merch, tours and features

  • CARMEN 🐉
    Sep 16, 2020
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    2 replies
    safe

    also interesting:

    the label still wants the Cruel Summer film
    they list it in the 2016 GOOD contract as being a delivery obligation

    Personal question:

    Do you think it’s in the vault, or likely not finished or even started?

  • Sep 16, 2020
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    1 reply
    psychedelic

    Thanks op.

    Im not seeing anything shady here. Looks like a standard and fair contract

    Fair? Do you know how much they’ve made and continue to make off Kanye’s music and how little he see’s?

  • Sep 16, 2020

    nice op, I love informative threads

  • safe 🪩
    OP
    Sep 16, 2020
    SBMike

    What I don’t understand is why sign anything that gives the label the option to keep re-upping...

    And if we can look through and pick s*** like this out why couldn’t he and his lawyer?

    I guess desperation because of his situation in 2002
    but im sure he has legal team picking it apart
    weird that he tried to use the California 7 years of servitude argument though because the documents clearly say state of New York which is a different rule apparently