
So many MJ references in this song
The King of Pop & The King of Rap
you love to see it

but but but after Leaving Neverland Drake dropped MJ
where ya at now boys
Drizzy knows MJ innocent got the streets screaming
This.
Everything executed brilliantly, every syllable.
People don't get it, Drake is having fun. He is seeing what other people are doing online and does his take on it. Only Drake's take is always incredible on many levels.
The whole thing being shot at home with fireworks, it sounding really sweet but actually being threatening, reminder of his status encouraging the comparison between him and MJ who was also known for his iconic dances, it opening up at him looking at his awards in a room full of them, a small gaze to kobe's shirts, the cheeky crotch pull, the juxtaposition of his black leather glove vs Michael's white sequinned gloves, his buckle jacket vs thriller jacket, the second part with the NWTS painting showing people he didn't get this huge house for nothing, etc you can keep going.
is it “actually being threatening” though? i get that you can see the lyrical content as having juxtapositions, but is anyone really interpreting this song as being serious in its “threatening” lyrics?
i think the juxtaposition exists, meaning you’re right about that, but i don’t think the effect of a somehow subversive threatening message really comes across to the listeners. i think the juxtaposition is merely a contribution to the whole “streets” idea, but both within drake’s music and outside, that idea is popularly pretty shallowly explored, and moreover, super commodified these days (mostly to appeal to white ppl fantasies. that’s worth thinking about. what are the “streets” today rly)
Drake buckle jacket ain't up against the Thriller one
the boy paying homage to one of the greatest music videos ever made

is it “actually being threatening” though? i get that you can see the lyrical content as having juxtapositions, but is anyone really interpreting this song as being serious in its “threatening” lyrics?
i think the juxtaposition exists, meaning you’re right about that, but i don’t think the effect of a somehow subversive threatening message really comes across to the listeners. i think the juxtaposition is merely a contribution to the whole “streets” idea, but both within drake’s music and outside, that idea is popularly pretty shallowly explored, and moreover, super commodified these days (mostly to appeal to white ppl fantasies. that’s worth thinking about. what are the “streets” today rly)
I mean both Kanye and XXX posted on social media saying that Drake should be first suspected if they were to get killed so I feel like he’s getting across to somebody?
You love to see it
Effortless
I mean both Kanye and XXX posted on social media saying that Drake should be first suspected if they were to get killed so I feel like he’s getting across to somebody?
i think neither of those ppl represent the more mainstream audience that this song appeals to, so i’m not seeing the relation. also both those ppl r out there personalities n have interesting stakes w drake that rly no listeners have
i think neither of those ppl represent the more mainstream audience that this song appeals to, so i’m not seeing the relation. also both those ppl r out there personalities n have interesting stakes w drake that rly no listeners have
He isn’t sending threats to the gp tho, just his opps, who are specifically mentioned
The gp are the onlookers in this situation
what was the last ye song to get 200 pages? all of the lights?
Drake stans get upset when someone makes a Drake thread but bring up Ye when he has nothing to do with this
Make up your minds
He isn’t sending threats to the gp tho, just his opps, who are specifically mentioned
The gp are the onlookers in this situation
sure i can get w that, but i think it’s a leap to assume that any significant portion of the general public also thinks that way. you n i both have a lot more knowledge on these topics than the typical person who is making tiktoks to this or, just in general, the average person who really doesn’t listen to music in cases outside of their car, at work, at parties, or at the gym (my assumption is that ktt users are probably more likely to be those that just sit n listen to music for the sole purpose of listening, though i know at least some population does this outside ktt obviously)
anywho, my criticism of dude’s earlier post wasn’t that something couldn’t be interpreted from the lyrics and that drake wasn’t asserting himself interestingly, it was that i don’t think this song works to push a narrative or idea about drake that is different than what most people already perceive about him, except maybe that he has now made a song-for-tiktok kind of song. i was challenging the idea that the subversiveness was intelligible to anyone outside stans n fans, basically, n i still think that’s true.
however, even within the community of stans and fans, i don’t think the message is too subversive. what we know of drake now is pretty similar to what we knew before. plus he’s done this idea before; w toosie slide, it’s condensed to a single song
That’s a pretty disappointing Spotify debut for a Drake song.
God’s Plan debuted 2.48m
NFW 2.21m
Toosie Slide - 2.67m