pitchfork.com/reviews/albums/kid-cudi-man-on-the-moon-iii-the-chosen

“ And though it’s admirable to hear Cudi open up about his struggles with mental health and addiction, it doesn’t automatically make the music worthwhile. Cudi croons, “Say, ‘I’m waitin’ to die,’ I cry/Many nights I spent gettin’ f***ed up, livin’ a lie,” on “Mr. Solo Dolo III,” a sequel to the Man on the Moon standout, but his flat vocals and plodding production just make it underwhelming. If anything, “Mr. Solo Dolo III” is only memorable because of its title, which like too much of Man on the Moon III is coasting on a legacy built a lifetime ago.”

doesnt the first one have like a 3.5 or sumn

alphonse pierre LMAO

Losers!

just now realized he did this

Pitchfork is a white supremacy psy op

Is this out of 5 or?

So according to them, Meg The Stallion was a solid 7.9, but Kid Cudi is a 4.9???

B****fork at it again with the awful takes.

Dude has been super hating on Cudi for a while

pitchfork.com/thepitch/best-and-worst-of-rap-this-week-lil-baby-protest-song-noname-j-cole

Breaking down the needle drops in Pete Davidson’s The King of Staten Island

Kid Cudi: “Just What I Am”

Things white kids from New York’s five boroughs refuse to let go: the 2009 Yankees, Sopranos quotes, and Kid Cudi. So, of course, The King of Staten Island opens with Pete Davidson’s quasi-autobiographical character spiraling while Cudi’s “Just What I Am” blares from his car radio. It’s time to move on.

Kid Cudi: “Pursuit of Happiness”

The King of Staten Island not only begins with a Kid Cudi song, but ends with one, too. This time it’s to indicate that Pete has found some happiness and maturity. But let’s be real, Pete, it’s been more than a decade since Man on the Moon, let it go!

He was a Drake sxn regular so I'm not surprised

Out

This nigga is such an opp its crazy

pitchfork.com/reviews/albums/cardi-b-invasion-of-privacy

pitchfork.com/reviews/albums/freddie-gibbs-and-madlib-bandana

the big day > than rodeo

We need government intervention

It’s not even them being a white publication.

It’s just time after time again, they’re wildly inconsistent, aren’t even subtle playing label politics and their all around reviews are just GARBAGE clickbait. Like when they reviewed any of the Wyoming albums and s*** on all of them and reviewed Kanye the PERSON instead of the music.

THEM CRACKAZ !