People always complaining about how dawn fm didn't get as much promo as they hoped, but i think the problem is the after hours rollout has set a huge standard and its damn near impossible to match that
People always complaining about how dawn fm didn't get as much promo as they hoped, but i think the problem is the after hours rollout has set a huge standard and its damn near impossible to match that
yeah the rollout for AH was everything
dawn fm was robbed from that.
People always complaining about how dawn fm didn't get as much promo as they hoped, but i think the problem is the after hours rollout has set a huge standard and its damn near impossible to match that
The AH era also took place during one of the most insane moments in the world tbh so much was going on and Abel kind of put it on his shoulders to create an escape
Abel a Dawn FM truther 🗣️🗣️
And if I finally die in peace
Just wrap my body in these sheets
And pour out the gasoline
It don't mean much to me
give us that LTZ video bro
Non mysterious abel is refreshing
Abel really said:
!https://youtu.be/afahpRdYN0U
We really back on this ?
This gon be an awful idea that’s gonna open up a bunch of potential lawsuits but ima use Abel saying “faceless”in Here We Go Again as a beat tag
This gon be an awful idea that’s gonna open up a bunch of potential lawsuits but ima use Abel saying “faceless”in Here We Go Again as a beat tag
Definitely don’t do that
Most recently, on his 2022 album Dawn FM, Tesfaye made forays into disco and new wave with the experimentalist Daniel Lopatin, who records as Oneohtrix Point Never, and overlaid them with Martin’s exuberant rigor. “Very on purpose,” Tesfaye said. “Two people that would never see the light of day in the same room.”
After Lopatin scored Josh and Benny Safdie’s 2017 movie Good Time, Tesfaye expressed his admiration. (Tesfaye’s cameo in the Safdies’ follow-up, Uncut Gems, turns on the weight of The Weeknd as a symbol for 2012 vintage sleaze.) The two began connecting over an array of ’80s dance sounds: Mutant Disco, the Italo-disco act Charlie’s “Spacer Woman,” Kraftwerk, the Los Angeles hip-hop and electro producer Egyptian Lover. On Dawn FM, Lopatin said, he reached into that space by deploying Tesfaye’s “cherub-like voice that’s so definitively him” as texture and valence, stretching and resampling it as an instrumental effect throughout the album. The resulting changeup remained unmistakably The Weeknd’s.
“He’s an auteur,” Lopatin said. “That’s just the vibe you get with somebody that really has a strong personality and a strong sound. You start with those references, but they quickly get consumed by your signature way of crafting art.”
vanityfair.com/style/2023/05/the-weeknd-remade-pop-music-will-the-idol-remake-the-weeknd
how do i make you love me, take my breath, sacrifice, out of time, is there someone else, less than zero are ALL 10/10 songs and are some of Abel's best pop work to date
Have you heard of him? Yes you’ve heard of me is how I heard it before and now I’m disappointed it’s not what he says. It sounds like such an arrogant ass Weeknd line