Maybe it's about who can make the most exclusive project ever. I don't know at this point, but NOBODY is talking about these albums. Not in interviews, blogs, magazines, social media; nothing but a few Sadhu tweets and then it disappears

Can’t be too much? I would imagine the only people buying them are Sadhu. fans who feel like spending the $35 or whatever, and then whichever fans of the artist he’s collabing with who happen to find out about the drop in time to cop.

new bori rock album out has fts from al divino estee nack the hidden characters

New Tyron venture, CCTV. Interviews coming with BWLR, Billie Essco, Buck Dudley, Lord Jah-Monte Ogbon, VDON, Willie the Kid, Left Lane Didon, Radamiz, J. Scienide, BoriRock, MichaelAngelo & B. Cool-Aid, plus his Dollar Menu Special interview with Mach and Fahim is back up to rent.
cctv.cachecncpt.com/?fbclid=PAAaYdDo1jBWO2fN61CFX38HWC86qxqUxZ-e9uLOVwsv973fHTc8NM-_i1ckc

new jay nice out

But is it nice though?

Listening to the Spook x Sadhu record

Why does it feel like a lot of "underground" guys just kind of vomit out a million verses over some loops and call it a day? Like even working with the same producers or just not having strong concepts or ideas. They've got YB boy slow down energy

The conflation of exclusivity/rarity for greatness is through the roof nowadays. Mach f***ed the whole game up 😭😭

Albeit Mach was making incredible music back when he was doing it

I don't know any of these producers besides Benji

I get feeling this way about the first No Country but No Country II has a clear theme, focused writing, etc.

But are the songs distinct from each other? Is the chorus distinct from the verse? Like what's a discernible moment on the album that sticks out to you?

Again, first listen, and I was commenting more on the zeitgeist at large.

I mean, it’s a Western-themed record so a lot of the production reflects that and could sound samey on first listen. I don’t personally care about rap songs having choruses, so the no-chorus trend doesn’t bother me. Do you want him to sing?
Plenty of moments stick out to me on the album. Love Spook’s writing on this in general but especially the storytelling on “Murder in the Monsoon” and “Gin Mill Shootout”, love the “Mysteries of the Frontier” beat, love the “Take a Hard Ride” beat, the “Spaghetti Shots” beat, the “Dirty Dart” beat. My main gripe is the features, particularly DøøF and MidaZ, their verses just kind of take up space.

This Chuck Strangers project is fire

why do yall complain about everything lmao

We're on a music discussion forum. It's not just for sharing a link and posting a hype emoji.

new estee nack out

Anyone hear the new Prof?

Me listening to every underground artist become Curren$y

Just full of bad takes today huh

If you mean actual opinions as opposed to pithy comments, always

There's not a lot of Underground rapper that do concept albums like Ka, Quelle Chris, billy, ELUCID, Moor Mother, KING VISION ULTRA, WSG at times, etc.

I personally don't mind good/great loops and also don't find Curren$y interesting unless he's doing some ALC or Cardo s***.

no Curren$y slander

Everything is else fair game and you do have a point even though I find Spook more interesting than a lot of underground cats

I never said all. You're naming the guys I like for a reason. Besides Gunn...

Curren$y seems really chill. I think it's fair to call his music very homogenous tho