Reply
  • Sep 23, 2020
    ·
    1 reply
    Yevin

    i see what youre saying, which is why id say the label owning the masters for a few years at most is fine. what the issue is that artists usually arent able to get their masters back EVER . why should the artist still be paying the labels 90% of their music income 50 years after their prime?

    I agree. I think you’d should legally be able to buy back something you made over 50% contribution on, provided you met the contractual obligations to the label who owns it.

  • Sep 23, 2020

    stfu op

  • Sep 23, 2020

    feudalism type beat

  • Sep 23, 2020

    Idek where to start with this capitalist propaganda

  • Sep 23, 2020
    Tomtom2

    I understand all artist want their masters for the money that it provides. However, most of these artist catalogs are worth what they are because of the label.

    The label promotes, hires producers, hires writers, pays for radio play, streams, videos etc...

    I get they are the talent but the label fronts cash so they can be popular. Signing the contract makes you an asset to the label that they in turn invest in. Then as in any business, they will want and deserve a return on investment.

    Why should the artist after the label makes them popular just feel entitled to their masters.

    Almost everything u listed saying the label pays for/covers, the artist has to pay back

  • kainie 🌌
    Sep 23, 2020
    Niggamortis

    Universal invading ktt

    post is hilarious in hindsight

  • Sep 23, 2020
    Yevin

    i see what youre saying, which is why id say the label owning the masters for a few years at most is fine. what the issue is that artists usually arent able to get their masters back EVER . why should the artist still be paying the labels 90% of their music income 50 years after their prime?

  • Sep 23, 2020
    ·
    2 replies

    There needs to be some sort of compromise for both parties tbh

  • Sep 23, 2020
    Sinewave

    Lmao

    op is a landlord for sure

  • Sep 23, 2020

    Man stfu

  • Sep 23, 2020
    Nozuka

    There needs to be some sort of compromise for both parties tbh

    Publishing or distribution deals are good compromises.

  • Sep 23, 2020
    ·
    2 replies
    Zezima

    I agree. I think you’d should legally be able to buy back something you made over 50% contribution on, provided you met the contractual obligations to the label who owns it.

    Fair enough but if you part is singing the words that someone else wrote and the label forms your whole style, production, etc... how much are you really a part of the success

  • Sep 23, 2020
    Tomtom2

    Fair enough but if you part is singing the words that someone else wrote and the label forms your whole style, production, etc... how much are you really a part of the success

    at the end of the day is it about the success or the right to own what you create?

  • Sep 23, 2020
    soccerfanj

    Y’all want people to be slaves so bad

    "no one is forcing you to sign!" - op

  • lmao labels make tons of money without the masters

  • Sep 23, 2020
    CKL TML

    A record deal is a mutual agreement between company and artist. Artists should try to get better deals or just dont sign. Ktt wants labels to pay for everything and get a thank you

  • Sep 23, 2020
    ·
    1 reply
    Zezima

    All labels should be required to offer a buyback plan for your masters after you have completed your contractual obligations. I get the label profiting during the time of the recordings and while the artist is dependent, but if you made more than half the artistic contribution to a song you should at some point be able to own the song in my opinion. Again after contractual obligations are met. No you shouldn’t have your masters in the middle of your contract unless you were able to broker that kind of deal.

    they shouldn't be required to do anything imo

  • Sep 23, 2020
    Tomtom2

    Fair enough but if you part is singing the words that someone else wrote and the label forms your whole style, production, etc... how much are you really a part of the success

    That’s why I said you need to have contributed more than half of the songs content, whether that be writing, producing, mastering etc.

    You definitely should not own the masters if all you did was sing something prewritten and pre-produced.

  • Sep 23, 2020
    ·
    1 reply
    Snow Tha GOAT

    they shouldn't be required to do anything imo

    I believe they should as a way to protect artist.

  • Sep 23, 2020
    ·
    2 replies
    Zezima

    I believe they should as a way to protect artist.

    no one is making them sign

  • Sep 23, 2020

    ^

  • Sep 23, 2020
    ·
    1 reply
    Snow Tha GOAT

    no one is making them sign

    Libtards debunked!

  • Sep 23, 2020
    Niggamortis

    Universal invading ktt

  • Sep 23, 2020
    ·
    1 reply
    Snow Tha GOAT

    no one is making them sign

    living off music without a label is pretty rare even these days

  • Sep 23, 2020
    blonded

    Libtards debunked!

    💀💀