Reply
  • Feb 25
    ·
    1 reply
    Sir Real

    frank is a completely out of touch super rich weirdo, why the hell would he have anything to say about politics worth listening to

    Don't do that, hes spoken up about any social issue of note to my knowledge, you just hate on him

  • Feb 25
    ·
    1 reply
    insertcoolnamehere

    ITT: nobody watching the @op video and just addressing the question because op pretty much says why we wont really see a What's Going On ( @Andre_Mackonen hit it on the head)

    When Marvin Gaye dropped What's Going On, he wasn't competing with the goddamn internet lol. He wasn't competing with the goddamn King Bachs of the world nor was he dealing with the IShowSpeeds and Kai Cenats of the world neither. When What's Going On dropped niggas still was calling houses and you aint know who was on the other line til you picked it up.

    What you get is a blank slate and an audience with an attention span + some quaaludes and next thing you know, you got an audience that is ready to receive a What's Going On type of project.

    There are artists that are making What's Going On type of music. Music about the times that we are living in and very pro-active music. The problem is, where's the farming system? Where's the promo? Where's the A&Ring that used to cultivate these kind of acts into a position where they have enough pull behind their product versus now you gotta be (like op said) both socially economically aware while also somehow as captivating as a million dollar worth streamer?

    Marvin Gaye himself was a recluse especially during the what's going on era because of Tammi dying. How many modern audience woulda been like "man this nigga seems boring I aint gon check out his music bro got no rizz."

    Music before cocaine was the perfect time to be a hella talented while un-charismatic type of nigga because all folks cared about was the music and not the image as much.

    ALSO when Marvin Gaye was popping you aint have social media/cameras/etc to watch everybody's missteps (which is crazy cause Marvin Gaye did have televised missteps later on in his career) like can you imagine a viral "this you?" tweet about him and Janis' age difference?

    It's hard to put yourself as an artist today in that space because if you do it, and you have at least one error in how YOU live your life? Oh, everyone picks it apart and tears you down quicker than you can say "do as I say not as I do." It's not so much of a what artist can make a what's going on level project, is it "worth" it in the long run?

    Cause the irony to @op thread, is that we DID have a what's going on type of level political project, last decade to be precise (yall know what it was)

    Annnnnnnd what did it really accomplish?

    do disagree with few points and agree with a lot aswell, but one thing to add to my argument of what i mean is just that like

    to expound on ur internet point specifically in politics its that when ur in an age of constant overstimulation of "important topics" and "information" political music simply cannot be delivered the same and have the same impact it used to because music itself had to be a way people RECEIVED info because ways to ACESS info were way more limited. A lot of people found the concepts of activist records as NOVEL which is really really hard nowadays and thats why the value of a political project nowadays tends to lie in much more emotional and subtext heavy writing, and why audiences tend to just not look for explicitly political music in the same way because an artist is just not gonna say anything u dont already know most likely and hear pummeled in ur brain atleast 3x a day on social media (conservative estimate) and even the most enlightened chill media ltierate guy often is missing the political aspect of newly released stuff cuz of just the nature of how fast things go sometimes nowadays tho thats less of a factor than the other stuff. also yea purity testing and mass surveilance a good point.

  • Feb 25
    fancy lacriminal

    Don't do that, hes spoken up about any social issue of note to my knowledge, you just hate on him

  • Feb 25

    Kamasi Washington

  • Fever

    Honestly a solid 1/4 to 1/3 of random hardcore/punk bands no one has ever heard of with a couple hundred followers from their little town/city/scene

    None of them blow up or get any more listeners than that and it feels like something is happening to prevent it

    if we’re including punk my pick would be Ceremony if they came back for 1 more

  • Feb 25
    ·
    3 replies

    To also address @op 's question in the video of "why do we need music" as a musician that...honestly between gettin this 2nd teaching job that is...really paying well and D's death, I'm like one foot in and one foot out this s*** ngl.

    Music (cause everything comes in cycles, and this is a loooooooong cycle) is fastly coming back to its origin which was when it was used mainly as a way to tell stories about what was happening in your villages or in your communities. When it wasn't really based on profit (cause what was the goddamn billboard charts in communal African tribes?)

    The business model of the music industry was never sustainable to begin with, and we just never saw the ones that didnt make it in the 30s, 40s, 50s, 60s, and 70s. (but it was aloooooooooot of them, mainly black and/or female, that just...didn't make it or just slipped through the cracks) napster was when s*** started ticking, streaming is when we kinda started pulling the life support plug.

    As of 2026, especially if you are not fortunate enough to bake and shake and step into rooms with people you hate and network yourself up a management team that can fund your career, bro just make the music you want to make, put it out for the community that you reside in to hear. If you have 1 person that f***s with your s***, that's good. If you have 5? Even better. 15? Okur. But you have to lessen the expectations and/or come to peace with the fact that listen we prolly not gon' blow up

    Because the whole superstar s*** is kinda over. Musicians aint even coming back off the tours with the superstars with "I'm set for these next few months" type of money anymore.

  • Feb 25
    insertcoolnamehere

    To also address @op 's question in the video of "why do we need music" as a musician that...honestly between gettin this 2nd teaching job that is...really paying well and D's death, I'm like one foot in and one foot out this s*** ngl.

    Music (cause everything comes in cycles, and this is a loooooooong cycle) is fastly coming back to its origin which was when it was used mainly as a way to tell stories about what was happening in your villages or in your communities. When it wasn't really based on profit (cause what was the goddamn billboard charts in communal African tribes?)

    The business model of the music industry was never sustainable to begin with, and we just never saw the ones that didnt make it in the 30s, 40s, 50s, 60s, and 70s. (but it was aloooooooooot of them, mainly black and/or female, that just...didn't make it or just slipped through the cracks) napster was when s*** started ticking, streaming is when we kinda started pulling the life support plug.

    As of 2026, especially if you are not fortunate enough to bake and shake and step into rooms with people you hate and network yourself up a management team that can fund your career, bro just make the music you want to make, put it out for the community that you reside in to hear. If you have 1 person that f***s with your s***, that's good. If you have 5? Even better. 15? Okur. But you have to lessen the expectations and/or come to peace with the fact that listen we prolly not gon' blow up

    Because the whole superstar s*** is kinda over. Musicians aint even coming back off the tours with the superstars with "I'm set for these next few months" type of money anymore.

    Real s***

  • Feb 25
    ·
    1 reply
    YANDHI

    There's artists who do this, you guys are just expecting it from the mainstream U.S. music industry in 2026, where the bar isn't exactly high. And quite frankly the audience isn't exactly interested either.

    @Butters1017 made a great point about acts in different genres who don't get looks from mainstream, but you can also just look outside of the U.S. And lots of them uniquely use hip-hop as their base, inspired by the decades of activism the genre has spurred.

    Kneecap from Northern Ireland is a great example. They've not only reinvigorated youth to learn their native tongues again, but have taken such a strong pro-Irish, Palestine, human rights, etc.. stance that its ruffled their own and foreign governments. They even starred as themselves in their own indie biopic with support from Michael Fassbender. They're doing exactly what people want out of acts here.

    Just last year, BBC refused to air their Glastonbury set, U.K charged one member under a terrorism law to make their lives and travel harder (later dropped), they were banned from Hungary by Orban's government to prevent them from performing at Sziget Festival, they had their visas revoked by Rubio ton prevent them performing their sold out tour in the U.S, banned from Canada.... it goes on and on.

    Does any of that s*** slap though?

  • Hodgy Beats. Lil brother

  • Troy Ave Stan

    Cole performative but not Kendrick?

    There’s a reason the hood bump Cole over mid stepper

    Bro damn do yall got to do this in every f***ing thread?

  • Albert Grindstein

    Does any of that s*** slap though?

    Imo yeah but def not a sound for everyone. Their film (think it’s on Netflix atm) or their last album is a solid intro

    Also didn’t mean them to be some perfect example for thread just more so needing to expand beyond current US mainstream and those genuinely ruffling feathers

  • Whoever it is couldn't be just "on the nose" about it, they couldn't have any major scandals or a checkered past, they would have to be mainstream enough and backed enough to make the waves, and appealing enough on average to catch a hit.

    Kendrick and Cole are the only rappers imo I could have seen doing it, but I think the battle discourse soured that from going how it should unless they came out with a crazy undeniable classic song. I think Kendrick would fare better than Cole though. Honestly, they should probably collab on it, even though I know that would now never happen.

    You know who I think could make it work but probably won't do it? Silk Sonic. They got the chops to channel that energy, the hit making ability, likable stars between the two, and Paak. has already been down that road before. Then of course the Bruno inclusion would make it a pop hit.

    And as for women, I might get a lot of s*** for this, but if she can put the bs aside, I think SZA can do it too as far as having the pen for it.

  • csr

    We are Charlie Kirk ai robot

    this

  • Kendrick

  • Bobby_96

    Kinda weird that Drake is pro-Palestinian but doesnt translate that into music.

    lol

  • Feb 25
    Sir Real

    frank is a completely out of touch super rich weirdo, why the hell would he have anything to say about politics worth listening to

    gonna be hard for most to believe but this is kinda true. i mean he has your average progressive liberal sensibilities but that's about it.

  • Feb 25
    ·
    1 reply
    insertcoolnamehere

    To also address @op 's question in the video of "why do we need music" as a musician that...honestly between gettin this 2nd teaching job that is...really paying well and D's death, I'm like one foot in and one foot out this s*** ngl.

    Music (cause everything comes in cycles, and this is a loooooooong cycle) is fastly coming back to its origin which was when it was used mainly as a way to tell stories about what was happening in your villages or in your communities. When it wasn't really based on profit (cause what was the goddamn billboard charts in communal African tribes?)

    The business model of the music industry was never sustainable to begin with, and we just never saw the ones that didnt make it in the 30s, 40s, 50s, 60s, and 70s. (but it was aloooooooooot of them, mainly black and/or female, that just...didn't make it or just slipped through the cracks) napster was when s*** started ticking, streaming is when we kinda started pulling the life support plug.

    As of 2026, especially if you are not fortunate enough to bake and shake and step into rooms with people you hate and network yourself up a management team that can fund your career, bro just make the music you want to make, put it out for the community that you reside in to hear. If you have 1 person that f***s with your s***, that's good. If you have 5? Even better. 15? Okur. But you have to lessen the expectations and/or come to peace with the fact that listen we prolly not gon' blow up

    Because the whole superstar s*** is kinda over. Musicians aint even coming back off the tours with the superstars with "I'm set for these next few months" type of money anymore.

    real ones appreciate you pouring your soul out on this godforsaken site man. love and fortune to you and yours

  • Nibiru

    Hey brother hope you have been well

    Unfortunately this post is pure ass and gets a 5 star rating on kttass post! And will most likely be an ktt2 ass post of the year candidate

    So one kendrick has had two important mainstream songs that has had an impact and message behind it that caused us not you but us to think

    !https://www.youtube.com/watch?v=uAPUkgeiFVY!https://www.youtube.com/watch?v=efsqlBF3_nE

    what has cole done outside dress like a bum and drive a honda like he isn't a performative millionaire?

    Get kendricks nuts out yo mouf bruh

    Post killing me

  • insertcoolnamehere

    To also address @op 's question in the video of "why do we need music" as a musician that...honestly between gettin this 2nd teaching job that is...really paying well and D's death, I'm like one foot in and one foot out this s*** ngl.

    Music (cause everything comes in cycles, and this is a loooooooong cycle) is fastly coming back to its origin which was when it was used mainly as a way to tell stories about what was happening in your villages or in your communities. When it wasn't really based on profit (cause what was the goddamn billboard charts in communal African tribes?)

    The business model of the music industry was never sustainable to begin with, and we just never saw the ones that didnt make it in the 30s, 40s, 50s, 60s, and 70s. (but it was aloooooooooot of them, mainly black and/or female, that just...didn't make it or just slipped through the cracks) napster was when s*** started ticking, streaming is when we kinda started pulling the life support plug.

    As of 2026, especially if you are not fortunate enough to bake and shake and step into rooms with people you hate and network yourself up a management team that can fund your career, bro just make the music you want to make, put it out for the community that you reside in to hear. If you have 1 person that f***s with your s***, that's good. If you have 5? Even better. 15? Okur. But you have to lessen the expectations and/or come to peace with the fact that listen we prolly not gon' blow up

    Because the whole superstar s*** is kinda over. Musicians aint even coming back off the tours with the superstars with "I'm set for these next few months" type of money anymore.

    Good post. Tbh if you not making music for yourself there's no point

  • HAIM
    BOYGENIUS

  • Madonna
    Turnstile
    Billy Woods

  • People saying “they cant be too on the nose with it” are kinda defeating the point.

    What’s Going On was more on the nose than ya mama zits dawg. That’s what made it…What’s Going On.

    There’s A Riot Going On, that s*** was also more on the nose than a stud piercing. That’s what made it special.

    TPAB dropped and niggas called it preachy for the 1st couple of months lol.

    The way audiences have changed up on political messaging is the same way audiences have changed up on freakin dancing lmao: ”man that s*** corny now”

    Internet the best and worst thing to happen to us frfr

  • I know Drake could do it! 👍

  • Feb 25
    ·
    edited
    vingu

    real ones appreciate you pouring your soul out on this godforsaken site man. love and fortune to you and yours

    PThnx breh.

    It’s more like irl s*** tbh.

    Like, idk. At 31 I dont know if it’s a good idea to put your dreams over your own health anymore. And as musicians we be kinda glorifying that s*** waaaaay too damn much. Way too many like…successful musician niggas dying at 50 dawg.

    (also whoever coined: “those that cant do, teach” was definitely a capitalist shill that’s one of the lamest lines ive ever heard)

    It’s like most the niggas I know that are like…outta here and DOING it (e.g. like playing with doja cat type doin it), are freaking depressed dude.

    Older you get the more you realize a looooot of people use the arts in general as a way of coping/running from some like real s*** they aint really tryna deal with.

    And I get the “no s*** sherlock” aspect of that and the arts is a great way to utilize positive energy into your problems…but idk man 2 years ago i had one of the craziest while busiest years strictly with the freelance musician s*** and the most at peace I felt that year was watering plants at my boy’s garden in brooklyn.

    Idk man, niggas want peace man lol.

  • Feb 25
    ·
    1 reply

    kendrick

    jaden smith

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