I still think about this film on a weekly basis and i will die on that hill of thinking it’s a lot more enjoyable than Uncut Gems
Rip
Rip
yes we know you hate certain movies by now
yes we know you think Aster is trash, Eggers is so much better !
we know Jakes performance in Nightcrawler was just him practicing his big eyes !
We know Safdie brothers were hacks until Uncut Gems !
you don't see me come in and s*** on The Master every time it gets mentioned i love this film get over it
That scene in the back of the cop car alone solidified Pattinsons performance in Good Time
yes we know you hate certain movies by now
yes we know you think Aster is trash, Eggers is so much better !
we know Jakes performance in Nightcrawler was just him practicing his big eyes !
We know Safdie brothers were hacks until Uncut Gems !
you don't see me come in and s*** on The Master every time it gets mentioned i love this film get over it
Damn I didn't think anybody outside my chat thread was logging every nuance of my taste like this sorry pal
Damn I didn't think anybody outside my chat thread was logging every nuance of my taste like this sorry pal
It's easy to remember if you keep repeating them, it's not like you're not allowed to have these opinions but i don't see the value in doing so constantly when the posts aren't directed to you
Like i said i could go on talking down on PTA, The VVitch, etc whatever you love whenever you mention it but what does that bring to the table at a certain point yk?
It's easy to remember if you keep repeating them, it's not like you're not allowed to have these opinions but i don't see the value in doing so constantly when the posts aren't directed to you
Like i said i could go on talking down on PTA, The VVitch, etc whatever you love whenever you mention it but what does that bring to the table at a certain point yk?
It was three letters
Idk it's just as fun to talk s*** on stuff as it is to praise it not that srs
It was three letters
Idk it's just as fun to talk s*** on stuff as it is to praise it not that srs
I mean i can't tell you what to do so fair enough but
As long as you keep the same energy when it goes the other way around and keep it subjective
I mean i can't tell you what to do so fair enough but
As long as you keep the same energy when it goes the other way around and keep it subjective
Wym when it goes the other way?
And of course rarely trying to declare objective truths about art
Rip
U watch mid90s yet? I know u gonna hate it but
This movie tricked me into thinking Cameron Diaz was some thicc Lola Bunny come to life goddess. Looks nothing like that in any other film.
This movie tricked me into thinking Cameron Diaz was some thicc Lola Bunny come to life goddess. Looks nothing like that in any other film.
It was her prime, she was like 20 there
Also one of first times I was ever aroused by a woman in a movie / aware I liked girls
U watch mid90s yet? I know u gonna hate it but
Wasn't bad gave me big flashbacks
Son of the Mask comments on the nature of sequels in a way that Twin Peaks The Return couldn't hope to achieve even if Lynch was in his absolute prime. This level of spiritual understanding just isn't there with Lynch, and that's not a condemnation, no sir. I admired The Return when it was coming out, don't get me wrong--the atomic bomb episode was a true delight that made me rethink our place as humans on this planet and this time (and really made me want to buy an Laura Palmer Funko Pop to commemorate my admiration, but that's another story).
On surface level, they might be separated-at-birth cute-but-ugly little twins. Gleefully entering on a familiar territory, both works pull out the proverbial rug under the viewer with forcefully ugly, at times evil reminder that this is not the thing they're looking for, because time moves on and you can never recapture that thing. Difference is, you can practically hear Lynch snickering behind the camera during the infamous 40-minute sweep scene or every time an old beloved character is shown to be an old ass. What Lawrence Guterman and James Harvey "Jamie" Kennedy managed to achieve in Son of the Mask is the level of sincerity that makes three circles around Lynch's juvenile (yes I said it) post modernism while pressenting the same sense of uneasiness and thematic density in a way that few artists have managed in the history of man.
Can't take my eyes off of you, indeed.